Spotify is killing the open podcast ecosystem (2020)
singhkays.com
singhkays.com
Personally when ever I hear about an interesting podcast, and it's followed by "available on Spotify/Podimo, whatever", my reaction is always: Okay, never mind then.
There are so many great podcasts on the open web. Those available on platforms like Spotify always seems to be people with existing celebrity status trying to "cash in". Those shows are rarely that interesting, and even if they are there are so many competitors.
Assuming you have an existing successful podcast, I don't get why you'd move to something like Spotify. Are you really going to make that much more money? Your share of $10 per month cannot be high. Of cause it Spotify throws a large sum at you, to effectively buy your listeners, then I see the profit motive.
See, I pay for Spotify because of their playlists. Playlists have nothing to do with podcasts. I listen to my podcasts using a different app. Yet Spotify keeps throwing its podcasts in my face. Spotify is not good at podcasts. That's why I use a different app for that. I'm getting tired of scrolling past all the podcast spam in my Spotify UI, and yet Spotify provides NO option in Settings to turn OFF their podcast advertisements/recommendations. That is annoying to me, a paying customer. So they're pushing this, and annoying me, at their own peril.
Also, the Spotify Chromecast integration is utter shit. It has been utter shit for a while, but it seems it's just getting worse? It's laggy, it randomly pauses during my playlist for no reason. I ended up buying a bluetooth receiver to hook to my AV system so I could get reliable playback. What the fuck? Why isn't this getting fixed?
That's what I use to get more in-depth than the tiny amount of new releases Spotify features in its official playlists.
I found a lot of the release radar and other recommendations are spot on and I end up liking a lot of the songs it suggests.
I think I read something about that which turned me off instantly.
The really aggravating thing is that we know they have the tech to do better. There was that demo of a 2D embedding of genre-space that actually did a pretty decent job of grouping similar-sounding songs together, but their recommendations all seem to be based off of what was popular at the same time, or what came from the same label.
E.g. when I ask for recommendations for a song like "Mellon Collie and the Infinite Sadness," I should get "Avril 14th," not "Bullet with Butterfly Wings."
Not nit-picking, just piqued my curiosity about how you would connect those artists.
I would listen to those two songs in a row and be completely satisfied by the transition.
I've worked and interviewed for companies that do music analysis to find moods, atmospheres, similar timbres, chords and structure to mix and match automated playlists for business needs (restaurants, cafés, retail stores and so on), would like to see what kind of similarity scores they could get between the songs you mentioned.
There should be an option to turn off simple things like that: turn off podcasts, pause learning from my music for then next 30 minutes, etc.
I always thought the advantage of standalone apps like Spotify(updated anytime) vs something like Apple Music(updated on big iOS releases) is that they can iterate faster. But seems like they are throwing more eggs in content creation basket than UX.
They state that private listening 'may' not influence your music recommendations.
I think back when I ripped my 350+ CDs to FLAC. In retrospect, it wasn't worth it.
I don't see any advantages of spending time and effort curating a library, which harks back to the days of physical media.
Some artists really put effort into developing their albums or EPs as a coherent expression. If we all were to change to experiencing music like you describe it would inevitably result in a sea change in how the art is created in the first place. Artists will look to optimize for that particular method of consumption, in much the same way we have a large focus on individual track releases now in the streaming dominated world. I feel this limits the expression of the artists in general
I think that this would lead to further stagnancy or homogeneity in the most popular genres, as the playlist generation will look to optimize for the most listeners. This would come at the expense of artists who are not already in the public's sphere of consciousness, and would deeply hurt genres which have infinitely deep pools of sub-genres and micro-scenes; the world of Heavy Metal comes to mind specifically here. I think this damages the overall health of popular music in totality.
More interestingly because music in general is an incredibly subjective experience, opinionated tastemakers can be crucial for exposing underground or breaking through artists to a larger audience. Historically people like John Peel, and more recently Anthony Fantano (TheNeedleDrop) bring new music from underground artists in a wide range of genres to people's attention. It can feel like a minor triumph when you discover a new album that just speaks to you in a style of music you have no grounding in, especially when it's recommended to you by someone you know or trust.
While you may listen to more music in the way you describe, I don't think it would invoke nearly the same level of connection that I feel now, personally I find that to be a bit bleak, and self-defeating in the long term.
I make use of it a lot for albums and songs not available on Apple Music. AFAIK, Spotify doesn't really have an answer to this.
I understand everyone’s doing it and you as a company feel entitled to a slice of whatever podcast pie.
