One More Thing: ‘iTunes Match’ Will Upgrade Your Ripped Music For $24.99 A Year
techcrunch.com
techcrunch.com
Which, if the labels have agreed to that, it's very surprising. It's sort of a "if you can't beat 'em, join 'em" strategy: they start getting a cut of this fee from every participating pirate, which is a lot more than they used to get ($0), but a lot less than they wish they could get ($15 per album).
I'm guessing one of the reasons the labels agreed to this is that it provides them with ammunition that what Apple is doing isn't fair-use. If it was fair-use, Apple wouldn't be paying the labels. Therefore, Amazon, et. al. need to pay the labels for such services too. It sets a precedent that the labels like.
Pirated files are not necessarily identifiable as such, not in the digital world. If I download some albums from what.cd, you can't tell they're pirated, maybe I ripped them with the exact same version of LAME. What I'm trying to say is that today, having a pirated file isn't a property of the file, it's a property of how you got ahold of that file.
I don't understand what you mean when you say the service "legitimizes" (paraphrase) existing music. All it does is exchange one set of bits for another set of bits, and this set of bits or that set of bits don't make an audio file legitimate or illegitimate.
I mean it's a bit like transcoding, isn't it? Except instead of doing it yourself, you're paying Apple to do it. The fact that a third party is providing the service doesn't necessarily mean that the process as a whole is legit, in the same way that taking a PDF of a book to FedEx Kinko's to print doesn't make the copy legit, in the same way that buying a Windows upgrade to upgrade your old pirated Windows doesn't make the resulting license legit.
I realize we're in kind of a special circumstance here because Apple has paid the music labels a lot of money, but we're just speculating about what the contents of their license enables them to do, which is probably only to be indemnified in the event that people use the service with pirated music (but not to indemnify the actual users).
Or am I missing something?
Arguably, if I have a crappy MP3, and I pay Apple money, and they give me a version with a higher encoding rate, they have sold me the new bits for that song. Maybe the terms don't say that, but I think one could argue that I've paid for a copy of the song.
In fact, I think that the labels, in an effort to make us repurchase our records as tapes and our tapes as CDs and our CDs as files, have tried to tie the license to the format. So that seems to back the idea that this deal gives me a license for the AAC-formatted file. Whether I had one for the MP3 is irrelevant, right?
And would it be so bad if that's how the law sees it? This could actually be a boon for the recording industry. It could be win-win if pirates decide to do this: they start paying for music, they still get all the music they want, and they shift the distribution burden to BitTorrent and iTunes.
If you accidentally lost the CD between then and the time you get your PC taken away for discovery in a copyright infringement lawsuit, that's plausible deniability.
At least, way more so than just having 2TB of MP3s laying around with no media you ripped them from at all...
If you accidentally lost 2TB worth of CDs between that time and the seizure of your PC, you're still going to have some explaining to do.
Also as far as I know all my Amazon MP3 are identical to other users Amazon MP3 I don't think they have watermarks. How could you tell if they were mine or taken from someone.
(Of course, media companies would prefer that the government pass laws, pay for and implement the job of enforcing media company contracts, and this muddies the waters.)
Except that once you use iTunes Match, the resulting audio files are legally licensed, in the same way they would be had you purchased them from iTunes. Here the third party, Apple, is providing that legitimacy as a service ostensibly due to licensing agreements between Apple and the industry players. While actually grabbing the files off of a tracker is still not necessarily legal, the ultimate outcome of the process is that you will have legal copies, thanks to Apple and whatever licensing deals they've made. In other words, everyone wins: I get my music, Apple provides a (hopefully) decent service, and the music industry has found a vector for tapping into those supposed loss in sales.
If you keep the old files around, and five years from now cancel the subscription.. ultimately it's likely you've paid much, much more than the original collection was worth. Are the old ripped files still legitimate, or do they cease to be?
If this is the case, Apple's move is actually ingenious. I daresay a lot of pirates (who currently contribute $0) will pay $25/year for their music to be legal... for legal or moral reasons. The potential loss of revenue will lie on the people who buy 1-2 CDs/year. However, $25/year is likely more than the average amount these people pay, so it's still a plus, even if they stop buying the original CDs. I bet though, they won't.
I see this as a huge gain in revenue.
You can get those pirated files in slightly better quality and you won’t have to upload them to Apple if you want to use their music locker. Big deal.
In financial terms, Apple is running an exchange, while Google and Amazon are running a safety deposit service. If someone looks in the safety deposit and finds illegal items, you are caught. If someone looks in Apple's music locker, you only see Apple's AAC-encoded content (though I guess they didn't cover how that works with music that you didn't buy through Apple and they don't carry on iTunes).
And what is this $25 really paying for? Is Apple empowered by the labels to license me a DRM free digital copy?
If I pay the $25 annual fee will it automatically 'upgrade' any songs that come on over a torrent link? Is this really a one time license to every single song in the iTunes store? (Seriously, there is probably an mp3 or ogg file of every song in the iTunes library out there) If I put them all on my machine and then pay my $25 does it go 'ding' and now I own a legitmate digital copy? (if so its a screamin' good deal)
Can I get immunity from prosecution by this? I mean if I've got the insta-legit card in my iTunes and a metallica song comes across the intertubes and metallica comes calling can I just show them the itunes copy?
It's a bold move, and one which I support, but I wonder how its going to look once its put into practice.
My guess, is that if you have a $25 subscription you can put a CD into your Mac and it will 'register' those songs as being available to you. But we will see, could be very very interesting. Or not.
