Chick Corea has died
chickcorea.com
chickcorea.com
I learned Spain on the bass in the hopes that one day I could play my meager rendition for him. In a concert at SFJazz he picked people out of the audience to paint their portraits with his piano. How lucky was I to be placed upon such a seat where Chick dismembered me with his eyes, eviscerating my soul upon a platter. He stared at me with the eyes of a musician who had searched heaven and hell for the most tempestuous chordal mixtures. The two minutes I spent in that seat where he painted my portrait with his keystrokes are some of the most treasured moments of my life. I felt like I had been seen, chewed up, devoured, and reincarnated as the everloving Chick Corea sycophant I had always known myself to be.
The man was a goddamn monster on the boards and we are all at a loss with his passing. Rest in Power Chick, you're in my heart forever.
Chick played the piano, all I could do was sit there and listen.
> kummerspeck (German for grief bacon)
Raises more questions than it answers
So it literally refers to the _fat_ (speck) someone gains by eating while feeling _grief or sorrow_ (kummer). Except that the specific word for fat they use is the word for _animal fat_ and in some instances literally means bacon. What an interesting word.
https://blogs.transparent.com/german/kummerspeck-frustfresse...Source: native speaker, reasonably literate
It's a relatively common word. I still remember that I first saw it as a kid in a Garfield comic strip ("Lieber Kummerspeck als gar nichts zu Essen").
focus.de: "Die Wahrheit über Kummerspeck - Wie die Seele uns dick macht"
spiegel.de: "Essen gegen Stress und Frust: Was tun gegen Kummerspeck"
bildderfrau.de: "Warum Kummerspeck so gefährlich ist"
...
#onlyonHN
> Raises more questions than it answers
True. As a native speaker I know the word, but the sentence makes little sense to me.
One could gain Kummerspeck (over weeks, months or years), but one could not be looking like Kummerspeck or sitting there like Kummerspeck. Unless in English the word has been loaned and the meaning shifted over time as it sometimes happens with loan words.
One could very well be in the emotional state for Kummerspeck in that state of their lives, which is what is implied here.
Basically parent means: "[Corea] saw in me that I have wanderlust, and that I'm depressed and fat from it".
That is, the parent feels like Corea identified and expressed his personal and emotional state at the time, with his playing....
To me, kummerspeck is the feeling of being unable to distinguish between the tears running down your face or the grease on your chin. It’s a feeling of relishing in the grief of burying someone who would want you to eat a ton of bacon at their funeral to celebrate their life.
Emotions are rarely simple or easy to explain. It’s still worth the effort to try though.
Puzzle = rompecabezas (literally, breaks heads)
mask (like we've been wearing for the last year) = tapabocas (covers/plugs mouths)
half-sleep = duermevela (sleep candle)
There are more, these are just two of my favorites.
> I was also a newly married man who had gained some weight.
> As Chick tickled the ivories, he whispered, "I shall call the song of your life 'The Imitation Game'."
> A moment later, he whispered my name. I do not recall me telling him my name.
> "I wrote this for you, Benedict Kummerspeck," whispered Chick.
After the concert, I got introduced to him and he asked me if I liked it. Shortly after I was drinking with him and others, and I turned 18 right there.
:)
As a 17-year-old who didn’t know anything about jazz, and I asked the owner what the story was behind the photo, and he said, “Robby, when you’re a legend you don’t have to button your pants.”
The jazz community lost a legend. RIP Chick Corea.
Are there good jazz piano/jazz albums to listen to that people might recommend? (By him or others)
When you're done with those (I figure, five years or so :) ), then you will want to listen to everything else...
My personal favorite is probably Crystal Silence, that is such an amazing piece, it never ceases to give you more joy and new bits of discovery, even when you know it note-for-note.
As for other good Jazz albums, Pat Metheny, Al di Meola, Weather Report might be to your liking, and maybe McCoy Tyner, try 'Fly with the wind'. And a bit more off the beaten path, Friedrich Gulda, the 'terrorist pianist'.
Enjoy! And mail me if you want more.
Oh, and I forgot to mention Michel Petrucciani.
funny these would have been in my top too
I'd add the blue note acoustic band session of the early 90s (colaiuta/patittuci)
Flora Purim has such a beautiful voice.
I highly recommend Bill Evans Trio: The Complete Village Vanguard Recordings and Ryo Fukui: Scenery as they are two of my go-to jams, especially the former.
I usually recommend his Köln Concert as a starting point - a recording of a 1975 concert which even though I've probably listened to it a thousand times over the years still sounds fresh and brings a smile to my face every time I put it on.
Among the contemporaries, I have a soft spot for Iiro Rantala. Oh, and Bugge Wesseltoft.