What I don’t understand is how that can take focus when your audio player has been getting steadily worse - corrupted offline download, buggy buffering, choppy audio after jumping back 30s.
If your bread and butter - what I’m actually paying for - doesn’t work I’ll gladly save a few bucks and go to the public library.
I started falling asleep to comedy a couple months ago to manage poor sleep based on a generally negative attitude. It was fine on YT Music for a while, but now a lot of the community playlists are garbage, or most of the clips have been pulled (I assume some copyright issues).
I'd move to Spotify for that, and pay, if they had a catalog of decent standup comedy.
The podcasts I listen to from comedians is more along the lines of interviews, like WTF, or a few people spitballing on various topics. Not well formed jokes.
Their D&D podcast is probably my favorite of the genre as well.
Apple has gone a similar route recently with reducing the Activity/Fitness app to just two/three tabs, mushing all sorts of content together. I hope this doesn't become another user-hostile UI trend.
Personally they keep advertising podcasts by people who I find morally or politically objectionable, which makes me quite unhappy that I cannot hide or remove their content (and podcasts as a whole) from the Home Screen.
Apple and Google are playing this game too in their own ways. Google is going to try to make podcasting more like youtube in the next few years.
"The Office" was paid for in full, distributed in a first-party network, then syndicated, then digitally licensed, and now back to its first-party network. The total revenue value of that decade long investment is not the same as a variable cost businesses like ecommerce, delivery services, or Moviepass.
Other communities certainly have their relevant content.
If so then it would make sense to establish themselves as a podcast player - with their users listening to podcasts through their app - even if they don't sell any extra subs and that alone might justify the up-front investment.
I have Spotify Premium for listening to music while I work but I started listening to podcasts while doing mindless chores like laundry or dishes.
It's convenient to just have the one app.
Why would you not put it on Spotify? It costs you nothing and can only increase your audience. I’m not talking about exclusive-rights scenarios, but the majority of podcasts which are published to multiple platforms.
Every time I hear that (and I want to check it out), I do so in Pocket Casts, my fav app (first on Android, then on iOS). I know there are probably podcasts that are _only_ on Spotify, but I haven't tripped over one yet.
I use Spotify at the moment (thinking of switching back to Antennapod due to Spotify being buggy as fuck) and actually hit download on every episode I want to listen to: putting them in my downloads is the easiest way to both mark them as 'to be listened to' as well as having them available whenever (though that's one of the bugs: I'll still need internet to get permission from Spotify HQ to start playing, but I won't have to load the audio stream and can turn off internet once it's playing).
Or you could just grab the files and dump them into a folder for something like smart audiobook player -- that's what I'd do for anything longer than ~6 hours in total, don't want to keep track of that stuff in my podcast player which is for, well, podcasts, not (cut-up) audio books.
- Total MAUs grew 27% Y/Y to 345 million in the quarter (...) Based on the behavior we see when users first join Spotify, we are confident that podcast usage has been a factor in the accelerated net additions.
- The strength in Ad-Supported revenue was led by our Podcast, Direct, and Ad Studio channels, with Podcast and Ad Studio both growing over 100% on a Y/Y basis. Podcast performance benefited from strong underlying demand from advertisers with a 50% increase in the number of companies spending in this channel vs. Q3
- As of Q4, we had 2.2 million podcasts on the platform (up from more than 1.9 million podcasts in Q3). Of note, 25% of our Total MAUs engaged with podcast content in Q4 (up from 22% of MAUs in Q3 2020
So the short answer is that podcasts help increase usage of the platform (and with better margins than music, probably due to copyright and leverage of artists vs. content creators)
"Podcast usage has been a factor" - okay, how much? Answer: no idea.
"The strength in Ad-Supported revenue was led by our Podcast, Direct, and Ad Studio channels, with Podcast and Ad Studio both growing over 100% on a Y/Y basis" - okay, but from what starting point and how much did it contribute? Answer: not saying.
"25% of our Total MAUs engaged with podcast content" - okay, how much? Answer: not saying.
Obviously podcasts help increase metrics, but even Spotify either doesn't know or won't say, meanwhile all this discussion ignores the flip side of the coin which is how much this is all costing the company.
Seriously, I think that there are a number of reasons why this won't pan out as predicted:
- There aren't really any tent-pole, must listen podcasts. They thought Joe Rogan was one but I'm hearing a lot of people have stopped listening to him on Spotify (I have).
