Spotify launches in the US
spotify.com
spotify.com
Why do so many companies make this infuriating mistake? They either don't have this page or it's completely in a completely obscure location. From the front page I click on "Spotify Premium" link (or "Unlimited") and it takes me to a sign up page.
Fail.
Here's a tip: NEVER, EVER ask for registration information until you're sure the customer actually wants to sign up. I want to see what I will be getting so I can make a decision.
The video is well-produced but it doesn't actually tell me anything. How does the service work? What do I need? Is it an app or Flash? Take this iconic iPod video [1]. It uses only FOUR words but manages to tell me everything I need to know (those words are "iPod" and "Mac or PC").
This might be a great service but I hazard to think how many customers they're going to scare away (well, more annoy actually) with this bad UX.
Weird that it isn't linked anywhere on the splash page.
Edit: can only send if your email address is on your HN profile, of course.
Edit edit: http://www.spotify.com/us/amanda/ will be less hassle for all whilst it lasts.
Edit: Thank you so very much!
Thanks
Thanks, would really like to try it out
Edit 1740: all gone.
To be used here by the way: https://www.spotify.com/us/invitation/
a9f6JVzTXAr5Kb2c was already used.
All of my 32 invitation codes are now used.
Edit: removed the used ones.I'm starting to think it would be nice to have a service where people could share invite codes and keep track of which ones have been used.
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Says they should work in the US as well.Edit: Wow, that was quick. 24 invites used already! :)
Thanks for the invite.
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eeENV5uFfnfUVayASince I didn't see an obvious way from the front page, the place to sign up for a free account if you have an invite code is: https://www.spotify.com/us/get-spotify/overview/
The UK price is over 50% more than the US price. As someone who's been subscribing to Spotify Premium in the UK for over a year, this feels like quite a slap in the face.
This is hard to understand until you've lived in both places.
There isn't much excuse for the very large discrepancy between electronics pricing, however.
My early thoughts:
1) The software is snappier than, but not as well designed as Rdio.
2) Their catalogue is missing a lot of work from some of my favorite main stream artists (Bob Dylan is the biggest hitter I've encountered so far with a woefully incomplete discography).
3) No web interface like Rdio or MOG, so you're out of luck on a work computer where you don't have full rights to download and install software.
4) Being able to add in your own music files is nice plus since neither service has 100% of what I want.
5) Having an ad supported free version is great for sharing playlists. I've made Rdio playlists I'd love to share with their embeddable web widget, but only people with a paid Rdio account can hear the songs. With Spotify you don't get a web widget, but you can share playlist links which anyone can listen to with a free account.
At least it did with me.
Kindle is doing something similar to my book reading. We ditched all paper books sometime last winter (they're now in the office library), and I'm actually reading a lot more because all my books are with me all the time.
I'd be pretty pissed if I signed up and got a Top 40's equivalent for my money.
Soul Coughing - Y Zyklon Boom - N Любэ - N GTA - Only GTA IV and Vice City Tub Ring - Y (these guys have a great sound, thanks for the heads up!)
I know it's common for products originating in the USA (games, electronics, etc.) to make the USD -> EUR conversion 1:1 but it's interesting to see it's also done the other way around.
I am not complaining though, Spotify is an awesome service and well worth the money!
edit: Seems there's more people who noticed the same, it's even the same with GBP, which has an even bigger difference than the Euro.
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Thanks!
Is this just to increase artificial demand?
They're not - you can pay for a premium or unlimited subscription right now. I've just purchased one for my brother in NY, so I can share playlists with him from London.
Why?
1) The ads. At first they were reasonably infrequent and unobtrusive. But gradually they became more frequent and more and more obtrusive. Eventually some companies were deliberately producing jarring ads to grab your attention.
Many of the ads were for music. Other music: music that I would never listen to and (more importantly) music that was totally incongruous and jarring to the music it was interrupting.
2) Disappearing Music. I created loads of playlists filled with interesting (often independent) new music. Gradually whole playlists disappeared and stopped working. It felt like my music was being stolen. To replace ownership with streaming (at least for the generation that owned CDs) the catalogue needs stability.