A wonderful, accessible jazz album that I highly recommend for newcomers is saxophonist Michael Brecker's 1987 self-titled album, which was his first album as a band leader (though by this point he had already been a highly prolific session player). There is some great piano playing on this album. I consider Michael Brecker one of the greatest saxophonists in jazz. Unfortunately he passed away rather untimely in 2007, but thankfully he left us with a lot of wonderful music.
While I'm still talking about Michael Brecker, I also recommend the albums "Steps Ahead," "Modern Times," and "Magnetic," which are all from the band Steps Ahead and feature Michael Brecker as a sideman. Don Grolnick was another wonderful pianist, and I also recommend his album "Hearts and Numbers," which features Michael Brecker.
Regarding Chick Corea's work, "My Spanish Heart" is an excellent introduction, as well as "Now He Sings, Now He Sobs." The albums from his two fusion bands Return to Forever and the Chick Corea Elektric Band are also all top-notch; I recommend starting with "Romantic Warrior" for the former and "Eye of the Beholder" for the latter as definitive albums for these bands.
EDIT: Source: https://www.youtube.com/watch?v=X-mjt1ypiF8
For those who haven't listened to Musicmagic before, that whole album is criminally underrated. Seriously, the name says it all. Been bumpin' to it all day!
Absolutely amazing experience, seeing his hands fly over the keys.
Consequently, I'm currently watching this one because my first reflex this morning was to type "Dave Weckl Chick Corea" on Youtube https://www.youtube.com/watch?v=w-XZu8DBLSs
And speaking of Dave Weckl I can't resist posting this one with the late Didier Lockwood https://youtu.be/K-R9u-1R1FI
(warning: very funny)
Add in Rocco Paladino on bass and Tom Misch on guitar: https://www.youtube.com/watch?v=O7GaK516Wkk
Or Rocco Paladino on bass and Charlie Stacey on keyboards: https://www.youtube.com/watch?v=TLWygV_OGc0&t=2414s
Piano: Thelonious Monk - any album, Michel Camilo - Thru My Eyes
Guitar: Pat Metheny - Orchestrion and Unity Band, Bela Fleck - Outbound
Bass: Victor Wooten - Trypnotyx, Marcus Miller
Sax: Michael Brecker - Tales From the Hudson, Grover Washington Jr. - Winelight, Chris Potter - Ultrahang
Trumpet: Roy Hargrove - Earfood and RH Factor, Arturo Sandoval - Live at the Blue Note
I saw Chick most recently at Blues Alley in DC. Amazing show and always accompanied by world class musicians. RIP
A short list of albums I'd suggest as an introduction to Jazz, piano-based or otherwise:
* Time Out (Dave Brubeck)
* Spectrum (Hiromi)
* Mopocalypse (Mopo)
* Why? (Ginger Baker)
* Your Queen is a Reptile (Sons of Kemet)
Time Out is a classic, but most of these are from the 2010s.
Herbie Hancock - Maiden Voyage, Empyrean Isles, Herbie Hancock Trio (1981)
McCoy Tyner - Supertrios, The Real McCoy
Keith Jarrett - Facing You, Survivors Suite, Fort Yawuh, Expectations
A lot of my favourite piano/keyboard playing is on Miles Davis albums:
Red Garland on Steamin'. Relaxin', Workin', Cookin', Round About Midnight, Milestones
Herbie Hancock on Four & More, My Funny Valentine
Keith Jarrett on Live-Evil
Not to mention all the other amazing musicians on those! Among my musician friends, Miles' band with Wayne Shorter, Herbie, Ron Carter and Tony Williams (1963-68) is considered unrivalled in jazz. All Miles' records with Gil Evans' orchestra are superlative also.
P.S. There's also the strange and not-very-important question of labels – I don't think Facing You (or The Köln Concert) or Live-Evil are jazz, or anywhere near it. They are played mostly by jazz musicians, I guess. Who cares, they're good music.
I heard a couple of times about 15 years ago a classical guitarist playing a transcription of the Memories of Tomorrow encore (the last track of Köln Concert) on the Australian classical-music-only radio station ABC Classic FM. They'd never play the original – that would be "jazz", I guess, and inappropriate. But a classical guitarist playing the same notes – classical.
The second argument can be tricky though, if I played you Technical Death Metal in the piano you may think it's classical music too [0]. There is something more to being a genre than the notes that are played, I think...
Köln Concert does seem a very different kind of thing to Facing You though, although the latter is mostly totally improvised also, I believe. I guess due to F You's much shorter tune lengths and absence of extended improvisations over 1 or 2 chords etc. Facing You will play for 10 seconds with what Köln spends 5 minutes with..
> it's an important characteristic of the genre is not strongly shared by other genres.
