‘Disaster Girl’ has sold her popular meme as an NFT for $500k
theverge.com
theverge.com
Fewer and fewer make a living at it full time. They struggle to make a business out of this. I feel like the art world has a very weird “winner take all” mentality. I kind of wish it was more distributed. I appreciate new revenue models, but I have mixed feeling about this.
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You need to realise that most artists never made a living with their art. If they did, they had a rich sponsor who simply liked their art.
If rich people don't do that anymore: Tough luck. Maybe the rich people are at fault, but maybe the artists are crap?
Don't even get me started with the state and 'Somebody ought to do something!'isms.
I agree strongly with this. I'm lucky enough to have a good job in software and I enjoy it enough to keep me happy, but I've also had serious art hobbies in the past.
I spent many years studying photography but never felt like I got to the point where I could impact somebody's life with it. I occasionally took portraits that people liked, but most of my time was spent doing landscapes. Everyone is so oversaturated with photographs and because of the internet it's basically impossible as a hobbyist to make your work stand out.
I started studying music in Dec 2019, which happened to be kind serendipitous because I had something to work on at home in the pandemic (there are only so many ways you can arrange eggs or glasses on your window sill to practice still life photography).
It struck me that with music, the barrier to have an impact on someone is much lower than with photography. With photography the cost of reproduction is essentially so low that people who are interested in it can see hundreds or thousands of photos through instagram in a day, and there's not a strong concept of the "original" piece. With music, the live performance aspect of music is impossible to reproduce, so it's much more valuable to people, and even simple songs with simple melodies can have a strong effect (I made my grandmother cry by singing "Georgian Song" by Bulat Okudzhava over Zoom, I had never made anyone cry through art before).
Kind of off topic but this is something I've been thinking about a lot.
I think that's because most people get into art for themselves and not because there's a demand. That means that they have to both create their art and the demand, in a domain that is really competitive because lots of people want to live from their art.
I'm always happy to help him in any way I can regarding technology, but man I am always feel very bad that he is pushed out of his passion due to a lack of demand in that sort of things.
I see it everywhere, unfortunately.
At the same time, I see people "getting by" by finding a niche. In the arts it might be the guy that does intricate stipple art with his Rapidograph of dragons and makes bank going around to Renaissance Faires in the Fall....
(Okay, well, makes a little cash anyway.)
Sort of non-sequitur: watching David Bull on YouTube — you know, the Canadian ukiyo-e artist living in Tokyo? His "big break" came when he decided to pursue a 10 year project to (re)create 100 masterpieces of Japanese wood-block carving.
Imagine deciding what you are going to do, artistically, for the next 10 years of your life/career? And then to have to turn out a new piece almost every month for that decade.
And yet.
He finally started to see a return from repeat buyers ... collectors. And the collectors only grew over the years (and the collectors would want his back-catalog as well).
I know it's, again, not something everyone can emulate, but beautiful David found a way to navigate the path out of starving-artistry. Subscriptions and collections were the key.
I also struggle a bit to understand the percentage of artists who make a living off art vs total numbers. I am a hobbyist photographer and have been hanging around photo subreddits a bunch. One thing I see is that every year more and more people pick up a camera and try to make art (street photography are landscapes are big it seems). But not many can make a living off it and those that do mostly do things like event, corporate, real estate, or wedding photography (so more service than creative). In other words when everyone is a photographer/artist, only a few will be able to make money, but in absolute numbers there still seems to be a steady demand for high quality art. I guess this is a bit like everyone can cook but only a few Michelin Star chefs exist and not every cook can expect to be a high profile chef.
Curious about your thoughts on this.
And I think having “local” is also a useful perspective.
I stumbled upon the “gates” by Cristo in Central Park. I don’t know if it people I was with but all those gates around the park were inspiring. I’m not sure someone would be able to put that together as a part time hobby venture.
It’s kinda like philosophers, as a society I feel it useful to have people thinking about big picture things, but these people still need to eat. Its useful to have art. (All the electric boxes in this city are painted. Its a little thing but it make it nicer)[1] We don’t want only independently wealthy people with spare time participating.
That being said not everyone is going to be able to make a living at this (philosophy or art). In this area at least because of gentrification the days of people painting and selling and making enough are over. We also had the museum of bad art here, and I’ll agree not all art is fantastic and inspiring.
Everyone who wants to should make art. It’s fun and very satisfying. highly recommend.
I will say, I have bought a few pieces of original art (fairly affordable) and they bring me joy.
I can create my own art (and do) which I enjoy (Photography). I have no expectations of making money from this. I had the chance to buy an art/service and turned it down:
I was a wedding photography assistant last century (often I did a flash on a stick for double lighting). When my boss retired I was offered to buy the business from her. With a newly paid for engineering degree, and her always complaining about client demands, I decided against it.
Of course a one-time six-digit check is also enough...
The thing that's being traded is a certificate of ownership that is enforced and considered by almost no one. It's equivalent to trading on emails that say "I own the Eiffel Tower".
