Why Lo-Fi Music Draws Listeners In
discovermagazine.com
discovermagazine.com
> Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.
Two tracks in particular I created use that sense of old familiarity to draw out memories, using melodic tools from minimalism (Part/Glass), reproducing 1970s blade runner synth sounds, and samples that will only be familiar to a very 'leet few ("requiem for a hacker"), and another that uses sub-bass harmonics just at the edge of what headphones will take to get into the listeners chest register ("sleeping dogs"). Not linking my stuff directly because it feels a bit opportunistic (they're on soundcloud), but lo-fi music is not just technical production mistakes, it's intended to share a direct experience of the moment.
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I'm a huge fan of instrumental hip hop, like J Dilla, DJ Shadow (Entroducing...), Madlib, DJ/Rupture etc. I've never listened to these new YT channels the article mentions, though. To be honest, I never really thought of these artists "lo-fi". The term I hear a lot is "crate digging". These guys scour music stores for old records to find songs and sounds they can repurpose in their own music, creating something completely fresh. Are they recording much new sounds though?
Kind related, but I love early thrash metal. Slayer, Dark Angel, Morbid Angel, etc. In particular, I love that really raw production quality. Don't ask me why, there's just something about a lot of newer thrash albums, where everything is so clean and crystal clear, I just don't connect with it as much. I guess the rawness lends it that aggression which is so integral to thrash.
Does it? The "Beyond Youtube" section articulates the exact opposite.
I think I find the raw energy just more credible than the hyper produced new stuff.
Also in that vein, oftentimes when I discover bands I slowly gravitate towards their older releases. Not always, but really most of the time
And that's why it's called distortion and overdrive.
> "Everyone was excited and ready to record 'Rocket 88,' but there was a problem. Willie Kizart's guitar amp had been damaged when it fell off the top of the car and was emitting static and fuzz. 'When it fell,' Sam explains, 'that burst the speaker cone. We had no way of getting it fixed. I guess we probably could have hustled around some way, but it would have taken a couple of days, so we started playing around with the damn thing. I stuffed a little paper in there where the speaker cone was ruptured, and it sounded good. It sounded like a saxophone. And we decided to go ahead and record...'"
Specifically, the Stratosfear and Phaedra albums. I’ve returned to those two albums for concentration music for about 25 years now.
Metal birthed one of the greatest lo-fi genres: black metal. After hearing early Marduk, Mayhen, Emperor, Burzum, Darkthrone I was hooked. It was all done on shoe string budgets: Cheap second hand guitar, crappy amp, distortion pedal, drum machine, maybe toss in a keyboard. Then record the mess on an even crappier cassette recorder. The sound can be described as the guy drunkenly dropped his demo tape in the toilet, accidentally pissed on it, then tried salvaging it by dubbing the piss soaked tape to yet another piss soaked tape. The music is minimal with repetition being a theme and many bands were one or two guys recording in their bedrooms or someones basement. All complete crap and I absolutely love it along with all the weird sub genres and fusions it spawned. The synths in black metal even spawned its own genre: dungeon synth.
To try describe it to anyone who hasn't heard it before, basically its a house blend of minimal techno, melodic pads and soulful cord progression.
If anyone is interested, here's a list of some sets from YouTube & SoundCloud that I'd recommend listening to:
Pierre Johnson: Pure Ibiza Radio, Resident Mix [#002] (https://youtu.be/HZV_ridyGPg)
Kat La Kat: Deep Vibes #73 (https://soundcloud.com/kat-la-kat/deep-vibes-73)
DJ Buhle: LIVE at #KLK12 (https://youtu.be/5S_nqwf4_eI)
DJ Buhle: DJ Buhle LIVE at The 11th Annual Kat La Kat Party in Pretoria, SA #KLK11 (https://youtu.be/cYxWMYuY1DA)
2lani The Warrior: Super smooth house set in The Lab Johannesburg (https://youtu.be/Ht9x3ZDNXkg?t=54)
Ady flemming: Sultry Sounds Sessions #26 (https://youtu.be/MQ-F8uw0Lfc?t=74)
God Fathers of Deep House: DAY 1 OF 21 LOCKDOWN WITH MASIA THE GODFATHER (https://youtu.be/HQhkUOpOIWU)
This is pretty much why I listen to this while working.
I find that the "random noise generators" are too distracting or tiring.
It's not a genre of music I'd reach for in any other setting, but for work it does a great job of drowning out ambient distractions while also being enjoyable.
Or for the brits: "lo fi boriswave beats to relax/get brexit done to" https://www.youtube.com/watch?v=cre0in5n-1E
I've found sound of small rivers and birds chirping to be quite nice:
https://mynoise.net/NoiseMachines/rainyRiverbankSoundscapeGe...
The last several words link to:
https://royalsocietypublishing.org/doi/10.1098/rsos.150081#d...
which says: "The rise of rap and related genres appears, then, to be the single most important event that has shaped the musical structure of the American charts in the period that we studied."
This is an entirely different claim from the one in the TFA, even assuming that the RSP paper is taken at face value, which is hard to do given its own list of limitations.
But platforms have limits on the length of a piece (I think for Spotify it's around 7 minutes?) which makes it difficult to distribute while emphasizing its specific strengths.
I hadn't thought about streaming, and especially YT streaming! Will look into it.
If anyone has pointers to get started with streaming, that would be great.
(Is it possible to stream from a simple device like a Pi that would be always on and be dedicated to the task? -- Edit: yes, it is; just found a tutorial.)
Streaming to YouTube is also great for long-running projects, as they don't appear to have an upper limit on stream length (for example, NASA TV has been streaming since 2018, https://www.youtube.com/watch?v=21X5lGlDOfg) although I think YouTube won't save the stream if it's longer than 24 hours.
It's also been streamed 30 million times which is impressive.
i personally think that we owe lo-fi to the anime community. they popularized it with nujabes of samurai champloo and the like. but since the root is in hip hop, the hip hop community as a whole will claim ownership ¯\_(ツ)_/¯
For work, I prefer more dynamic instrumental music. Specifically, hypnotic, minimalistic, psychedelic techno. An artist I really like these days is Luigi Tozzi[0] and the label Hypnus Record.
YouTube has really taken off for Music, a lot of share our joy of particular music within the comments section, and now people live chat in channels that continuously run music “live”. Lo Fi channels do this a lot.
All that said, I got bored of Lo Fi pretty quickly. For those interested, melodic house (downtempo trance) is really good these days, for example the below were some of my favourite sets recently
My favorite Cercle video is the one at the pyramid's of Giza.
https://music.youtube.com/watch?v=agPnQb9CntY&feature=share
I can’t listen to the same things day after day. So a mix of classical /rock / punk / synthwave (80s sounding instrumentals).
I still listen to colega radio, which provides is a mix of structured shows by former students and random stuff.(each show is archived)
https://wmbr.org Some of my regulars: “breakfast of champions, late risers club, jd deathcar experience, lost and found, paradox box, radio ninja, nonstop ecstatic screaming)