Dump your fluorescents and incandescents for this amazing new LED bulb
slate.com
slate.com
Saying that you "can't tell the difference" when casually looking at the two lamps, during the day in all likelihood, is something that's been done before with a million CFL and LED lamps. It usually doesn't actually hold up. In this case, there doesn't seem to be anything special about the actual LEDs - they just put many of them into a screw-in enclosure, for which they need liquid cooling to remove the heat.
If this was about actually saving electricity, and not about "environment theater" and a windfall for a few companies, they'd pass a steep progressive tax on residential electricity use, and let people figure out whether they want to have more efficient bulbs or to turn down their air conditioner, or perhaps just not build a McMansion which needs 1000 lamps to light it in the first place.
If this were purely a windfall for cfl manufacturers, the law would mandate cfl's. It mandates a minimum efficiency and lets the markets figure it out. If someone builds a better bulb, it will win out. If the casual observation of this article proves correct, this particular bulb will win out. If not, it is only a matter of time before someone builds a bulb that will. The mandate all but guarantees it.
For the question of the law, I agree that the savings in electricity are barely measurable, which is why I think it's theater. The huge growth in residential electricity use has been driven by increase in average home size, and by the explosion in the use of air conditioning. Also, it's not even clear that bulbs like this save energy over their lifetime. Sure, one of these theoretically replaces 20 incandescents and uses less electricity, but an incandescent light bulb is just a tiny tungsten wire + steel leads + glass + aluminium base + a drop of epoxy, all made in one factory with extraordinary efficiency that has been polished through 100 years of manufacturing. This thing has 20 LEDs + mounts + cooling tubes + cooling fins on the outside + "non-toxic" liquid + a bunch of electronics for control and dimming + enclosures and wiring for all of the above, made out of plastic and ceramic and glass. All manufactured in probably 20 factories and transported to be assembled in yet another place. If there is a win here for the environment, it's super-tiny.
Presumably the higher environmental costs of the LED bulbs are reflected in their higher retail prices, which are still offset by the savings in electricity (the price of which should eventually come to reflect the environmental cost of generating the electricity).
So do incandescents. The good thing about LEDs is that they're easy to tune; they're becoming very popular in the film world because you can make small fixtures that run a long time and that allow a cinematographer to dial in the desired color (via a multicolored array) instead of faffing around with sheets of colored gel, and they are capable of much better spectral power distribution than CFLs. It's not just the tinting and tunability of the LEDs themselves, but also the fact that they put out a steady light instead of CFLs' high-frequency flicker. Even when the color is slightly off from the ideal, the steady light source is much, much easier on the eyes.
I'm not ready to endorse these products yet, because their spec sheet just gives a single figure for color temperature. But I'm going to pick one up soon both because it looks cool and because the CFLs I have at home produce really ugly light, so it can hardly be worse. The first thing I'll be doing after ooh-ing and aah-ing over it's retro-modernist design is lining it up against other bulbs and shooting it against calibrated gray cards; I have the gear and skills to measure these things properly. If they're spectacularly good (or bad) I'll write it up.
EDIT: BTW LEDs can flicker too. It's probably more accurate to say fluorescent lights have a low frequency flicker since it's often slow enough to be easily seen by eye, especially if you use them with a dimmer switch - in which case the flicker is slow enough to interfere with film shutter speeds, CRTs and so on, giving rise to an unpleasant strobing look. I didn't mean to say that LEDs are completely immune from this, but I have found them vastly easier to work with than fluorescents in a wide variety of situations.
> So do incandescents.
What do you mean? Incandescents have essentially the perfect black-body spectrum (the effects of the spectrum of tungsten are insignificant). This is what's called a CRI of 100. If you want a bulb with essentially a daylight look, you can get a halogen incandescent, and as a bonus, it's 30% more efficient. LEDs and CFLs don't come near this.
> The good thing about LEDs is that they're easy to tune; they're becoming very popular in the film world
The problem is that people can't tune the color filtering in each of their rooms with the expertise of a Hollywood cinematographer.
If you can test this product, great, but unfortunately, HN doesn't lend itself to this, since the thread will be long dead by the time you have results. I wouldn't expect anything amazing, anyway, since the CRI is not fantastic and the LEDs appear to be standard jobs.