3) Missing Music. As usual it's the big, classic stuff. I bought a license for a christmas party at my parents house. The lack of Beatles, Stones, Queen etc caused a near riot. Spotify was booed off.
4) Skype. I don't know why (but I suspect its probably Adobe's fault ;-)) but Skype and Spotify on the PC seem to have a problem with each other. Maybe I'm seeing ghosts here but I frequently have problems with these two apps (and the Chrome Flash plugin). Eventually I had to stop using one or other.
5) The artist payments are miniscule-to-the-point-of-broken. See this:
http://www.informationisbeautiful.net/2010/how-much-do-music-artists-earn-online/
I realise that the first problem would have been easily fixed by buying Spotify Premium and I was going to do this until my favourite music started to disappear.Hopefully, the US launch will be enough to persuade the small labels to return to Spotify (maybe they already have?) and with a larger advertising base better ads could be produced and more appropriate targeting of ads could make the advert-laden experience more palatable. Similarly, a US launch may convince the big rock dinosaurs to join. That, at least, would improve next xmas.
Don't get me wrong: Spotify is an amazing thing and has a ton of potential. The US (especially teen US and low-income US) is going to love it. The App is fantastic (kind'a magical when you first see how quickly and easily it plays music).
If you have mainstream, modern taste and can stomach the loud ads you'll get great service for free.
If you're a fussy indie-kid like me who mostly listens to whispering soft audio as you work, you may want to check how many of your favourite obscure artists are onboard before you buy premium.
As for artists - while Spotify is a great innovation and a valuable way to move young people from illegally torrenting to legally streaming music it needs to generate more money for the musicians for it to be truly sustainable.
Edit: To make clear this is a UK account (not a US beta) so the falling-out-of-love took a few years.
1.The ads on the free plan are obtrusive, but it's free. I didn't find them any more obtrusive than Pandora's ads. That said, I love the service and wanted to take it mobile, so I upgraded to premium, so I'm no longer hearing ads.
2.I didn't experience disappearing playlists. I'm sure this happened to you, just pointing out that it's not a super common occurrence b/c I'm on Spotify hours per day with plenty of playlists and haven't seen the issue.
3. Agreed. I miss my Beatles and Pink Floyd. However, the Stones' library is on there.
4. Again, I'm sure you're seeing this issue, but I use both Skype and Spotify on my PC fairly often and haven't had any issues.
5. In fairness, I'm just interested in a streaming music platform - not starting a movement. There are plenty of inefficiencies in the record label industry, but I'm. Just a startup guy, not an artist so it's not my fight ;-)
One issue I will add is that Spotify stopped streaming on my Droid about two weeks into my premium subscription. However, customer service couldn't have been more responsive and helped me fix the issue pronto.
My bad about The Stones. Maybe they were there that xmas.
I suspect that the issue the small independents have with Spotify is exactly linked to Artists' fees. Selling small amounts of CDs is actually worthwhile for a small artist - being on Spotify isn't.
I don't blame them, we know what the industry is like.
3. Beatles not so much for me (I've got their discography on cassette, cd, mp3… so I sync it with spotify), but Metallica… sad but true.
4. Never had a problem with Spotify + Skype, but I would suspect it's Spotify's fault. Why? Because on OSX I use BetterTouchTool and I get this message everytime I resume from sleep: http://cl.ly/1Z1u2n0R3H3o0w27243d ← I believe it could be related.
I think the problem for you though is the music you listen to. I have never seen music start to disappear (and I listen to a wide variety of music). It's also not reasonable to expect artists such as the Beatles to be on Spotify. They've only arrived on iTunes after years of Apple trying to get them. There is no way they will ever let you stream their music for free on Spotify.
EDIT: And as jsherry said the Stones are on Spotify. I have a lot of their stuff in playlists and listen to them regularly.
I think the best way to use Spotify is in addition to iTunes. I use Spotify premium to listen to music that I would never buy. And then I buy music from iTunes that I regularly listen to or isn't available on Spotify (like the Beatles). For the price of one album a month I don't think that is a bad way to use the service and probably how the record labels hope it would be used.
