> I studied photography and sculpture, and initially the only thing that made any difference to whether I enjoyed a piece of art was interpretation by someone who's seen a lot of art. There were only two or three people who could do this effectively for me. Eventually, after talking to them a lot and seeing a lot of art, and thinking about it deeply, you start to develop your own tastes, and realise what kinds of things speak to you.
I think that might be specific to you, or at least not how everyone appreciate art. My enjoyment of a piece of art is directly linked to how I feel when I see it/think about it. I can enjoy something without explanations and not enjoy something with explanations. I don't think I'm in the minority here.
> If statistically significant results come out of this, I'd argue that any information it generates is going to be extremely shallow. It's like a kind of statistical fetish.
They will be, but not because of the nature of the project, but because of the implementation. There are only a few variations of a few basic things.
> This project seems under the misapprehension that there's some kind of "perennial philosophy" of art that can be uncovered by asking enough people about randomly generated images.
I'm not sure this is a misapprehension. The project itself is limited, but there are information to learn with randomly generated images. If people like art A and not art B, you could generate a graduation of A to B and see if people like art close to A (which could mean they like art "like" A), or if they only like A (which could mean that A has something specific).