The problem is that people can't tune the color filtering in each of their rooms with the expertise of a Hollywood cinematographer.
It's an awful lot easier to do now. For old-style cinematography you were basically dealing with bulbs of a fixed color temperature, gels, and a dimmer switch. Building the lighting setup so that it looks good on camera was a very complex task - in fact that's one reason that the title 'cinematographer' got upgraded to DP/Director of Photography. (There's a joke: why don't more DPs smoke? Because it takes them 3 hours to light anything.)
Now with an LED array, you can basically just twiddle a few knobs and get the color you like. If you're shooting video it's especially easy, because you can just hold up a color card and match it against some other scene or even have a computer do the matching for you. But even with film, you can still shoot a polaroid and get the color matching done a lot faster on a small-to-medium set with LEDs. And a lot more cheaply, too, because everyone knows that LEDs are commodity components. If someone wants to do this at home with mood lighting (say, recessed strips around the ceiling with 3 tracks of red, green and blue LEDs connected to a dimmer - something that can be done for a few hundred bucks)...well, it ain't that hard.
As for testing, I can simply start another thread about it if the results are sufficiently interesting.
Anyway, I am not talking about cinematography; incandescents, whether regular or halogen, have an even, non-peaky spectrum, and don't freakishly exaggerate or mute different colors. This is what people want for their homes. The idea that we can regain this by installing banks of LEDs of different spectrum and fiddling with controls doesn't seem realistic. And psychologically, I don't want a huge continuous space of choices for my lighting, since it's impossible to settle on just one thing (there were studies about this). Again, I am talking about home lighting here, not professional videography.
Not to mention that by the time we finish installing the controls and the wiring and the LEDs and the electronics in every room, the environment will be at a huge disadvantage.
You are quite right, my mistake. I was, quite incorrectly, thinking of the halide mixed with the mercury vapor in a HMI, as opposed to the halogen around a tungsten filament in a worklight or so. The chemistry and mode of operation is so different as to be meaningless in this context, and I apologize for derailing the conversation.
It's not that I expect people to install banks of multicolored lights and tweak them endlessly, but that I disagree with you about just how peaky the LEDs are compared to CFLs. Cinematographers are hyper-picky about light and color (or should be) because the realities of both film and digital compression make it expensive and difficult to overcome a poor lighting choice after shooting has ended. LEDs have delivered considerably more convenience and predictability for small-scale lighting situations than anyone had dared hope for a few years earlier, and even when they require correction the output is consistent enough to keep the problem manageable. In short, they solve existing problems to a much greater extent than they create new ones. They are not so peaky in practice as to interfere significantly with skin tones, clothes, makeup or hair color in realistic-looking contexts (as opposed to sci-fi or 'stagey' lighting setups). That bodes well for their deployment in more ordinary settings such as businesses and homes. It seems to me that you're attaching too much important to the raw CRI score, which is after all an abstraction of a rather nonlinear curve (http://www.ledsmagazine.com/features/2/5/4/VLambda).
Whether by mixing or doping, ISTM that the ability to get a desirable result under demanding conditions with relative ease means that providing a broadly acceptable standardized product for the general consumer is a lot more feasible. Once again I am not claiming it's perfect. There are still problems, especially for film where you can't tweak the color balance during production, just as you can't tweak the colors of paint, wallpaper or furniture in the home. There's a comprehensive set of Macbeth charts at the AMPAS lighting project pages: http://www.oscars.org/science-technology/council/projects/ss... and http://www.oscars.org/science-technology/council/projects/ss... Despite the peakiness and pink tinge of the the multi-emitter 2 sample, and the slight darkening of the blended phosphor, you can see that they are quite close to the incandescent alternative on a range of colors. This is what I'm talking about: if you're concerned with perfect color fidelity - as you should be if you are, say, shooting a commercial that uses a well-known logo, or trying to provide accurate representations of nature, textiles, or artworks - then there are still shortcomings. If you do not need forensic-level quality, and most of the time you don't, then LEDs are an increasingly viable substitute. The biggest problem for the Academy is one of scale; what works in a medium close-up in an average size room is one thing, but when you get onto a soundstage (which you would use 5kw or 10kw incandescent lights to illuminate), then you have a whole different set of problems, and the deficiencies of LEDs are significantly magnified. That's not an issue for consumers, though, since few of them have floodlights installed :)
I'm not invested in any LED lighting companies, I'm just telling you that I've had very good experiences with the technology so far. Given the fact of the regulatory changes, which I am neutral about, LEDs seem much more likely to deliver the desired results than CFLs.
