Ads Don't Work That Way (2014)
meltingasphalt.com
meltingasphalt.com
> In a way, cultural imprinting is a form of inception, but it's much shallower than the conventional (Pavlovian) account would have us believe. An ad doesn't need to incept itself all the way into anyone's deep emotional brain; it merely needs to suggest that it might have incepted itself into other people's brains
This is loosely connected, I know, but it reminded me of the "impostor" story from A Scanner Darkly. Had a hard time finding the text on my own, but luckily another user had already posted it here: https://news.ycombinator.com/item?id=27049625
> ERNIE LUCKMAN ... this guy appeared on tv, claiming to be a world-famous imposter. He said he'd posed at one time or another as a great surgeon, a theoretical submolecular high-velocity particle research physicist, a Finnish novelist, a deposed president of Argentina...
> BOB ARCTOR He got away with it? Never got caught?
> ERNIE LUCKMAN See, the guy never really posed as any of it. He only posed as a worldfamous imposter. Turns out he just pushed a broom at Disneyland, until he read about this actual world-famous imposter, and he thought, I can pose as all those things, then he thought, hell, I'll just pose as an imposter. Save a lot of time, a lot easier. Made almost as much money as the real imposter with books and movie rights.
"For Google's Security and Privacy Month, we are honored to present the real Frank Abagnale, Renowned Cybersecurity And Fraud Prevention Expert, Bestselling Author & Subject of Catch Me If You Can.
His transformation from one of the world’s most notorious con men to an international cybersecurity expert trusted by the FBI has been mythologized in film and literature – but the takeaways he shares are the real deal." ...
But then I recently was pointed towards https://www.youtube.com/watch?v=wf8mZVmof2g by twitter. It's a 2 minute ad I don't regret watching, and it has changed my opinion a bit.
If a company wants to spend $x million on paying artists, I find that a worthy thing to do.
Somehow, if I imagine how Coca-Cola would have spent the same money to make a generic "<sports personality> praises product in an extremely generic manner" ad, 95% of the money would have gone to the celebrity.
I don't know why to me, that makes a difference. Maybe I am just baffled by actually enjoying an ad.
>If a company wants to spend $x million on paying artists, I find that a worthy thing to do.
If the US army wants to spend a few million on "search and rescue" drones that might also seem like a worthy goal. But just like military money is ultimately spent to kill people (ahem, "project force"), advertising money is ultimately used to manipulate people. One could even argue that if the "technology" to do this is genuinely beautiful art, that exactly makes it worse.
I realize I'm exaggerating a bit with this comparison, I don't mean to hammer on you while you gave a helpful counterexample :)
https://fr.wikipedia.org/wiki/Culture_Pub
That video was great btw. Definitely a high quality ad. But like others said, one good example doesn't a good industry make. (Or like I said in a recent previous post: The ad industry can burn)
And frankly, that last-second transition to a product placement was pretty off-putting. It would have given me a weird taste in my mouth if you hadn't told me it was an ad from the get go. But this might be a cultural thing, too.
If you want examples of great ads, I really like Jay Foreman's goofy sponsorship sketches on YouTube. Here's a video to get you started:
https://www.youtube.com/watch?v=Na9iO_HEe14 (audible ad starts at 5m33s)
(By the way, Map Men is a fantastic series, quick plug to his channel…)
Very different style, every bit as much art.
If I saw this out of context (not comparing it to the CalorieMate ad), I'd shrug it off as very vanilla, flavorless, and forgettable. But then it is at least 10 years old, so I can't say what I would have felt in 2011.
After viewing it while remembering the CalorieMate ad, it made me cherish that one even more. Maybe this is just personal preference, but I feel a lot more connection between the music and the action, and a lot more connection between the characters in the anime than the POV protagonist in the Nike spot.
It gives me lots of "4-out-of-10 Hollywood adaptation of a 9-out-of-10 Japanese movie that completely misses the point" vibes.
Pay-to-get-attention could in theory still be a meritocracy where good products make money and thus can pay to get advertised more - but in practice it's more a matter of who raises the most money from investors, or incumbents using their past success to out-market the scrappy newcomers with a better product but smaller war-chest.
I think there's still a big opportunity here, in creating marketplaces or similar that are closer to true meritocracies, where the best products get recommended, that put the wants and needs of the consumer first, where avoiding "noise" and "false positives" from the perspective of the consumer is a top priority. The problem is that the obvious monetization of something like this is to start compromising the integrity and trust you've built up and amplify those willing to pay, and we end up back where we started, with yet another Google, Facebook, Yelp, Trustpilot or similar.
Would good products need advertising though? Maybe at the beginning, but once they reach a critical mass of users, word of mouth and "organic advertising" (for the lack of a better word - think legitimate reviews, blog posts, etc) would take over and stop the need for paid ads, meaning that conventional advertising platforms return back to being a cesspool.
