Saving The Music Business
whydoeseverythingsuck.com
whydoeseverythingsuck.com
If you've ever worked in this space, you'll realize that everyone involved on both sides is either a coked out psychopath who is just at the meeting because his boss made him or a "cool guy" hacker who doesn't really believe in the service, since he already has a multi terabyte server in his closet filled with all the music he's ever liked leeched from oink or waffles. Neither really have any "skin in the game." Thus, the likelihood of the technology getting finished or the legal getting cleared is zero.
From a consumer standpoint, the internet and all your friends already serve as a giant distributed, fault tolerant, quasi-illegal version of this service. If you downloaded a song and then you lose your ipod, you can either just get it again from a file sharing network, or from a mp3 blog, or your cousin's ipod.
Soon, however, we invented ways to record sound cheaply, thus one didn't have to spend as much on recording/reproducing hardware, giving people ability to do it themselves, and the "industry" started to bitch about VCRs and cassette recorders.
Now we've come up with even cheaper way to record, copy and even manipulate (!) sound. And a way to distribute it for free.
The "industry" is clearly not needed anymore, there is no "product" behind it, just a bunch of useless "distributors" and "promoters". Why would we want to save THAT?
Nothing is going to happen to music, the music has been around for thousands of years, long before all these inventions took place, and the best musical creations happened without any help from the "industry".
We (engineers) gave them (the industry) an exclusive monopoly to charge for a short-lived privilege of storing and transporting sound, now we're taking it back. In that sense everything goes back to normal: nothing to be saved here.
Could the music companies come together and make something easy but powerful enough to use, a la Hulu? Based on their history, probably not, but desperation (and a decent model to follow) might convince them to cooperate.
Good luck to Hank on getting this idea going!
Truthfully, the labels will always remain dubious of emerging technologies because they realize their industry will inevitably shrink.
While this is an interesting idea to help advance the revenue model, I'm not sure I understood how this would potentially 'save' the music business.
I don't know if his idea is any good, but one hopes that there is some model besides "tour lots" that also holds some promise for the Brian Wilson introverted studio wizard types.