In the UK albums and tracks on Spotify often have a "Buy" button (links to 7digital) so you can guarantee access and high quality. But I think they are missing a trick by not showing music that is not streamable but can be bought. This doesn't help the Pink Floyds of this world but this would work for plenty of indie acts.
I agree. I previously used Grooveshark for this purpose, but the number of times I found mislabeled or corrupted tracks sparked me to switch to Spotify a while back.
A win for iTunes over Spotify, for me, is AirPlay. I know I could use AirFoil with Spotify and achieve much the same thing, but then I lose the (fabulous) remote control from iPad/iPhone capabilities.
Refuting your (IMO somewhat unfounded) statement on who in the US are going to love it, I'm a heavy music consumer (both in breadth and depth), and Spotify works especially well for me. In a purchase-song model, I'd be out many, many times as much per month than I am now (which also forms the disclaimer for this reply: I've been a premium subscriber for ages).
I imagine that I would listen to some of my favourite tracks 1000 times over the next 10 years. That adds up to pretty much the same amount of money going to the Artist. That seems reasonable.
Anyhoo here are some invite codes: e32yEp9pMNkVxUhy cnYq9kG9uPmhwHEM dBFVbcKeDcm9qw25 bdJTRS492mXnyzSY a94W7mdcVTnGNugk bGrMgcbLVL8LtZdM e7RXhPe3yVWGHHDd e7DUsN99VJP94YKT bACewd924c2KLA4X
Updated list of the ones that are left, be quick:
eB2BAJAA9xLxYBxD asMr7rpHG2Lqm3wE eJBKb75caywbasFD aSHF6dFyM7Gbyrrq abULR7ucEmwp6GBZ aBYECGgHw9yLuTzx dwZxF2PGmNpVkeEP eLxsqahHYLsdHDGF aadzPV2nfdXB3STx
Your great.
P2P is all about lowering their costs, not about making better sound quality for low connection speeds. It doesn't matter if you're streaming from Spotify's data center or across the street, slow is as slow does. You're not squeezing more bits through a slow connection because of P2P.
I don't know if I expressed myself any more clearly :)
Other than that, its quite responsive.
I think Spotify is absolutely worth the money. It's also great for playing your own music collection.
1:1 pricing aside, it's very good news that they're launching in the US.
120 is a big jump for the average person.
Also Spotify US will not be allowing you to "live" as a free user for long.
I have other issues with Spotify, both good and bad, but that is its own blog post and nothing I submit to HN gets up voted anyhow :)
The pricing is a lot cheaper than in Norway, but even here I think its cheap ($18 / month for premium) and would gladly have paid four-fold if that was the cost.
I've also been impressed with their response when I've contacted them to request catalog adds. Both times a non-customer-support human responded and both times they managed to add it within a few weeks. I didn't even expect a respond, to be honest.
I have been a Rdio subscriber for about 3 months now, and I really only have two complaints. The first is that when I'm listening to Rdio at work (which is where I use the service most often) the stream tends to hang up and/or "stutter", to the point that I eventually get frustrated and turn it off. Now, we have pretty decent bandwidth at work, and other similar services (e.g. Pandora) don't seem to suffer from this problem, so I'm not sure what Rdio's problem is.
The other problem I've observed with Rdio is that a noticeable amount of time passes between the time I press "play" and the music actually starts. This one's not such a big problem, but it is a problem.
So, I've just signed up for a Spotify Unlimited plan and I'm going to see how it stacks up, especially with regards to the aforementioned problems. If it seems to perform more consistently than Rdio has, I'll probably switch.
I feel like Spotify's UI is just a gray iTunes, whereas Rdio's UI is more in line with how I think about music. The search function in Spotify is really poor compared to Rdio.
Rdio blows away Spotify in terms of the discovery and social aspects. I really like the ability to follow people that have the same tastes as I do. I've found a bunch of new bands that way. With Spotify, you have to find friends on Facebook and Twitter. And no offense to my friends, but I think their taste in music sucks.
