No, but patriarchal and racial structures in society have historically suppressed artists who weren't white and male.
Adam Neely has a good video on how the term "music theory" here in the West is essentially just "the harmonic style of 18th century European musicians" [1]. It's worth a watch if you're interested in music.
This is plain false. Those non-white and non-male artists who have reached sophistication and virtuosity comparable to Mozart and Beethoven were and are still acclaimed. Don't try to shove a narrative where there isn't one.
Also, this doesn't add anything to the discussion about why audiences prefer dead (!) white (!!) male (!!!) composers like Mozart and Beethoven over the works of early experimental electronic composers. The answer is simply because most people don't like listening weird noise.
Please do explain what that force was. In detail. With examples. Because that sounds entirely implausible to me.