LEDs are a very expensive technology. People in this thread are getting sticker shock from the $20 LED light bulb. I am shocked that they claim to sell it for this little. IMO they will quickly go bust. $20 is roughly the price of all those LEDs in quantity, unless I am guessing wrong about what they use, and they also need a powerful and compact control system to step down from 120 volts and control the LEDs, plus the liquid cooling tubes, plus all the manufacturing to get the LEDs and electronics in that package. Put this kind of technology in a flashlight, and it's going to be a $400 flashlight at retail very easily. And you don't get Moore's law to make it all cheap in a couple of years; these are power electronics, you can't just shrink them to 22nm.
All this, and the consumer state-of-the-art in white LEDs is a fairly nasty blue LED with a yellow phosphor to add some longer wavelengths and make it look kind of white. This is what Switch uses, and it's not a good light for homes. Even fancier and better stuff is on the way, but it's ridiculous to force people to go that kind of expense to get something which is still not as good as what they have. And don't get me started on the failure modes of LEDs - they don't burn out like light bulbs, but they grow dimmer and shift their color quite noticeably, and the electronics can start to buzz or flicker or, better yet, burn.
If you want to compare a light source to the black body spectrum you have to look at their locations on a color chart like the CIE charts - and compare their distance to the black body line. This is called Duv. With binned LEDs we can get a light source closer to black body color than fluorescents, and almost as close as incandescents.
Anyway, all I meant to say is that the smooth spectrum of incandescents is what people like to light their homes. It allows natural perception of colors of the surroundings. The high-tech approaches to getting there are a) not as good, b) expensive, c) not so good for the environment, once you add it all up. Now, for specialized applications, I am sure that LEDs are wonderful compared to complex filters on incandescents, but that's not the product we are looking at.
I adore NIST's "Spectrally tunable lighting facility"[2]: a room with a huge variety of different narrow-ish-band LED's. You talked about a tuneable RGB array for selecting color, this is the same idea but comprised of 22 different colors, giving way better spectral control. Humans might not know the difference when they're looking at grey cards, but when it comes to seeing how different spectrums of light interact with real objects, I really like this idea of a tunable light source.
[1] http://web.ncf.ca/jim/misc/cfl/ [2] http://www.nist.gov/pml/div685/grp05/vision_lighting.cfm
The above is absolutely right; LEDs produce a fairly narrow range of colors. If you look at a spectrograph of an incandescent light bulb (including halogen, which is a bit less yellow), you'll see a fairly flat curve that's a bit higher at the red-yellow (and infrared) end and a bit lower at the blue-violet end. If you look at a spectrograph of an LED, you'll see several narrow spikes. If you illuminate objects with LEDs, you'll find that certain colors appear almost cartoonishly vivid, while others that might look similar under incandescent or sunlight appear very dull.
An increasing number of small-medium concert venues are switching to lighting that's primarily LED-based, which I find very frustrating since there's not much I can do about the problems it creates. If all the LEDs had the same spectrographs, I could probably convince the performers to wear things that look good under LED light. They don't, of course.
I'd be happy to buy these things at $20 -- have my cake (carbon footprint) and eat it (light quality, no mercury release on disposal) -- but they don't exist yet. All the LED bulbs I can buy today are basically purple, like the early CFLs. Maybe it's fine for lighting a closet, but they're not adequate to night-time illumination of my home.
Call me when Switch bulbs are actually on the shelf!
I have no idea why I don't hear more about this, but I can smell a horrible chlorine-plastic smell from them after they've been running for a couple of hours. It is an acrid smell that makes my nose feel strange. I've tried many different brands - Sylvania, GE, Feit electric, Great Value - which are all rebranded Chinese manufacturer products, of course. I used to be able to find some bulbs that did not do this, but not any longer.
