Ideal scenario is a remaster from original master tapes without compression onto CD.
I will also buy from Mobile Fidelity (mofi.com), who sell audiophile heavyweight virgin vinyl and hybrid SACDs.
The same goes for cassettes. There’s been a (small) resurgence of cassettes, mostly from heavier types of music. There’s something about the harshness and hiss to tapes that fits really well with metal and punk.
As to the collection thing - a buddy has a growing vinyl collection and a decent, mid-range stereo that he pieces together. It’s a system much like my dad put together when I was growing up. Listening to music on a real sound system that you’ve tweaked to a particular room is a far more rewarding experience than ear buds or even the best headphones.
I find headphones to be isolating and uncomfortable after a short time. And playing music from a phone speaker is dreadful.
And between headphones, phone speakers, audiophile sound systems, and live music, I choose all of them.
But I get your point, the way a vinyl record and its player make the sound "worse" can potentially enhance the listening experience, even if a sound engineer could have applied the same effect on the audio that got put on the CD.
Like a CRT screen with old video games.
Right. Agreed on this. Mastering for the particular medium is a big part of the final outcome.
So it’s a lot like taking photos with Instagram filters. You are distorting the signal but you think it looks/sounds better.