50 years of eBooks: 1971-2021
gutenberg.org
gutenberg.org
This was a time when people were photographing paper books to make microfilms (sometimes destructively), and then to look at microfilms you needed a bulky enlarger.
I really don't understand what "ebbok" could have meant then.
For fun, they collected the sawed-off spines and glued them to boards fashioned to look like bookcases. The office looked like a library, but there were no books on the "shelves," only spines.
The simplest method is to simply cut off the binding (a powered paper cutter can do this in an instant).
The alternative is nondestructive scanning, where the binding and publication as a whole remain intact. This is typically performed using flatbed scanners, angled scanners (the book is either face up or face down on a scanning bed which typically forms a ~90 degree angle), automated feeders which incorporate page turning (via numerous methods), or face-up scanning with digital deconvolution of page distortions. Higher speed presents higher risks of both poor / missed scans, and damaging original materials. Methods should be tuned to the materials, their intrinsic value and/or uniqueness, and end goals.
See: https://en.wikipedia.org/wiki/Book_scanning#Destructive_scan...
There are numerous book-scanning projects with YouTube videos of their methods. Typical rates range from ~300 -- 3,000 pages/hour, with 1,000 pp/hr being a good middling rate.
DIY 1,000 pp/h
https://youtube.com/watch?v=ne-h7FTMZBk
https://youtube.com/watch?v=RdLcrNeWjIs
Commercial, manual page turning:
https://youtube.com/watch?v=adQjU9JAWfw
3,000 pp/h vacuum page turning
https://youtube.com/watch?v=cmhIJOqepVU
... capable of managing very thick volumes:
https://youtube.com/watch?v=SdipuAuWsEs
Google fully automated linear scanbot:
https://youtube.com/watch?v=4JuoOaL11bw
Face-up, no-platten, with deconvolution:
https://en.wikipedia.org/wiki/EBCDIC
https://en.wikipedia.org/wiki/SDS_Sigma_series
There's a slightly more technical history linked from the submitted article:
https://www.gutenberg.org/about/background/history_and_philo...
Hart's goal wasn't hardware. It was the (compartively) harder task of getting text into digital format.
Written language is highly presentation-independent.
If you separate the content from the hardware, you hardly have a "book", e- or not. You have some content floating around, and big machines that are difficult to use and even more difficult to access (cost, scarcity, location) to read it.
That's probably the genius of inventors: they see things that aren't there.
You don't like it.
The problem doesn't lie with the answer.
Here's a rhetorical question: When I read a Kindle-format book from Amazon on the Kindle Cloud Reading app on my laptop, what did I just read? Was it an eBook or not? If not, was it a book in any sense? If someone asks, "Did you read the book, The Cuckoo's Egg?" I'd answer yes, even though I read it electronically -- which is, I presume what the e in eBook stands for. Or do I answer, "No," because it was just digital data on a computer -- absent a standalone eBook device?
I have an eBook reader that came as part of the Calibre package, at least they call it an eBook reader -- it's just a program to read epubs. Is it is, or is it ain't an eBook reader?
The container could be whatever. If there exists a text, there probably exists a book (the content, in fact, is not «floating around»). If that is magnetic tape, so be it. And if that is an abstraction for a physical container - a file, i.e. a labelled pointer to an array of data -, again, so be it.
The file is the book; its physicality - irrelevant and interchangeable, but given - could be the magnetic tape, cards etc. that host it.
https://www.etymonline.com/word/book
It's also worth noting that what we now refer to as a "book" is more properly a codex, also ultimately from a reference to a tree trunk, but defined as a collection of leaves of paper or parchment (or folios or signatures) sewn into a binding with covers, as distinguished from a scroll.
https://www.etymonline.com/word/codex
https://www.etymonline.com/word/code
And of course, scrolls and tablets were the original forms of books.
The notion that a book must be a specific physical representation of paper, binding, and covers, or even physical is ... at odds with origin and usage.
I wrote that explicitly ;)
Note also the other side: something is a "text" when it is textile in quality, in the context of elaborating the expression of ideas: you "weave" the expressions of your thoughts into a "text".
Also note that "liber" means bark like 'book' does (though on the technical, craft side of "peeling"), and "paper" clearly refers to papyrus.
You have terms for the container and terms for the content. The "book" is not a «specific physical representation», but is the side of the container.
"Textile" (a woven fabric) is another great one, yes, thanks.
Diving into other etymologies and origins of other words based around information (literally, to form an impression), truth and trust, etc., is interesting. Many of the words for the most ephemeral concepts are deeply ... rooted ... in the profoundly physical, tactile, and material.
To my "school", a necessary duty :)
> in the profoundly physical, tactile, and material
That depends. Some scholars identify a number of key concepts as construction blocks of their many derived terms. Not all of them are concrete - some are extremely subtle (also to be productive of so many different, yet related concepts).
For example, you write 'physical': some identify the root of that term in an immaterial concept of a dynamic principle, as if expressed by the explosive phoneme, that pertains immediately to "physical", "future", "foliage" in this construction assumed to express a "spawning". Similarly to 'material' ("measure", "mathematics"...), that some see as coming from the key root concept of limited extensions.
In the development of the terms and idea, concretion and abstraction may follow each other ("measure", "moon", "month"...).
As for what it looked like, well that would depend on your terminal at the time.
His goal was to create the digital files themselves, which once they existed in digital form could be endlessly replicated at no cost:
Michael decided there was nothing he could do, in the way of “normal computing,” that would repay the huge value of the computer time he had been given … so he had to create $100,000,000 worth of value in some other manner. An hour and 47 minutes later, he announced that the greatest value created by computers would not be computing, but would be the storage, retrieval, and searching of what was stored in our libraries.
He then proceeded to type in the “Declaration of Independence” and tried to send it to everyone on the networks … which can only be described today as a not so narrow miss at creating an early version of what was later called the “Internet Virus.”
A friendly dissuasion from this yielded the first posting of a document in electronic text, and Project Gutenberg was born as Michael stated that he had “earned” the $100,000,000 because a copy of the Declaration of Independence would eventually be an electronic fixture in the computer libraries of 100,000,000 of the computer users of the future.
In 1971, access would have required mainframe access, either on a line printer or via one of the early CRT-based computer terminals. This Seattle Computer Museum image shows the less-interesting side of the terminal:
https://upload.wikimedia.org/wikipedia/commons/3/3c/LCM_-_Xe...
(From: https://en.wikipedia.org/wiki/SDS_Sigma_series)
Apparently the Tektronix 4010 was used with the SDS:
https://en.wikipedia.org/wiki/Tektronix_4010
https://upload.wikimedia.org/wikipedia/commons/6/62/Tektroni...
On an IBM platform (and possibly others), the IBM 2250, first released in 1964:
Files containing text, electronically accessible, and allowing preservation through automation as files allow (transmission, duplication, versatile electronic storage).
10 Megabytes was the maximum disk at the time of 1992 costing 1000 gringo dolares. With careful zipping it was hundreds of books.
That said, Project Gutenberg and Michael Hart's vision and effort are iconic and really cannot be overstated. LibGen and its ilk owe a huge debt to his work.