Not too sad, though, because I feel like the exact opposite has happened with TV, where the rise of streaming services has ushered in a "Cambrian Explosion" of sorts with all types of varied topics and interesting content.
Not too sad, though, because I feel like the exact opposite has happened with TV, where the rise of streaming services has ushered in a "Cambrian Explosion" of sorts with all types of varied topics and interesting content.
I am worried that soon they will also optimize the hell out of them - platforms like Netflix have all the data: what scene makes you pause and re-watch, what makes you stop watching, God only knows what else they are measuring.
It leaves me wondering to what extent those metrics overlap with the artistic side (whatever that is, but in this context I mean trying to express something genuine, not to please the audience).
In the 2020/2021 season, the nominations included The Father about a man suffering dementia (from his perspective) and Sound of Metal about a drummer going deaf.
* https://en.wikipedia.org/wiki/93rd_Academy_Awards
For 2019, we had the best picture nominations include Ford v Ferrari, Little Women, and 1917:
* https://en.wikipedia.org/wiki/92nd_Academy_Awards
Previous to that, Bohemian Rhapsody:
* https://en.wikipedia.org/wiki/91st_Academy_Awards
Going back one more year, Dunkirk and Lady Bird:
* https://en.wikipedia.org/wiki/90th_Academy_Awards
Lastly for this discussion, Arrival, Hacksaw Ridge, Hidden Figures, and La La Land:
* https://en.wikipedia.org/wiki/89th_Academy_Awards
I think these are good counter-examples to your claim that only two types of movies being made.
Can we even call it TV anymore? It's all streamed to our laptops our tablets