What is not strongly shared, improvisation, or being entirely improvised?[0]
I also listen to a lot of North Indian classical..which seems about the same percentage entirely improvised as the Köln Concert.
I'm no an expert, but I don't think totally improvised western music is at all common outside "free jazz". i.e. it usually sounds like atonal noise, not pleasingly harmonious. That is very difficult. Classical musicians used to do it, until the 19th C, apparently, but gave up.
> There is something more to being a genre than the notes that are played
Absolutely, I've made this point many times myself, and it's something that was driven home to me when I started writing music with computers. Use jazz instrumentation and the music sounds like jazz. Rock instrumentation and it sounds like rock. Orchestra and it sounds like classical etc.
[0] Just to be clear, the last track isn't "entirely improvised", it's an improvisation over the Jarrett tune Memories of Tomorrow, which he'd been playing since at least 1966. And
> Subtle laughter may be heard from the audience at the very beginning of "Part I", in response to Jarrett's quoting of the melody of the signal bell which announces the beginning of an opera or concert to patrons at the Köln Opera House, the notes of which are G D C G A.
Both available here: http://tela.sugarmegs.org/
Hmm I doubt it. I'd expect that to exert force more in the other direction. Anyway, it's all speculation. There is a book called Keith Jarrett’s The Köln Concert which seems well-written.
p.s. I just keep mentioning Facing You because I think it's his best record! I've talked to quite a few musicians who feel the same.
If you (or anybody else) happen to be into vinyl, the Blue Note Tone Poet pressing of this record is excellent.
Just last week I was watching a recent YouTube video of Chick explaining how he loved Roy Haynes's ride cymbal on that record so much that Roy gave it to him. He's had many of the subsequent drummers in his bands play that same cymbal. Chick was playing drums in the video and seemed to be so completely full of energy and life. I was stunned by the news of his death because he seemed to like somebody who had another 20 years ahead of him.
https://en.wikipedia.org/wiki/Maria_Schneider_(musician)
Something I just learned about her:
> Schneider's advocacy against big data companies and their impact on music, culture and privacy is reflected in some of her compositions of the late 2010s, including pieces entitled "Data Lords", commissioned by the U.S. Library of Congress (2016);[16] "Don't Be Evil";[17] and "Sputnik". Several of these compositions appeared on the 2020 album Data Lords.
Bad Bad Not Good: https://www.youtube.com/watch?v=pTloZPT62IM
Kamaal Williams: https://www.youtube.com/watch?v=tmGe8n_8Za0
Yussef Dayes: https://www.youtube.com/watch?v=TLWygV_OGc0
The Comet is Coming: https://www.youtube.com/watch?v=gpfpYTmohAk
Vijay Iyer: https://www.youtube.com/watch?v=EGb1etHM3Sk&list=PL9coQz2INo...
Terrace Martin: https://www.youtube.com/watch?v=EqHAeaCHHkY
Maybe there will be something palatable in that for you... maybe not :)
[1] https://www.discogs.com/Herbie-Hancock-Chick-Corea-Herbie-Ha...
https://www.youtube.com/watch?v=s7BMtIG_3fg&list=OLAK5uy_mU6...
Combined with his stuff with Bobby McFerrin, he's definitely someone that anyone curious about jazz should check out.
https://www.scientology.tv/series/staywell-concert/artists/c...
In general, it’s better not to dig into the personal lives of people you look up to, because chances are we’re attributing all sorts of virtues to them based on their work, while they’re - just like all of us - humans with flaws and dark nooks. John Lennon, for example, beat his first wife.
They dumped her when she complained, and found another church member to fill in. An actual tour manager would have cost more money and would have had a contract to get expenses like that paid.
I'm actually an advocate of doing just that. Less idolization, less focus on the person, and more focus on learning from their work and results.
Joke's on me. I never tried Scientology and consequently never made it as a film composer.
The questions are really can you get out of Scientology and stay in the industry, and is getting into the industry worth the strife of getting into and out of Scientology and of association with Scientology in general.
[1] Most affinity groups aren't abusive or dehumanizing, or at least aren't to anywhere near the same degree.
Yes, you can, at least in the last decade. Lots of celebrities who were once vocal Scientologists have now left the church, though they might not make a big fuss about it. Blogs like Tony Ortega's have written on how Scientology's membership is imploding, though it still has some committed donors that it squeezes for money to keep up appearances.
[0] https://en.wikipedia.org/wiki/To_the_Stars_(album) [1] https://en.wikipedia.org/wiki/The_Ultimate_Adventure
I never imagined that this story would be on the front page of HN. It's like seeing two of my worlds collide out of nowhere.
A lot of musicians have the playing chops but few do truly interesting and original work as composers. Chick Corea was one of those.
