The name’s Ford, Alan Ford: how an Italian comic book spy became a Yugoslav hero
calvertjournal.com
calvertjournal.com
It also caused UNTOLD confusion to my childhood mind. It was translated into our language, but they left the honorific "Sir" untranslated, as-is.
"Sir" means "Cheese" in my language... :O
As far as I was concerned for several years, whenever the characters in the comic spoke to anybody of authority, they would speak like:
"Cheese Bob, please Cheese, don't beat us up Cheese!" "Cheese YES Cheese!" "I'm terribly sorry Cheese. It will not happen again Cheese!"
... honestly, I missed that dose of surrealism when I put 2 and 2 together eventually :-D
What's funny is that at one point, I realised I reference random episodes of South Park in conversation in exactly the same way (to people who mostly have no idea what I'm talking about). Those comics must have been pretty on point.
Reminds me of the claim – possibly apocryphal – that some undercover Soviet spies in the UK were outed because, when the conversation turned to Blue Peter (which supposedly every real Brit knew from childhood) they had no idea what that was.
> In a society that mixed internationalist idealism with bureaucratic dysfunction, Alan Ford was an ideal form of social satire
It is Croatian to emigrate, and Croatia does do a lot for the diaspora abroad.
> We make no promises and aim to carry them out to the letter
Croatian laws often have a lot of room for subjective interpretation. Often when you deal with the bureaucracy you have to make clarifications several times, and whatever the government servant needs from you, whether others needed it or not, you better give them.
But, in this case, everyone knows that it is nearly 100% about the government servant trying to CYA, whether reasonable or not.
And I love it: the first 100 issues are the best of the series, and among the best italian comic books ever written. Also the artist that did the drawings for the first (I think) 75 issues, Magnus, was incredible.
I still think that it's criminally undervalued.
- "If you want to win, you must not lose"
- "It is better to live 100 years as a millionaire, than 7 days in misery"
- "Never give up, unless you have to"
...
These comics were so massively influential in old Yugoslavia that it's common to hear people quote them all the time. Something about the dark, cynical humor just made them perfect for the Balkans mentality.
I moved to the US around 10 years ago. Seeing this just made me feel so incredibly nostalgic.
Also you should be able to out any Brit over the age of say 40 (possibly younger) simply by saying "four candles" and look to see who starts giggling.
I had to wonder if this comic book had raised the idea to his awareness, but couldn't be sure...
Edit: also Dylan Dog.
Most characters created in Italy by Sergio Bonelli Editore (Mystère, Dylan Dog, Tex, etc) have a typical exclamation like that. I'm gonna start using that serbian version for fun with Italian friends =D
All the most popular comic book characters written and designed by Italians are not Italian: Tex Willer (US), Zagor (US), Dylan Dog (UK), Martin Mystère (US), Nathan Never (US), Diabolik (acting largely in UK)... Italian characters are typically relegated to parody strips, or stories strictly linked to local issues. Occasionally you have stuff like Ranxerox, which takes place in Italy but with people carrying anglo names.
One of the most Italian characters in comicdom, Dago (a Renaissance renegade adventurer, banished from its native Venice), was actually created by Argentinian authors Robin Wood and Alberto Salinas. The Argentinian school really knew no thematic boundaries whatsoever, and produced a number of great series in the '70s/'80s.
Somewhat ironically, the comic-books of the most traditionally-American characters ever, Disney's Mickey Mouse and Donald Duck, have been largely created in Italy in modern times. Local demand for "Topolino" and "Paperino" (their Italian names) grew so large over the '70s, that the company started training their own authors in Italy. In the late '80s Disney even set up an academy in Milan to mass-produce artists and stories; it lasted 25 years, creating stories that were then published all over the world, including the US. This also means that the Disney character roster is significantly larger in Italy than pretty much anywhere else - only some of the new characters have been introduced into US canon.
Secchi’s historic publishing house (Editoriale Corno) also published tons of excellent Italian series like Franco “Bonvi” Bonvicini’s Sturmtruppen and controversial dark/pulp series like Kriminal and Satanik, effectively marking a golden age of Italian comics. Reportedly Secchi grew somewhat grumpy and disenchanted with age, becoming a bit of a right-winger, isolating himself from the world of Italian comics and only working on Alan Ford.
Raviola went on to create several masterpieces (Lo Sconosciuto, Femmine Incantate, Le 110 Pillole, Milady nel 3000, La compagnia della forca, and a famous Tex Willer special episode) before sadly dying of cancer way too early (56). He was a reference for generations of Italian comic artists, and a character in his own right with his remarkable moustaches and his jovial attitude.
I wish more of classic Italian comics could be translated properly for the English-speaking market, there is a lot of excellent material and spectacular artists like Magnus and Andrea Pazienza.
Calvert journal seems to be a very interesting journal as well.