I'm horrible at remembering names, but three of my favorites off the top of my head are Peter Watts, Neil Stephenson and Kim Stanley Robison.
I've generally had decent luck finding new authors by just by seeing who gets Hugo and Nebula nominations.
Whether their ideas and worlds stand up to Asimov and company, or happen to be appealing to a particular reader, is another matter, but the command of writing itself is overall better, I'd say. I don't think a modern author would have much luck getting novels or stories in major magazines published with Asimov-tier dialog & characterization, for example.
Plus those eras were full of tons of garbage, in addition to what we remember. New Wave (60s and 70s) in particular tended to some very special interests that I don't think have held up too well, with some exceptions. A lot of that era's stories are very in love with sex & drugs and not in a way that really translates into a good tale. Most of those aren't exactly well-beloved these days.
On the flip side, there are definitely some modern sci-fi authors that are among the most famous but have some serious problems putting together an entirely good novel. I'll refrain from naming names but among them is maybe the only author whose book has ever made me mad at them for wasting such a good idea, setting, and opening, by just having no damn follow-through and getting super lazy in the last 1/3 or so. They're probably a top-5 sci fi name, among active authors today. But I stand by the overall quality level being notably higher on at least some dimensions, and it's even true for that guy.
But that's just the thing -- science fiction is about the ideas, and about the sociological and psychological impact of those ideas.
Whether a work has literary merit is neither here nor there for most people, and "science fiction" as a genre has been looked down upon by literary folks since it's inception. I don't know why anyone would be interested in praise from a community that is so invested in snobbery.
Regardless, science fiction authors of the time did have literary merit, if that's what you care about. LeGuin and Butler, are both regarded well in modern literary circles as far as I know. Vonnegut himself is regarded well also. At the time however, their books were condemned as being inadequate by the prevailing literary reviewers for various reasons unrelated to their actual writing.
Work from that time is perfectly functional and servicable for the most part, especially if you look at the places where the stories were submitted and published -- a small majority of Clarke's works ended up being published in Playboy, I don't think anyone can blame him for not creating a literary masterpiece when the majority of places that would actually pay him for his work were essentially pulp magazines.
Asimov's SF is, sadly, hard to read these days. Clarke has held up better but still a bit dated. Lem reads as fresh as ever, but he's not so well known.
(What happened to Bradbury and Heinlein?)
Gene Wolfe is only one generation younger than these guys, and he just died, but I consider him a better writer than all the others I mentioned except Lem.
https://en.m.wikipedia.org/wiki/Ice_IX
Also I only know of Ice-nine because of fun facts like this, didn't even know the name of the story let alone have read it.
I remember reading that nothing but incineration would work in the context of Food-and-Mouth disease, but it seems modern techniques in brain surgery do use bleach. Interesting.
Essentially, the only thing that works is disintegrating the prions. You can't wash them off, since you're simply washing them into the water cycle. You can't deal with them in a way that preserves other biological matter, since they are proteins, disintegrating them means disintegrating any other proteins in that area.
Is it more irresponsible than not removing them prior to operating on someone's brain?
It sounds a bit scary but it's not clear that it would change the risk profile.
[1]: https://en.wikipedia.org/wiki/United_Kingdom_BSE_outbreak