Maybe you could convince a couple of indie creators or state-run programs to licence their audio? But I'm not sure if negotiating that is more efficient than just recording a bit more audio, or promoting the project to get more volunteers.
Also I don't think there have been any major court cases about this, so there's no clear precedent in either direction.
Easy fix - keep a bloom filter of hashed ngrams ensuring you don't repeat more than N words from the training set.
It would still be an uphill battle to convince them to hand over the training set but the legal department can likely be convinced if the data set they contribute back is heavily chopped up audio of the original content, especially if they have the originals before mixing. I imagine short audio files without any of the music, sound effects, or visual content are pretty much worthless as far as IP goes.
I'm not sure that is a clear copyright violation. Sure, at a glance it seems like a derivative work, but it may be altered enough that it is not. I believe that collages, and reference guides like cliff notes are both legal.
I think a bigger problem would be that the scripts, and even the closed captioning, rarely match the recorded audio 100%
What might work better is using closed captions or subtitles, but I've also seen enough cases where those don't exactly match the actual speech either.