Some of my favorite tracks, off the top of my head: Spain, Captain Marvel, Armando's Rumba, Sicily, Samba L.A., The Slide, Leprechaun's Dream, North Africa, Eternal Child, Tumba Island, Got A Match, Charged Particles.
The last track has some special significance to me since I listened to it repeatedly to pump myself up for a big life decision.
Plus, I have fond memories driving my parents crazy on roadtrips by playing "that crazy music" (= either Chick Corea or video game soundtracks) in the car.
If you like his music, go look for those videos (COVID era).
As for his music, it’s hard to pick a favorite; his duo album with Bobby McFerrin is my favorite.
A lot of it is technical, won't be comprehensible to non-musicians, but lots of interesting stuff.
I saw Chick twice - once in 80s and then again a few years ago.
The night of his death I was playing selected tunes to my wife, trying to explain his significance to me. She said, "Rachmaninoff... don't you hear Rachmaninoff in that?" [ I repeated the anecdote about Art Tatum. ]
Finished my set with the Miles Davis concert on the Isle of Man, the last concert before Chick left that band.
Amazing musician. Great to see so many here touched in the same way.
RIP Chick Corea. When I was 18, graduating as a wanna-be-wanky musician from rock and blues, I kind of knew jazz was a thing I was supposed to grow into. I bought a crappy $5 jazz sampler CD. (This was 1998, so that's how you discovered things.) The only thing I can remember blowing my mind was a solo piano piece from Chick Corea. I'd never heard harmony like that. Sadly, I don't remember piece it was. But Chick Corea was the bridge for me between my musical childhood and adulthood. The next album I bought, was "Where Have I Known You Before" from his fusion band, "Return to Forever". I still remember the names of everyone in the band: Chick Corea (piano and synth), Stanley Clark (bass), Al Di Meola (guitar), Lenny White (drums). Literally every member of the band was at a level of technical virtuosity I'd never heard, but more importantly, it was my introduction to jazz harmony. Here's the first song from that album in full 70s fusion cheesiness:
So long, Chick, and thanks for the music.
- Now He Sings, Now He Sobs
- Captain Marvel (w/ Stan Getz)
- Chick Corea Plays (a live album released last September)
Corea has so many great albums, both as leader and as sideman, that it's entirely unfair to name only those three. But... that's where inspiration and available time took me.
Chick was running the online Chick Corea Academy recently, and now it makes sense why he was so keen on sharing his gift and wisdom while it was still possible.
His music touched many people, and being on the front page of HN is testament to that.
But there won’t be a next time anymore. Chances slid through one’s finger like sand and there will be no next time. It’s your fault to not seize them.
May this great artist rest in piece.
The first time I saw him live at Yoshi's he performed with a combo of young musicians and you could see by the interactions on stage a deep mentor/mentee bond between them.
Twice at Weyl Hall with Bela Fleck. Aside: you should take the opportunity to enjoy live performance here when life returns to normal. The first time Chick and Bela both expressed wonder at what a great venue this is. Some are calling it the Carnegie Hall of the west coast.
In Santa Barbara with Herbie Hancock everything about that performance of two real artistic geniuses was amazing. (A very overused word today, but in this case appropriate.) Their opening piece started out with avant-garde chaos which gradually morphed into extraordinary beauty. The rest of the show built on that, ending with an audience participation rendition of Spain.
RIP
Showing that much restraint and not just letting muscle memory take over to become a lick machine is so impressive.
He turned that into Armando’s Tango once. It’s on his “Rendezvous in New York” album. Such great irreverent fun!
It almost looked as the simply enjoyed being able to play every night with the best people he could find. Zero ego on stage.
There are so many relatively unknown artists that are also exploring like Chick did. For example, I highly recommend checking out a composer named Maria Schneider. Like Chick, she has a way of interweaving composed classical style piano with improvisational jazz. I'm going to see if I can find examples of Chick playing any of her tunes.
There's no one like him.
https://www.usatoday.com/story/tech/columnist/talkingtech/20...
https://www.youtube.com/watch?v=Ta6dED32tL8
The climax builds up from 7:20.
https://www.philharmonie.lu/en/programm/chick-corea-vigilett...
https://youtube.com/playlist?list=OLAK5uy_ms-PRDnEUGK1o3ncDc...
Check out the 2:55 mark of Like Minds (the song) for a nice piano solo.
"Thanks for doing this. Chick’s mother told me that when he was a child she would strip his bed sheets to wash them. She would find music written in pencil on the bed sheet. He was supposed to be sleeping but his mind was always in music. As amazing as he was as a musician/composer he was a wonderful person, loving father and a true friend. I will miss him."
He will be missed.
I can’t even read it; every time I zoom in it resized itself to make the text smaller.
Can someone paste the full text or link to a plain text version of the announcement?
Readable version: https://archive.ph/xfPZT