I'm sticking with Rdio.
If there's something missing that you really want to see, make a request here: https://spreadsheets.google.com/a/rd.io/viewform?formkey=dHd...
And thanks for sticking with rdio!
You guys have a fantastic product. It's easy to stick with it.
Rhapsody had tried the same thing in the mid 2000s, letting people play songs for free.
They seem to think that people who aren't willing to pay for music will use Spotify because it lets you play free music, and then magically decide to start paying for mobile access. But the reality will probably be these users sticking to their less than legal ways and keeping their mobile access via iTunes. So without the compelling free component, it ends up being just an improvement over other music subscription services, and music subscription isn't really a groundbreaking new model.
...or Perhaps subscription is the model of the future and there hasn't been a large enough marketing push educating people yet...
pros:
* good mobile apps
* offline support
* as good a selection as anyone here in Scandinavia
* great shared playlist support
* you can create a link to songs/albums etc..
* facebook connect
cons:
* music can be missing / disappear (guess we should blame the labels..)
* some music can be available in some countries but not others (guess we should blame the labels..)
* you rent and don't own, so if they tank or you quit you will loose "your" music
* "related artist" feature sucks, but there are some last.fm integration web-apps
* a lot of the artist info are missing
* album dates are sometimes off (click on the album and look at the copyright) eCHNmfHZuqF9TmD3
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Got some more left if they run out…I took ctecqyA3qAGB5UAs
D6Mtj4MyMg6hzJ8t ETWbfUwiBMFcU2Ph WPAS74wtHu9tMmyN HJmJz2FP3UJDhswi fzdnV35pk2yHdL3c gGM7nUmHp5RMEyqt iSjWhLn2K9uYgX82 wsSYtfZFCAdAsh2f D7FnpxmUe5d8DKD6 69aTCaa3g4bH6Pgg qC5F8Duiqk9Uim9Y Fcgdb2JauHUDt5Aj qDsZz8Fh6DRAeHks Fsn3UgS4EqVNX9iH ePKFqMGw63N52CJw aEADiTuH7MuXq2yW ysE4ALgXL9JNz3ZG iR4YAdyzFPiiy5Ta GUhTyEwWFZ6fA4LX eATtWNb6znwWFKA3 aMCqCWZEtzHdnCew aE57pUkzVreGpSeW dpyDJS3xqcC5REMC aHWdX4f2YDDmGVgu akfcypkYsCGqzG4P bVM55CNq7KHrLgEy efCYNacLAS9NqMDz fFkuEeNR4G5gkdFp dKyzfb6TgVbGmax8 afuPf5Yn5K42ktkV a3cDmTKGmf97ZHG3
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If I worked there I'd be driven absolutely insane by the media buzz for all-you-can-eat streaming music that almost always fails to mention them.
Total, epic marketing fail.
For me, while Mog has more songs, they lose to Rdio in their UI, their iPhone app, and the social aspect of the service.
When I was comparing them, it was neck and neck between the two, but I couldn't stand Mog's crashy AIR player compared to Rdio's rock-solid AIR player. The Rdio website is much more intuitive and usable, IMO. Also, the new Rdio for Mac app is crazy awesome. The Mog iPhone app used to sign me out all the time, too, which was really irritating.
I've also found a lot more new music through Rdio than I ever did when I was using Mog. The social features are nice because I've been able to find people who like the same type of music and then listen to new music they discover.
It's all a lot of little things, but they added up to make Mog really quite unacceptable for me.
Also, MOG just finished a HTML5 redesign anyway.
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* = UsedFor the record, inviters are disclosed with the user name the invite ends up as.
Step 1. Pick an artist! I'll go for "Britney Spears". Step 2. Pick an album! I'll go for her latest "Femme Fatale". Step 3. Find that album on Groove Shark! Easy enough, it's right there under "Britney Spears". Step 4. Check which label that album is distributed under, Wikipedia states it's under the label "Jive" (who are a division of Epic, part of Sony). Step 5. Search through that list for any label associated with the ones I just listed.
nothing
So here they are, making money of the latest Britney Spears album, yet they aren't licensed to! What a surprise! This is all Grooveshark do. They will only remove after they get a DMCA request because "oh our users upload it! We didn't know! Those naughty users!". That label list is 95% small labels nobody cares about that very few people listen to the music of, none of the larger labels are on there. I would love to see Grooveshark publish a breakdown of what % of their music (based on listens) is licensed vs. unlicensed. I'd bet $100 it's less than 50%.