- Spotify (and others) don't have the money to buy out the whole podcast ecosystem and many podcast makers I think would resist going Spotify exclusive.
- I like my podcast player a lot and there is no way I'm giving it up for the inferior Spotify experience.
I see podcasting as being more like YouTubing - sure there are outfits generating substantial revenue from advertising but many have more diverse revenue streams and reaching the largest audience is more important that an uplift in advertising revenue. Plus not everyone on YouTube is there for the $$$
If there is a better way to listen, I'd love to hear about it.
Plus, I don't like a monoculture.
Maybe I'm missing out on part of the experience. What else is there to do with a podcast other than download/stream and listen?
- Thanks for all the tips. I don't listen to a ton of podcasts but I'll give it a shot.
- Queuing/auto-queuing to a next-up playlist (with features like add to start or add to end)
- Faster playback (e.g. listening at 2x speed)
- Alerts when new episodes drop to a given feed
It's very configurable and works well.
Also, I just dislike having to abandon my music queue when I listen to a podcast on Spotify. It's nice to have music playing at home, pause it, go for a walk listening to a podcast, finish the walk, then resume the same song/playlist at home.
The user interface can be wildly different.
Pocket casts changed recently but oh how I lived the old ui. Spotify had nothing on it.
Haven't had a reason to download Spotify since even though I haven't liked all the changes in the new pocket casts.
Other things than the pure content matter. It's not irrelevant.
I’ve been using Apple’s app recently and its the one thing I quite miss.
- sort by most liked - save clips
I've tried Spotify. It's not a podcast player. It's an audio player with none of the conveniences of a modern podcast player. If all you want to do is listen to podcasts, I'm sure it's fine, but it's not in any way sufficient for my needs. At this point, Podcast Addict is the only app out there that I can stand to use.
I love the web player interface (although have found problems using a VPN) but the Android app has been a bit tricky to use, having to navigate to filters to find episodes I've downloaded.
AFAIK most features other than that are still fully supported in the free version of the app without ads though. So if you don't want any of those features, they're probably better supported by you recommending them to others than giving them a few dollars.
Also, there are only so many things that you expect from a Podcast app-
- Does not have ads. (Some banner ads are okay) - Offers download in external storage - Has bookmarking capabilities - Offers all the titles I listen to - Saves data associated with an email address
There. Simple. Don't want anything more.
Prior to Castro, I used Overcast and Pocket Casts, which have similar features.
I’m sure Spotify is the future but these third party clients are great for heavy listeners who want more control.
It's less about features, I think, and more about the overall experience. It's probably quite personal too, but in no particular order:
- Smoother and more responsive UI
- Less cluttered and more dense UI eg visual overview of all my subscriptions
- Silence trimming
- Sharing from a given place in a podcast
I do use Spotify for music though so I'm not completely anti the Spotify experience. In fairness to the Spotify designers I do think that they have a more difficult job in integrating podcasts into an app that is mainly a music player.
In addition to the above, I make use of
- podcast specific auto download, retention, and playback settings
- clean Android Auto integration. When I switch from Pandora to PocketCasts, it's quite clear what is happening. It intelligently handles pausing/resuming playback while notifications are playing. Even rewinding a little if it's been a bit since you listened.
- Progress sync, so I can pickup where I was on different versions of the app. (Desktop/Web/Android)
- Fast refresh of feeds. Your phone asks their server for the status rather than calling each server individually. This was a bigger issue back in the day.
There’s numerous small developers out there putting in much more care than Spotify.
More like "Gwyneth Paltrow for bros".
It's not about Rogan, it is about the guests. His interviews are certainly less formulaic than Charlie Rose's, except when he inserts his favorite topics (just use fast forward ...).
I don't think that's "fine", but it's also not really topical to the submission so I'll leave it at that.
Edit: if folks want to start a discussion about this with me, let's create an email thread about it. My email is in my profile, I'll wait until three folks mention their interest before getting started, if that works. I really didn't mean to upset or try to dodge anything, I just don't think a protracted discussion about Joe Rogan will be very interesting to most people on HN.
Yeah... because it's a bullshit conversation that people know is false, and any attempt to try to argue otherwise would see you utterly destroyed with facts.
Rogan and Chappelle are great friends. Rogan was friends with Patrice O'Neal. He's friends with Colion Noir and has him on the show about every six - twelve months.
For a "racist", he's doing a pretty poor job.
>Yeah... because it's a bullshit conversation that people know is false, and any attempt to try to argue otherwise would see you utterly destroyed with facts.
