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> Every time I hear a story about how something more modern won’t even be released in 4K because they don’t have a high enough quality source because it's all digital I’m kind of saddened.

I think it depends on the movie, 28 Days Later was shot on digital potatocams and looks awesome.

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> 28 Days Later was shot on digital potatocams and looks awesome.

I'll have you know they like to be called canon XL1s ;)

But I'm not sure how much was actually shot on those. I know a fair wedge of the action was, as it meant that they could do multi-cam shots (low budget, more realism, etc etc), I thought that they used ARRL something or others for slower shots. But I could be misremembering.

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