Ads work by cultural imprinting, not emotional inception - https://news.ycombinator.com/item?id=8344345 - Sept 2014 (98 comments)
one other bit here:
Melting Asphalt: Ads Don't Work That Way - https://news.ycombinator.com/item?id=20342073 - July 2019 (1 comment)
I found this comment from the 2014 thread interesting (https://news.ycombinator.com/item?id=8346265):
First off, advertisements definitely do work via simple association. Humans use liking as a heuristic for virtually all decisions (we decide in favor of things we like), so increasing liking increases purchases fairly reliably. A warmth appeal like a Coke ad with smiling faces will reliably create an association between Coke and positive emotions just because that's how humans are wired. If you activate two concepts together, you link them. This is just how humans work and is the basis of most of cognitive psychology. Many, many things make sense once you start to see things in terms of co-activation and priming.
I think the article has aged much better than that comment, given the recent replication crisis in science. Unless I’m misunderstanding, much of the published research into priming and the like has turned out to be heavily exaggerated.
The article’s theory of cultural imprinting nicely explains why advertisers pay a premium for Superbowl ads. Unless you assume that not only consumers, but advertisers are highly irrational...!
I don’t think that part is a tautology; it’s a specific theory, once thought to be very generally true, now thought to be possibly-partly true.
I’m inclined to agree with the article, that it’s overly simplistic. People aren’t 100% rational, sure, but they also aren’t quite as trivially swayed as that theory assumes.
- make you know or remind you that the product exists: removes the barrier of ignorance.
- show it in a context that is not bad for the product or the company or make the product consumption looks like something normal: removes the barrier of social pressure.
- Pest control services saying "protect what's yours" establishes the idea that your home is a fortress and you are duty bound to exclude all intruders, be they people or ants. - Financial institutions and advisors referencing their hundred year history to establish comfort, confidence, surety. You could claim that these are factual assertions of a superior product but they tend to have too much emotional context for me to think the ads aren't also trying to "incept" you. Otherwise why always use an older, gravely voiced, white, male Sam Waterston type instead of someone else? - Laundry soap wants to be breezy, relaxed, calming. Basically exactly what an overtaxed mother/homemaker wants to experience, and might be missing when in a hurry to get the grocery shopping finished.
The above examples are all common in that they identify some anxiety in the mind of their primary audience and then try to counter program against it. There's a direct association to the product "working" but also a wider association that they're trying to leverage:
- Your house will be pest free (because you are a good protector and provider) - Your financial future will be secure (because you are a prudent and responsible decision maker) - Your laundry will be immaculate (because you are a skilled and confident homemaker).
Maybe this is still tapping into the "how I want to see myself and be seen by others" vibe of "cultural imprinting" but it's definitely at a different layer than "because other people observe me using the product".
I don't have a TV, and each time I see my mother and she watches TV, I'm just so shocked by TV adverts.
I don't understand how most people accept to be manipulated this way.
Things advertised most heavily identify exactly what you need least.
It has worked out pretty well. I only wish I could get other family members on board.
Most things that are overpriced end up piling up at thrift stores. So, name brands there can be OK.
As the article argues, this also makes it more difficult to escape: you have no control over what others are seeing.
I suppose the ultimate combination would be targeted advertising inserted into broadcast streams, to fool you into thinking it’s a shared experience. That already happens with the sideline billboards at big sporting events.
https://videoweek.com/2020/08/12/server-side-ad-insertion-ex...
The target audience for ads is more than likely thankful for them. There is a lot out there, it is good to be told about the bits of it that make life better.
It doesn't explain the vast majority of ads. Most ads you've seen are for products you - and everybody else - knows about already. They aren't informing anybody of anything.
We also don't see this behavior in advertising strategy. It's not an irregular campaign trying to reach unique individuals. Instead, you tend to see the same ad over, and over, and over in a short period of time. Companies are often extremely transparent about this kind of behavior.
This is not anything like the behavior you would find if ads were at all attempting to merely inform people about a product.
The problem is that the vast majority of ads does not fall into this category. They are actively trying to make you want something and manipulate you into buying things. We can't have nice ads, because the system almost invariably falls into a local minimum of plastering everything with carefully crafted ads that play into people's reptilian brains. The sociopathic and amoral part of adtech will invariably drown out the ones who try to play nice.
Perhaps I'm too jaded, but I just can't see how to change the status quo outside of strong regulation to break apart the existing adtech oligopolies. Unfortunately, even that is a gargantuan task because said adtech oligopolies wield incredible lobbying and political power.
And therefore I hate ads and hate what the adtech industry has become. We vilify the military industry, the oil industry, the finance industry and countless other industries who have often downright negative value contribution to society. And yet the adtech industry is still somehow innocent in the public eye, even though they are just as corrupt as the rest, it's just that the damage they are causing is more insidious.
The target audience for telemarketers is more than likely thankful for them. There is a lot out there, it is good to be told about the bits of it that make life better.
That's more promotions than actual ads, but I don't think I would have been less positive had these been actual ads.
The only things ads may be good for are for funding things that might otherwise have required explicit payments.