This is not something someone with a convincing argument says before:
>Rogan and Chappelle are great friends. Rogan was friends with Patrice O'Neal. He's friends with Colion Noir and has him on the show about every six - twelve months.
...using the same argument whites use to justify saying the N word. Racists/supremacists tend to have token black friends, typically of lesser status or means, as cover.
A big part of the Rogan show charm was the fringe guests, and his audience doesnt care the least for the kind of corporate virtue signalling Spotify is eminating.
In effect, it went from offering somewhat novel things to being plain boring - like everything else you’d expect from a Spotify podcast. I dont find Rogan particularly charismatic as a host either so why listen anymore?
I didn't follow him to Spotify. Podcasting is a bastion of free-speech, and one of the few open ecosystems with real scale. I don't resent him taking the deal, but losing the show wasn't enough to tempt me into a gilded cage.
I enjoyed those episodes a lot, plus a few he has with comedians I find funny. But it wasn't enough to make me subscribe. I doubt there is any podcast that I consider indispensable enough to subscribe.
Not that you actually asked. ;)
You might enjoy Grumpy Old Geeks. I’ve been listening to the show for a couple of years. I recommend checking them out.
Spotify doesn't offer any of those.. I too was a daily JRE listener and not anymore, but the good news is that I feel like I upgraded by choosing more specialized podcasts based on my interests.
Having the interesting moments distilled into two to three 10-15 minute clips was ideal, and if I found the conversation really interesting I might try to watch the whole show for that day.
... I was under the impression they had stopped doing that, but I just checked and there are a lot of clips showing on PowerfulJRE, so maybe they just screwed up their recommendation rating? I just know that when they went to spotify I stopped getting them recommended to me, but there's been a few the last couple weeks now.
Yea there is a market for the low-est common denominator stuff like low-brow true crime stuff and the joe rogans, but I don't see those as competition, either for sponsors or ears to the healthy, robust, mature open podcast ecosystem.
Even without paying for podcasts, ad reads in podcasts are pretty much the most consumer-friendly form of advertising on the internet. There's no privacy invasion. The ads are pretty well targeted because podcast producers generally know and try to respect their audiences. And they can even be pretty funny and entertaining when hosts can stray a bit off-script.
Also, I'm a premium member and I got ads on a podcast (from one of the ones they own themselves no less!). Fuck that shit. Unsubscribed from that podcast and will also from any others when I hear they're now "exclusive". I don't need more ads for products that I already paid for in my life. I also keep considering reverting to the pirate bay and a €13 128GB sd card, since the player is rather buggy and I can see in my firewall that the app tries to report who-knows-what to Facebook and other advertisers (again, as a premium member...), but it's not Spotify that would hurt the most from that so I feel like there isn't really a point.
Slight but worrying privacy invasion. Podcasts are increasingly inserting targeted ads based on download analytics. Just the other day, I was listening to a British podcast that advertised for a local company in Seattle, where my IP address tells them I'm from.
The extent to which a podcast can target users has been somewhat limited until now. But if you use Spotify, they know what content you're listening to, and your exact listening behavior, as well as who you are. There's no doubt in my mind that they pay attention to that data internally, and very little doubt that they'll move to expose more and more of it to advertisers.
They're also a royal PITA to skip in my car because the spotify app on iPhone and PC are both awful but the mobile app is awful squared.
The harm caused to both consumers and producers by a roll-up is well-documented. The legality is questionable but US regulators have been asleep on the job for decades.
Fortunately Americans are starting to wake up.
Matt Stoller did a piece on this last year: https://mattstoller.substack.com/p/will-spotify-ruin-podcast...
Agree that they should be stopped though, if it looks like they are succeeding.
Applications used to be distributed everywhere, but Apple tightly controlled the platform and crippled the web browser. They even prevented Flash and other runtimes so they would be the only way to get native control on the device.
They "rolled up" computing.
What scummy behavior.
Web pages are the iOS equivalent to open podcasts. iOS didn't stop those from working, although it did limit support for PWAs, which arrived years after the App Store. Even then, I can use apps like Uber without the App Store: m.uber.com.
Not all companies will try to create a web experience that's 1:1 with the mobile app, but it's not something iOS prevents.
A rollup is where you merge businesses doing functionally similar things, gaining economies of scale on costs. Its most often used for geographically distributed family businesses, such as Dentists. Dentists all need a lot of back office support, marketing, and sales functions. Having a rollup with a dozen Dental offices allows you to centralize all the insurance claim handling, direct marketing and put them under a single brand you can advertise on more mass market media.