The fundamental question is why the hell does anyone want an NFT in the first place? "it's art" doesn't cut it, and "it's like baseball cards" doesn't really cut it either, because you aren't buying the card in a way that you can claim ownership over -- you're buying a certificate that contains a link to the card, and trading on that. Entirely independent of the object under question.
In fact, you don't need the digital asset in the first place. You might as well trade tokens directly, and let go of the farce. But I suppose you just have a normal coin then.
I can easily find an image on any card and print it. Still we value the original. NFTs are a proof the you own an original and not a copy.
A piece of cardboard is all you own with a baseball card. Value comes from artificial scarcity that owner has no control over. Baseball card companies can easily print more cards and destroy value. They don’t. There’s a social contract between collector and producer. Similar to NFTs.
Why would she own the photo or the meme just because she appears in it? Usually the photographer owns photos they take, unless they give it away or are paid for the rights to it?
And once something is uploaded online, it becomes more murky. Don't a lot of services will claim ownership of any photo uploaded to them, in their TOS?
Like others in this discussion I think NFTs are just a scam
NFTs may not answer that, but they put a price to it
If you want to buy the copyright to something (or a license to it), you don't need an NFT. There was already a market price put on IP, you don't need NFTs for that.
I have no idea what NFTs are for.
It's somewhat complicated IANAL. She has certain publicity rights to her own image. So while the photographer probably holds the copyright, if a company wanted to use the image in an ad after obtaining rights from the photographer, she would likely have a claim. That's why stock photography typically requires model releases for recognizable people in the photo.
But also, it's not entirely clear to me you "need" to own the copyright to something to sell an NFT based on it. All you "need" is whatever the buyers think you need, and since the whole thing makes no sense to me either, I don't especially expect that to make any sense either.
Note that selling the NFT is not the same as selling a license or a copyright. The article also notes "And as is the case with many NFT sales, the Roths also retain the copyright to the image and will make 10 percent off any future sales of the NFT."
I'm sure Disney would sue regardless of whether or not they had any right to, but as far as I can figure out, anyone could make NFTs of Disney's entire online movie catalogue and there'd be no copyright issues at all. Someone like Banksy or even just some random person off the street could make another NFT of "Disaster Girl" and sell it for the same price, and it's not clear to me that the original author could do anything about it.
It's worth hammering home over and over that the vast majority of NFTs are just a link. They don't carry any ownership rights at all, or any exclusivity rights. It's no different than pasting a link into a Facebook post.
I don’t fault you though, the one constant in the art world throughout time is contemporary work being thought of as unworthy.
> I don’t fault you though
Spare me the patronizing attitude, thanks.
So exactly, aside from may bragging rights, does a tokenized digital "original" mean. Are they checking the file creation date?
Must the original be in the original file-format it was created in (meaning a .psd, .ai, .dwg etc) file?
I just dont understand the value.
I considered buying some, not because I wanted to own an NFT, but because I wanted to put cash in the pocket of some illustrators/artists I like, especially in a time where they couldn't perform or have shows, etc. I wound up not buying any because the ones I was interested in were limited and sold out too quickly.
Then that Christie's auction happened and prices got kinda out of hand...
This is pathetic more than crazy. They're going to struggle to even prove they have the NFT. Only a tiny circle of people even know how to verify this stuff. They'd get just as much practical leverage out of lying to say they'd bought the NFT and donating all the money to a charity on the sly.
You know, maybe I bought it? Can we prove I didn't in a way I'd understand?
Not only could they be lying, it is completely irrelevant to anyone even if they are. Unless I've really misunderstood something and am on the fast track to looking stupid - there is nothing here to care about even if I wanted to.
An interesting use for NFTs is having objects "know" who owns them by seeing which address holds its NFT. The object can then perform tasks or give access only if you can provide a signature. Here's a pretty good video on NFTs: https://www.youtube.com/watch?v=Y-i9Jsm95ro
NFTs (Non-Fungible Tokens) use the blockchain to “claim” ownership by being a single non-replicatable representation of that digital data.
In reality, it’s value is entirely dependent on people believing NFTs have value & that there’s only one blockchain in which they should exist.
I guess they’re hoping that these things retain and even increase in value. At some point in history we decided that ink on canvas could be immensely valuable based on scarcity (arguable also they’re nice to look at, unlike an NFT), and I’m guessing they hope the same for NFTs. I guess memes are highly recognizable works of art to some?
https://twitter.com/FoldableHuman/status/1387956657171271681
One possible motivation: they see themselves in a position to benefit from NFT trading "becoming a thing". Either because they already own stock, or they expect themselves to become extraordinarily successful in speculation, or they consider themselves future creators, or they own/run a market where they will be traded. No matter which it was, they'd have a very real interest in bootstrapping the market into existence.
Pass around ownership in an effectively zero sum series of transactions with exponentially growing price, get media attention, stop being zero sum as soon as the first outsider steps in.
It does not include any copyright assignment, or other aspects of ownership one might think of with physical items.