2. I don't think they're giving you a license. You're supposed to already have a license for the song you already have. Apple is merely replacing a likely lower-quality copy with a higher-quality copy.
3. Doubtful (to the point that I almost said no). You aren't going to get immunity from prosecution, but I'm guessing that Apple isn't going to try too hard to find people that have pirated their collection and I think the music industry knows that. It isn't Apple's style (there's no product key on their OS, no activation on their products, etc.). They might do something that tries to figure out if it was a legitimately acquired track, but maybe they'll just go the "we can't match that track" route if it's flagged. Just like #2, you're going to be in the same license and legality position that you were in before.
This is a convenience measure - for you and Apple. For you, this syncs your music between all your computers/devices. For Apple, if they can match the tracks, they don't have to store all the extra tracks as duplicates on their storage. A syncing service wouldn't be useful to you if it only dealt with the music you bought from Apple. They know that it's only useful if it does all your music and so they created a matching service to be bandwidth, time and space efficient. The service costs money to create and run and so they're charging a small fee for it. It's highly doubtful that it will change anything on the legal end.
This is the curious bit. The music companies have argued in the past that I didn't get a license to convert my audio into digital form (aka rip an MP3) when I bought my CDs. So your postulate that 'you already have a license' would not be valid to a company that held I didn't get any rights other than the court stipulated 'archive copy'.
Anyway, I don't know one way or the other. But I have seen other companies take a similar approach unsuccessfully, and its interesting to see how Apple is moving the conversation about digital media along.
Since it would be possible to keep a non-DRM copy in perpetuity on disk, I'm really curious about how this will implement. It seems on its face to be something the music industry is currently very invested in preventing. And frankly I don't think 150M$ + some fraction of $25 one time from iCloud subscribers is going to cut it for them.
So, the tracks don't expire and you'll always have them. It's unclear if the subscription is for the syncing and the matching or just the matching. If it's just the matching, you can basically import your old music into your iTunes purchases and then not have to continue paying for it (assuming that you don't get new music outside the iTunes Store). The subscription also seems to cover syncing music that isn't in iTunes via uploading your MP3s.
So, it isn't a music subscription as much as it is a service/convenience subscription.
I know that is what was said, but its like saying "you just add extra water to your gas tank and you'll get mileage based on the number of gallons in your tank, whether or not its all gas."
The sentence construction is coherent but conceptually it doesn't pass the sniff test. Here is the rub.
"music that you own"
Unless you've been living under a rock for the last 20 years you know that there are two interpretations of this phrase. There is the consumer interpretation:
"I bought the CD at the store, I can do anything I want with it, copy it, transcode it, destroy it, use components in a playlist I've created, or use parts in my amateur video on squirrels."
There is the RIAA/Music Label interpretation:
"You don't own the music you own a piece of polycarbonate plastic which can reproduce the performance of the noted artist in an sanctioned playing device that has not been modified in any way. You and no more than 12 friends present, and who have not paid you any consideration for hearing said performance. Any other use is strictly and unequivocally forbidden."
For years, even though the record labels had no way to enforce their view of what you could and could not do with the music in your possession, they really haven't varied all that much in their opinion what rights they didn't give you.
So when you say "music you own" it reads like you have the consumer interpretation of that phrase, and yet Apple isn't a consumer, they are animated pile of cash which sells player devices, so it is incredulous to me that the music industry would simply "let" them do what you have described they are offering to do.
If you (and Apple) had instead said to take advantage of this services it is required that you go to an Apple store with your original CD, which would be photographed with you by an Apple employee where they would record your name, birth date, receipt or other information you brought along to prove you had acquired the CD legally, and a sample of your DNA. Then they would exchange your CD for a unique identifying code that you could apply to your iTunes account which would enable you to listen to that CD via iTunes on any device connected to iCloud but would not allow you to transfer the song from the iCloud for 'offline' playing.
If you told me that that was what Apple was offering I'd just nod my head and believe you.
... because it seems like it would be trivial to "spoof" an mp3 for downloading (take a random mp3, perhaps cut to the correct length, add the correct id3 tags and tell iTunes Match to download it).
http://en.wikipedia.org/wiki/Hash_function#Finding_similar_r...
I could imagine people figuring out the minimal bitrate that would produce a matching fingerprint (perhaps 64 kbps or even smaller) and sharing music that way.
I really don't like the part about legalizing my collection. The music I ripped and encoded myself from hundreds of CDs that I bought retail are just as legal as tracks from iTunes.
iTunes Match sounds like a way for the labels to get finally get income from the music pirates who torrent stuff off of Pirate Bay. A share of the $25/year is better than the $0/year they're currently seeing.
So instead of buying music, you can now "pirate" it, then allow iTunes Match to "legitimize it" for you.
Bingo, free "legitimate" music (I assume with artwork/etc included).
I'm guessing it is b/c this is 5 years later and b/c of Apple's clout, but I could also be missing some nuance.
Props to Apple. Shows they've got the muscle to get what they want.
Forever, you say? Once you pay for something, regardless of the amount, it's yours.
I have my music ripped if VBR at low compression and FLAC. Clearly, itunes isn't dishing out nearly the same quality Music in return
> flac amounts to a digital copy of the physical CD
So long as your CD doesn't include any square waves, you're golden.Could you explain what you mean by this? Are you referring to certain patterns that fall within standard Redbook audio parameters that FLAC then fails to encode properly? Or perhaps to characteristics of CDs or CD playback equipment that are difficult to duplicate on modern-day computers? I can imagine something like preëmphasis being problematic sometimes, but that seems to have little to do with square waves.