I'm pretty sure these fumes are toxic from how they make me feel. If you've never noticed it, go buy 4 Sylvania CFLs and run them in a closed room overnight. The room will smell like chlorine in the morning.
If LED bulbs actually last the 30 years, they're worth the extra in convenience.
Compared to CFL's, the circuitry is less extreme - LEDs are low voltage devices unlike mercury arcs - and so the driver can definitely last much longer and be more reliable than a comparable CFL ballast.
I recently picked up a 2V 100A power supply off ebay for some LED projects. :)
Many car LED tail lights are actually refreshed at (I'm guessing) 30Hz or so to keep from overloading the wire - They have a distinct look to them from the low refresh rate.
That's a pretty large range to run a current-driven device (the LED) from a fixed resistor. Most useful applications these days will use constant-current supplies that feed the LED a fixed amount of current as the input voltage changes all over the place.
I've seen a few designs that do not overwhelm in luminosity, but I find most of them to be an outright hazard by partially blinding those in following vehicles.
Unfortunately, Switch didn't figure out that the light is no longer "solid state" when they added liquid to it - and that a non-toxic liquid is probably worse in many situations than a toxic vapor.
I don't know that they're going to last forever, but I do know my remaining incandescents die about every 6-12 months, and none of the LEDs have burned out. Because LEDs are so expensive ($20 per bulb vs. $1 for the old style) I only use them for the lights I leave on for some length of time, so I still have enough incandescents to make a comparison. So, the LEDs are working harder and not burning out as fast as the incandescents.
I recently bought an LED that has a much more pleasant color than some of the older ones. I don't know exactly what the difference is...they all have yellow tinted covers, but the new one is a more neutral light. Still blueish, but not as harsh. So, I guess they're all getting better at a pretty rapid clip.
A couple of my "soft white" (aka yellowish) LEDs seem to be pretty close in color to incandecents, but a couple have much more of a bluish tint to them. I got an excellent price on the bulbs, so I figure this variance is part of the bargain.
Anyway, high five for living more off the grid!
I'm pretty sure it's a hostile environment...which I'm guessing is why the incandescents die at such an alarming pace. I've had some last as little as a month or two.
Four. They can cause fires. Consumer Reports this month had a recall of two brands that would catch fire. I have had several (not of the bad brands) do weird things when they burn out. In each case, they "smoked". It was unsettling, because I didn't know if the type of event could have led to a fire. Now I know.
http://www.homedepot.ca/wcsstore/HomeDepotCanada/images/cata...
It costs so much because if something cannot compete on cost, it has to compete on premium features at a higher price point.
http://en.wikipedia.org/wiki/Light-emitting_diode#White_ligh...
The fundamental challenge is that the wavelength of light emitted from the LED is constrained by the band gap structure of the diode. To get white-looking light, you need more than just one narrow frequency band.
For instance, until some new materials were developed in the 1990s, this is why there were no blue LEDs, only red, green, and amber.
http://www.amazon.com/We-Were-Burning-Entrepreneurs-Electron...
This is a special physical property of the phosphor material - not simply a function of its color.
Normally this yellow phosphor material is applied directly to the LED die - but they figured they would put it on a plastic shell outside the LEDs. It doesn't actually make any kind of performance improvement except that the light is more evenly distributed.
If you tried to paint the shell with the phosphor - you would most likely have blue light shining through it - that's why they need so much technology to accurately dope the plastic phosphor, so that the light output is an even and consistent color.
If you "paint" a surface a particular color to alter the light transmitted through it, you're effectively creating a filter. If you want something to appear more yellow, you need to increase the amount of yellow wavelengths transmitted through the filter by reducing the other wavelengths. But if you have a single color LED, such as blue, there are no other wavelengths present (at least not in any significant amount). So if you put a yellow filter over a blue LED, you see nothing...
It's currently half the brightness of when it was when new.
I am not impressed, unless they have fixed that.
Also, if LED is so efficient, why do they produce so much heat that they need massive heatsinks or advanced cooling?