You are correct that where rollups are used in regulated industries that limit entrants such as radio, they lead to oligopolies. If you own most of the radio stations in a single city you not only get the rollup cost benefits, you can also increase your prices for advertising.
But this is a direct effect of the market limitations that would occur either way, even if owners weren't allowed to reduce costs by buying stations in the same city to combine back office and operations, they would still do it to get oligarchic pricing power. And if you try to rollup most of the Dentist offices in a single city to raise prices you can only succeed temporarily, because it's a free market and your higher prices will attract lots of new entrants.
Of course the other criticisms of rollups is they reduce diversity of offerings. In the case of radio it leads to homogenization of station playlists. Which is exactly what the BBC does in Britain, so I don't see the issue. Especially since radio is being gutted by the internet anyways.
Over six months after switching to Spotify, when I venture back in to try to listen to an episode, it'll randomly stop playing for no apparent reason. It'll jump to another episode for no apparent reason. It'll pause playing and then resume anywhere from 5-30 seconds later. And why they insist on displaying total playing time as "mm:ss" instead of "hh:mm:ss" is beyond me.
Podcasts using RSS was genius and a great “protocol” for distributing content that fit into the original web idea of information available anywhere.
I hope Spotify loses and regular podcasts stick and thrive. I’m more worried about people like NPR requiring their own app x 1000.
And I wouldn't discount the publishing and distribution part of making a podcast content available. Without Spotify or a similar platform, the burden of putting content online, making it discoverable and getting audience analytics falls on the creators. I'm pretty sure that most creators would be pretty disinterested in spending time on these tasks.
I wouldn't be too sure about this. I know its API (or at least some parts of it) are only available to premium users, because they can't serve ads via third-party integrations.
I don't know if there's an exception for podcasts, but I wouldn't be surprised if your option is either the app or paying to not use the official app.
Of course it also requires a Spotify dev account so that’s limiting too.
I’m discounting the publishing and distribution part because we have examples of podcasts that moved from regular to Spotify (eg, JRE) and the content didn’t change at all.
Podcasts are pretty awesome as the distribution costs are low and are pretty similar whether your distributing via Spotify or your own CDN.
With regular you get discoverability via Apple and many others so that’s bigger than Spotify.
This is a “solved” problem in that creators have been easily doing this for 10 years. The technical aspects are minimal and completely abstracted through many services available that are dollars per month.
[0] https://developer.spotify.com/documentation/web-api/referenc...
There are a couple (imo, "real") podcasts I subscribe to and pay for, but I pay the creators directly and they generally self-host the files.
Any other business model is just a network-exclusive TV or radio show, not a podcast.
They're time-shifted audio shows sure, but not podcasts.
Or maybe podcasts have just evolved again, and now it's reincarnation is into streaming platforms and clubhouse rooms.
[1] This is where the word was invented, according to the Wikipedia: https://www.theguardian.com/media/2004/feb/12/broadcasting.d...
To be fair, this effect was limited at the time to "podcasts" released by relatively wealthy people mostly in New York, among whom not using Apple products was basically unheard of. Spotify seems to be taking this mainstream, but I think the problem started before they got into the podcast business.
That's where the money is. Spotify isn't a tech company, it's a radio station that exists to sell subscriptions plus ads.
I was never bothered by podcast ads since it was coming straight from the podcaster. E.g. Tim Ferriss - for the most part I trusted he actually supported the products. Comedians, the ad reads are often pretty funny
Spotify instead interrupts the podcast whenever they want with "HEY! <radio ad voice selling a product>"
I only listen to podcasts on my iphone and already have a nice feed in the podcast app, I am good. I haven't even listened to more then 3 hours of podcasts in the last year since I am not on transit every day with covid/work from home.
https://www.entrepreneurability.nl/2020/12/04/the-emergence-...
Meanwhile, the open podcast ecosystem keeps getting better instead of dying off like Spotify and Apple wish it would. [Podcast Index] and the Podcasting 2.0 ecosystem around it is helping keep podcasting free and open.
From their about page, the author appears to work for Oracle and has a similar article praising an Apple product that I remember doing big numbers here at HN when it came out.
https://www.businessinsider.com/joe-rogan-experience-podcast...
Spotify is the owner of the content and pulled those episodes for the same reason all mass marketed content gravitates to the bland and benign - bland and benign is easier to sell to a large mass of people.