You can verify that the NFT is unique, probably. But it doesn’t get you anything else.
The NFT itself is basically some payload (any collection of bytes), a checksum of that payload, and some metadata. What's to stop someone from perturbing the payload by one byte and minting a second NFT? Nothing, really, other than "it's not the first". So yeah it's down to performing due diligence on the vendor and payload to make sure you aren't being snookered.
I think. I get the whole crypto aspect. I don't get the social/contract aspects.
https://www.youtube.com/watch?v=AUM59Eh6vTw
And it's equally disturbing...
That's not what "fungible" means. The "non-fungibility" of NFTs means that each one is a unique token, it doesn't have an "exchange rate".
Fungible means "able to replace or be replaced by another identical item; mutually interchangeable," it doesn't have any meaning about the price of making a copy/reproduction/another instance.
An ordinary quarter is "fungible", if you're paying me a quarter for a piece of candy, it doesn't matter to each of us which quarter you use, they are all interchangeable. (and that doesn't mean either of us can make a copy of a quarter for free!) An ounce of gold is fungible. A bushel of the same kind of and age of wheat is fungible if you're a commodities trader.
Every bitcoin is worth the same as every other bitcoin, at any given time they have an exchange rate with other currency. That's what "fungible" means. An NFT is just a unique token on it's own, and is not worth the same as any another NFT.
(I don't actually think the market in NFT's makes any sense, not trying to explain it as something sane, just the word "fungible").
Technical hype + cultural hype + FOMO = $$$$$
As for being an adult and not getting ELI5, see the last paragraph in that explanation. Yes, I am serious.
Alice pays Bob 500 000 USD. Alice owns Bob soul. Record checksum: 0x3345dfe3. Journal checksum: 0x3345dfe3
Charlie pays Bob 500 USD. Charlie owns Bob meme. Record checksum: 0x1305eee5. Journal checksum: 0x995faac2
And so on.It really is as crazy as it sounds. The closest real world analogy I've seen is that it's like the people who sell deeds for plots of land on the Moon.
https://foundation.app/DisasterGirl/disaster-girl-25046
Here's the token:
https://etherscan.io/token/0x3b3ee1931dc30c1957379fac9aba94d...
What's burned into the blockchain is the URL of a JSON file which is hosted on IPFS:
https://ipfs.io/ipfs/QmYBvcJMaYFrUwhTRcbiHqFBoYPP54t4aBCnk1K...
That in turn points to the image, also hosted on IPFS:
https://ipfs.io/ipfs/QmeQ6c5HdnEDcheHmWuKWdwMHBBZg1eGpgV5h3H...
Here's the transaction which minted the token with the IPFS URL of the metadata as input:
https://etherscan.io/tx/0xccc3f7ee08307dd469af7c65c55e087edc...
More about hosting NFT content on IPFS here:
https://docs.ipfs.io/how-to/mint-nfts-with-ipfs/#a-short-int...
As to NFTs themselves, you’ll have to understand Etherium smart contracts. This particular NFT is a Foundation NFT which implements the ERC-721 interface:
(Except the underlying contract actually appears to be https://docs.zeppelinos.org/docs/1.0.0/upgradeability_adminu... which I understand to be a contract that proxies its implantation. I’m not entirely clear how that works.)
NFTs are an attempt to translate that into digital form. An artist will 'mint' an NFT (I think its based on a hash of the actual digital image/video whatever?) and then that 'minted' NFT is embedded in a blockchain and can be bought and sold. It is perceived to have value because its endorsed by the original artist.
Yes NFTs are weird but so is a lot of the real world art market, decades ago Yves Klein could paint a canvas pure uniform blue and people paid crazy money for that stuff.
nft_owner["http://cloud.com/meme.jpg"] = address
The owner of that address has the permission to interact with that smart contract, only he can transfer it. Basically a type of ownership written on the blockchain that is all.
It’s expensive because anything crypto currency related is filled to the brim with fraud, money laundering, and “number go up” groupthink.
Here it's explained in comedy form: https://www.youtube.com/watch?v=ZiJa9diJOMk
You can also watch the film The Big Short for another view into finance.
The most important thing to grasp is, don't think this can't be true because it's so stupid. It's exactly as stupid as it sounds.
For a more serious look, listen to John Kay: https://www.youtube.com/watch?v=SX3E-CbY1uE Or read the corresponding book Other People's Money.
https://twitter.com/FoldableHuman/status/1387956657171271681
As always, if it's related to cryptocurrency, the answer to the question "why" is "because it's a scam". Always.
As generous of a description as that is, I think your assessment of their current form is correct, as it really does feel like a scam. NFTs can’t be really “appreciated” the way that a collectible card can be appreciated, and heck I don’t think they have an actual viewer yet. I know that this criticism is a subjective thing, but I think it is significant.
Then again, rich people buy valuable artworks that they don’t appreciate either, except for the price that the artwork is worth. It could be digital wealth signaling.
† No, the attribution can't be proven, but it's good enough for government work.
But maybe there's something to this? Is this real or is it a big scam?