I do think that people ought to have the right to buy plain incandescent lightbulbs if they want, though. Energy-efficiency is very important and will remain important for a decade or more, but the contribution from involuntary speculative energy futures investment in the form of compact-fluorescent purchases is not significant; I think it's more important for people to be able to build E-Z-Bake ovens, make heat-sensitive invisible ink visible, have ready-made electric igniters, and be able to do their homework when they only have 50 cents to spend on replacing the lightbulb before payday.
The second problem is you cannot install them in enclosed fixtures - because they'll overheat and fail. They can only be installed in open air fixtures.
These two issues pretty severely limit where they can be used.
Switch tries to give you the cake and feed it to you - they give you lots of LEDs, running at high current, and they manage the heat by immersing the LEDs in a liquid [liquid water has a conductivity and capacity for heat ~5x greater than aluminum even with a lower density]. But this has its own problems that you can probably imagine - not least of which is that the liquid probably absorbs more light than it gives back by removing heat.
Based on my "in the know" status, I can tell that Switch will be losing big bucks trying to sell those lights at $20 but they are working hard to cement themselves in the market early. I'm very sceptical and look more towards smaller innovators like LEDNovation and LED Integration Technology.
http://en.wikipedia.org/wiki/Light-emitting_diode#White_ligh...
Holy fuck that bulb sucked though. Not only was the color so bad it made my hand look like a body in a morgue but it wasn't powerful enough to light by study table unless the sun was up.
I don't think I will try again. A standard bulb works just fine...
If we are concerned about electricity, maybe we should generate more. It's not like we don't know how.
If I wind up in a house where I'm sure I'll be living the rest of my life, the economic calculus will change a bit.
The 20k hour figure likely does figure in "lumen maintenance" - although Switch maybe stating a "consumer lifetime", the mean lifetime of the product, they are required to provide a lumen maintenance figure called L70 - the time it takes for a 30% reduction in light output. Chances are these light bulbs just broke before reaching that target, and the consumer lifetime is more useful to the market at large.
And, yes, the warm color with high CRI is the hardest LED to make - that's why they're waiting until next year to try and offer a warm white 100W equivalent bulb.
The flicker is unnoticeable if the chop rate is a few kilohertz or higher.
For more information, and a look at the waveform that is produced see this awesome page: http://www.epanorama.net/documents/lights/lightdimmer.html
Maybe the Bulb Form Factor is still a work in progress, but in terms of actually lighting places up, I suspect a lot of people are already using LEDs. So why is this a revolution?
I'm saying, people are buying and using LED lighting all over the country and presumably liking it. Ikea used to have problems stocking the item in demand and only in the last 2 years have they really managed to consistently meet demand. I wonder if maybe the idea that most people are holding off on a bright LED light with a ruddy orange glow is really supported by data or if it's just assumed.
Me personally, I'd rather have broken glass and a microscopic amount of mercury vapor, than broken glass and a huge "liquid" stain. Switch isn't over the hump yet.
I find your claim that 50Hz was enough rather strange. Even incandescent light bulbs have noticeable flicker at below 50 Hz and those have considerable warm up / cool down times, as opposed to the LEDs.
For instance: http://a.wholelottanothing.org/led-bulbs/
The article specifically lists a 60 watt replacement, and a 100 watt one soon.
I get so sick of seeing these revolutionary new products that never make it to market, have a much higher pricetag, or don't actually do what they claim.
LEDs are nothing new. And they have have replaced other types of indicator lights decades ago (the lights on older computers had incandescent lamps, and if you have seen those in practical use - you are getting old). Trafic lights are already LED here in Bulgaria and I'm sure in other countries too.
there are other LED lightbulbs available, but they are more expensive. and the ones that I got all failed in less than a year.
That, and they're made of glass filled with an unknown liquid, is the reason I'm not very convinced by Switch.
I think once you get below $5 you'll have takers, but we're probably a ways off from that. I do like the fact that they are dimmable. I haven't found any CFL's that work well with that aspect, and the ones that do are very expensive.
Dimmable ones have cost me $5.
Even if you're a starving student in a dorm with nothing but a secondhand ikea couch and faded Bieber poster, good broad-spectrum lighting will improve your aesthetic experience.