Joe Rogan was free (not just free, well compensated) as an indy and could have kept his lucrative gig, but spotify dumped a truck load of money in his lawn and he decided he'd rather have that. They even told him up front they were going to remove episodes, and the contract made it clear they could keep going. It's not really censorship when the creator decided to pull episodes to make their content more appealing to a mass audience of people in order to make more money.
I mean obviously we can't know for sure without access to his finances, but I remember seeing some estimates that he could've earned the amount of money Spotify gave to him in like two years or so.
So his choice was money upfront or earning it via traditional means in a couple of years. In my view, he made the wrong choice.
I'm faced with a similar dilemma right now (but with losing money instead of gaining it) by investing in a NAS that would pay off in a little over two years by downscaling the servers I'm renting.
I agree, but it's his choice to make. Money in the hand today is better than tomorrow.
As a very casual JRE listener, he's completely gone from my radar since he moved to Spotify. Reminds me a lot of when Stern went to satellite. The show lost its widespread relevance almost overnight. And when the show loses relevance, it becomes harder to get the best guests and it becomes a slow downward spiral to bland/repetitive.
Maybe not for long.
https://spotifeed.timdorr.com/4rOoJ6Egrf8K2IrywzwOMk
Many thanks to Tim Dorr for creating this, works for any Spotify podcast...
I fled Soundcloud because they couldn't get their shit together, it seems Spotify won't be competing forever as well. Their app has random stutters on modern hardware, and is cluttered with podcast stuff. All I want is music.
I liked JRE, but even as a Spotify user, I don't listen to him anymore.
For reference, I don't listen to podcasts in Spotify.
I used this long podcasts to fall asleep to but had to stop now with spotify. I cast it to a google home mini and set the volume to pretty low, so I just can hear what they say pretty much, but at a random point spotify stops it and plays an ad at volume level 9000+ and doesn't resume play. How bad isn't that? Oh and Joe is getting less likeable lately... not sure if we should blame spotify for throwing all that money on him or what...
Agreed - he always had a noticeable tilt on issues but lately it seems to be all about scoring sick dunks on SJW's. I was also surprised how little prep he apparently does before podcasts. During the latest Elon Musk episode he learned on-air that the reusable rockets land propulsively (as opposed to using parachutes or otherwise). It's odd to have possibly the richest man in the world on for 3 multi-hour podcasts and not know the most basic facts about their accomplishments.
Could we confirm parallel universes now? Because the one Joe lives in is different. Think he lost touch. Also noticed him being more of a dick lately, the "I'm a nice person"-Joe is off in yet another universe doing something else...
I'm surprised you'd say that considering that Spotify has banned controversial episodes with Stefan Molyneux, Gavin McInnes, Milo Yiannopoulos, David Seaman (the pizza gate guy not the footballer), etc.
I'm not sure he'll be able to have them on now. He did have Alex Jones again, but it was more fact checked than the previous episodes.
I'd say he's less conspiratorial now.
Same. I don't know why that is though. Perhaps because he sold out open podcasting? Especially as he has had Adam Curry on a couple of times. But then I defy anyone to turn down such a payday (I wouldn't).
Perhaps it's the abandoning of a very large community (YT comments). That doesn't affect me personally but I know it affects others.
A subconscious sour taste somewhat?
Mainly, when I'm looking for something to listen to, I go to my podcast app. There's a list of latest episodes. I browse and pick one. JRE never appears on that list, so out of sight, out of mind.
But also, his show has taken a nosedive in quality in the last 6 months. Feels like discussions are always (a) COVID mask rules are dumb (or maybe they're not?, depends on the guest), (b) The Comedy Cellar was hella tight back in the day, (c) Texas is awesome, California is basically a dystopian hellhole.
None of those points bother me that much. Whatever. But when they're recycled ad nauseam on every episode, it's just boring.
So now I just don't bother. I have the Spotify app. But it's not something I think about for podcasting.
That’s a good point.
There are > 1000 episodes of JRE, each 1-3 hours long. An enormous amount of repetition results from this. I have watched less than 50 episodes and I know I have to FFWD when Rogan starts talking about divorce laws in California, using the same example of one unnamed friend who lost everything to his ex-wife.
Podcasts with other comedians are unlistenable due to the constant navel-gazing about The Comedy Store and cancel culture.
Fair point. Although I would add that recording thousands of hours of your own conversations would result in much monotony and repetition.
Yup. One notable exception to this is Bill Burr. I'll listen to any of those because Bill doesn't put up with it.