"oh but it's too hard to get licenses! It's the big bad RIAA!!". Wait a second, we're posting in a thread about a company doing exactly what Grooveshark should be doing and doing it successfully!
Youtube also allows uploading of content and takedowns via DMCA, so that is a bit disingenuous of you to claim it's not standard practice. Labels have every right to be compensated and also do takedowns if they choose, but RIAA normally just blankets takedowns that may or may not be inaccurate.
On the other hand, Grooveshark is the only real option in Canada.
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deUWDgPchWycFhK3Google "uk proxy" or similar and use a web based proxy search like daveproxy to sign up for a UK spotify account. Once your account is created, you can change your country on your profile to the US :) Download the spotify app and you're good to go.
Oh, well. I'll go back to Rdio, Rhapsody, MOG, and all the other established services that do the same thing for cheaper.
The website seems confused by my status, however, and I get stuck on a page trying to get me to register for one of the paid plans.
We have established competitors and I've failed to find a single thing Spotify does better than the competitors.
Also the competitors do this amazing thing that Spotify doesn't: They work in a web browser.
https://www.spotify.com/uk/get-spotify/overview/
It's a shocking omission on the US site, but the plan features are the same.ePU6yTfM5FxuGKtA
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Language: United States
So apparently we won't even understand the text on the page, there's no "Language: Canada" option!Apparently Pandora has good recommendations so I'll give them a try when they come to Canada. As for Spotify, meh. What's so great about them?
1. Crappy search (You don't get suggestions)
2. Not all artists are on there (Beatles for example) and they are somewhat slow on putting up new music
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Edit: All gone :) as8ShFu5NPg7UptG
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P.S. I love spotify, but I use the paid version, so no ads for me.
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(updated to remove used ones - last two!)List your email and I'll send you one (I've got 10).
Edit: I'll just paste them:
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Much appreciated!
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Enjoy!
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2. Rdio has a killer web app so you can login to your account from any computer (great for parties and traveling). Both have desktop and mobile apps.
3. Spotify has higher bitrate (320) on pro accounts and uses p2p and other tech to do things like pre-cache songs it thinks you're going to listen to so they play instantly when you click on them
4. I haven't used spotify much, but Rdio's social features seem more fluid and their collaborative playlist feature is awesome
See more discussion at Quora: http://www.quora.com/How-do-Rdio-and-Spotify-compare?q=spoti...
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First thought: How is this any different from Grooveshark (from a user experience perspective - I know Grooveshark doesn't give a shit about artists rights etc).
Edit: So far, search on Spotify is much faster, but the music library is nowhere near as complete... and I like that in Grooveshark when I search for a song I can see other peoples playlists that it shows up in and play those.
Is there a way to play a personalized station? I am a fan of having my music selected for me.
On the Mac app, the 2nd item is "Play Queue". "What's new" is first and "Inbox" is third.
http://www.spotify.com/us/get-spotify/free/
This table shows that it's only available for paid accounts.
"The radio feature will eventually be available. However, I can't say exactly when that will be. Be reminded, that Spotify is not chiefly a radio service. The lack of a radio feature for the time being is a factor of licensing agreements with the rights holders but it will eventually be available.
So the lack of a radio feature in no way limits your ability to search for and play the song of your choice. Just to be clear, when the time comes, the absence of a radio feature will be available for free as well as Premium users, as it is not typically one of the main benefits of a Premium subscription. "
http://getsatisfaction.com/spotify/topics/radio_mode_missing...
http://www.grooveshark.com/labellist
http://blog.grooveshark.com/post/7090813892/grooveshark-anno...
http://blog.grooveshark.com/post/7543767530/breakthroughradi...