Ironically, this is great for NFT artists: most artists distributing their work as signed tokens want the high resolution media to be more widely distributed across many points of failure (that's exactly why IPFS is typically chosen).

So far most comments here fail to understand that the economic value of an NFT, unlike traditional art through most of recent history, is not tied to scarcity of access to its media. If you want to learn more about this (very polarizing) paradigm and how it can benefit artists, I suggest the following links:

[1] - https://mattdesl.substack.com/p/hicetnunc-and-the-merits-of-...

[2] - https://jackrusher.com/journal/what-does-it-mean-to-buy-a-gi...