I'm not a spotify user and I will not move over to it for JRE.
I'm more of a youtube user who found JRE interesting when it was on that platform.
Just on Spotify specifically, it's a terrible client for podcasts. It feels like they've just bolted the feature onto the wrong product.
Of course, if its an apple product, in a sense you are tied in to their system, but if it's successful, other paid for podcast variants could appear and then Joe Rogan can syndicate it to numerous vendors which have a pay-wall.
I listen to a lot of podcasts, and there are some premium ones where you pay to get access, but once you pay, the way you access them is basically the same as all other podcasts. Hiding the actual podcast behind a certain protocol is what I raise an eyebrow to.
Also, this is my opinion only, spotify is terrible at podcasts from a usability standpoint.
Yes, because podcasts were previously open on numerous fronts. Any person can create a podcast that can be listened to be any person on any device. That is three points of openness. Adding a price on only restrict one of those points, the "listened to by any person". It still wouldn't stop any person's ability to create them or any device's ability to play them. Spotify (and presumably Apple) restricts both those points of openness too.
Press Release: https://www.apple.com/newsroom/2021/04/apple-leads-the-next-...
Quote:
>Starting in May, listeners in more than 170 countries and regions can sign up for premium subscriptions that include a variety of benefits curated by creators, such as ad-free listening, access to additional content, and early or exclusive access to new series.
>Fifteen years ago, Apple took podcasts mainstream, offering creators a premier, _open platform_ to inform, entertain, and inspire hundreds of millions of listeners around the world,” said Eddy Cue
Interesting that the "open platform" part is no longer needed.
That's not easy. The problem is infrastructure and that costs money. Apps[0] that use distributed architectures, with rare exceptions, still just aren't non-nerd friendly.
[0] In general, not podcast specific.
"Podcasting 2.0" https://podcastindex.org/
If Spotify wants to dominate podcasts, they need great, hyper-personal podcast discovery.
Antennapod made me lose track of things (too many views if I remember correctly, been a few years) and had UX issues of its own, but I'm seriously considering switching back. I've unsubscribed from anything that's Spotify exclusive because I hate walled gardens (I'm happy to pay Spotify a cut to listen to and pay artists, but not if then nobody else who doesn't have Spotify can't listen to those artists, too) so that's not what's keeping me in anyhow.
I don't know when this happened, but that's multiple months' worth of audio with all your internal storage free for pictures or the like.
Unfortunately, sometimes you have. Apps can not moved to SD card depending on Android version or vendor.
Also, I use a Syncthing oneway folder to automatic sync downloaded music to phone.
but data can; you'd put the audio on the sd card.
If you have to juggle the number of installed apps, yeah that I can't help
As an aside, I've also found Spotify's presentation of podcasts to be very jarring and confrontational. For example, the Spotify home screen features grouped podcast episodes under progressive banners like "Learn about voter suppression". The podcast episodes it features are, as you might expect, all from one side of the political spectrum. I am not a fan of these companies trying to program the public based on the politics of their executives and employees. It's insulting, and just completely not in the spirit of the open podcast world.
However, 50%+ of all rss-based podcasts are hosted on Anchor, which is owned by Spotify.
France culture and France Inter recently removed their audio files older than 2 months (give or take) from their servers and they are only accessible through the official smartphone app.
Old links now points to a generic 20 seconds jingle that says the file is not available anymore but you may download the official application to listen to it. Of course there are missing podcasts in the official app. And now I have holes in podcast series that weren't completely downloaded.
Yesterday the official app prompted me for advertising and tracking cookies.
Luckily the landscape of podcasts will not allow them to do that. There are way too many podcasts that are popular and make money. So buying all of them will be impossible. In a way they are similar to the open source landscape. Sure, there exist Apache, mysql etc but the ones that are not popular are equally important for the medium.
Music distribution can be complex, with multiple parties, it's not easy to even get listed on Apple etc., so that's a situation where verticalisation is power.
But Podcasting is very much open season, anyone can do it and there are multiple 'open' channels.
I don't think anyone has any qualms about jumping away from Spotify to follow their favorite podcaster.
Of all the shenanigans going on with exclusivity, monopoly, privacy, this is not on the big list of worries.
"Castopod Host is an open-source server made for podcasters who want engage and interact with their audience."
It is still under development, but looks very interesting.
https://podlibre.org/author/castopod/
Submitted separately: https://news.ycombinator.com/item?id=26882081
(Disclaimer: I have no affiliation with the project)
I dont listen to a huge number but all the podcasts i listen to are available outside of it on one of the seemingly millions of podcast hosting services.
