However, what seems "fresh" at first soon becomes familiar. This is particular true of Scandinanian thrillers. Once you watch a few, you realise they swap one set of familar tropes with their own set. For example, for thrillers:
- Many red herrings in the murder case (often not making any sense but carefully planted by the writers to keep audiences guessing).
- The death of at least one major (likable) character usually after the audience has warmed to the character.
- At most a "bittersweet" ending is provided. A 'happy' ending is never executed: some distress or anxiety must always accompany the main character at the end of a series.
Sounds familar?