Patreon is really cool in this area as i can support podcasts i like and patreon provide a rss feed you can use which is quite delightful.
Its more maddening that I'm friends with one of the devs, and he just laughs when I complain :P
My honest take on the situation is that Apple has let its podcast ecosystem languish, and Spotify is moving in to build the product users actually want.
Here's just a handful of things Apple has failed to address to podcast publishers:
- Apple Podcast search is terrible. At best, it looks at some of the notes / title metadata and does a global popularity ranking, with no regard for the actual spoken content of the podcast. This drives down discoverability and ultimately winds up creating a ton of "tentpole" hits but no long-tail.
- Review / listener / ranking fraud is rampant. You can look on fiverr and find all sorts of "jobs" for driving up downloads, etc, and Apple doesn't do a great job of policing this behavior. Same for managing brigading / clusters of bad reviews that all mysteriously appear at the same time from new users.
- Very little community support for growth. No social features. People wind up going elsewhere (twitter / yotube / etc) for discoverability and audience building.
- No monetization strategy for publishers.
- No recommendation outside of "top hits" in categories or featured podcasts.
- No transparency into what it takes to get to "top hits" or featured podcasts.
- Second-rate sync'ing between web, laptop, and mobile players for listeners
- No way to get any Android users into the ecosystem (yes yes, I know, but there are 4 billion Android users. Either be a content platform or don't, but don't pretend like 2/3rds of the world doesn't exist).
Overall if you think about how long Apple has "owned" podcasts (> 11 years) vs something like YouTube, you can see where they dropped the ball. YouTube isn't perfect but it has everything I listed above, and because of that it's ultimately the big draw for creators. This is so much so, that Descript has a whole toolchain about just getting podcasts into audiograms to get onto youtube to ... get people to go to Apple and find their podcast.
Overall I don't love what Spotify is doing, especially since it's so nakedly a transparent land grab. However I can't blame them for building something people want when the dominant player has done nothing for a decade.
And candidly, Apple is primarily a hardware company, secondarily a software company, and is a tertiary mainstream content provider. For indie podcasters, we are at best ... quaternary? I should not be surprised Apple doesn't care about my little podcast when it can make money other ways.
Lastly, just to be transparent about what I see in my own metrics, all other podcast providers (Google, Castbox, etc) are a super long tail and far from Spotify or Apple. They're just nowhere close.
As far as I've noticed, Spotify doesn't do that either. I tried finding stuff topically by using the search once or twice but it's basically like typing "the" or "and" into duckduckgo and seeing what comes up.
> Second-rate sync'ing between web, laptop, and mobile players for listeners
Spotify doesn't sync between devices either. There's no way to see what's in my to-listen queue (phone downloads), and marking individual episodes as "my episodes" (something I don't use because it takes more steps than downloading does and I want them offline anyway) was added only very recently.
(I am also aware that bandwidth/deployment is not so easy for small producers)
Other times I have to use an extension like DownloadHelper that locates the file path in the DOM and downloads it.
I don't get this one. Isn't that extraordinarily easy when you're small? Host it on a raspberry pi at home if you have fiber, or if you need to pay for bandwidth that's on the order of $5 for 10k downloads, assuming 100 minutes of 128kbps mp3 (insert napkin math disclaimer).
That's something I can't do with the spotify-hosted ones.
Lately it feels like it's been a 45/45/10 mix of (to me) uninteresting comedians, uninteresting martial arts personalities and misc. Sometimes there's someone interesting in the misc category.
Eric Weinstein was fantastic, Freddie Gibbs and Brian Moses were hilarious, Tim Dillion was the exact amount of ridiculous you'd expect. Then there's the episodes with professors like Brian Greene and Avi Loeb, and then fighters like GSP and Dan Gable. Nothing has changed except the platform.
Of course, there's still some room for algorithmic discovery here -- you listen to this podcast, you might like that one too. But I currently subscribe to more podcasts than I can comfortably listen to already. I don't typically want new suggestions. Maybe a friend tells me about a one-off interesting episode from a podcast I don't subscribe to, and I might listen to that on their website or whatever. But I struggle to see the particular advantage that Spotify brings to the podcast ecosystem over the traditional RSS subscription model that already exists. There may be benefits to the producers, but I don't see much for the consumers. I just consume music very differently than I consume podcasts.
So as a first approach, for me, this is a fail.