There's a short showcase of them on YouTube (spoilers): https://www.youtube.com/watch?v=n_c-eKTisI0
It's a shame you basically cannot get anything close to the quality of fansubs from any commercial/legal options.
Edit: Are those baked into the video or did they just use the ASS format?
https://www.youtube.com/watch?v=1cqqGOvOGfI https://www.youtube.com/watch?v=QvO8kcWFFT0
The actual code for it is looks like this:
00:03:31.485 --> 00:03:31.719 align:start position:0% line:0%
<c.color96D2D3>Hey! nanika ga okoru spe cial </c><c.colorFEFEFE>night</c>
00:03:31.485 --> 00:03:31.719 align:start position:0% line:0%
<c.color96D2D3>Hey! nanika ga okoru spe cial </c><c.colorFEFEFE>night</c>
00:03:31.719 --> 00:03:32.486 align:start position:0% line:0%
<c.color96D2D3>Hey! nanika ga okoru special night</c>
00:03:31.719 --> 00:03:32.486 align:start position:0% line:0%
<c.color96D2D3>Hey! nanika ga okoru special night</c>
[0]: https://en.wikipedia.org/wiki/WebVTT
[1]: https://www.youtube.com/watch?v=AufydOsiD6MAnd again, set language to Japanese.
It’s also a format no fansubber ever heard of.
The fansubbing community is so annoying with its insistence on terrible formats. The community has somehow standardized on 10bit hevc with ASS subtitles. That makes releases so hard to play.
Now try running that on a Chromecast >_>
The fansubbing community is just so stuck in weird formats which provide no benefit except a virtual moat preventing newcomers.
Which is expected, considering the hardware just isn’t powerful enough for ASS subtitles (to get good performance, even on a desktop you’ll want a recent CPU and at least 1-2GB of RAM): https://en.wikipedia.org/wiki/Chromecast#Model_comparison
It suggests that the character itself is writing the English text, or that it magically appears.
If it were simple subtitles, it would be clear that these were translations, and that in the actual story there is only Japanese text.
Notwithstanding the impressive technological nature of it, but that also seems the reason they did so. Methinks it's a case of using cool technology because one can, even though it doesn't produce a more convenient result, however cool it might look.
Your argument kinda sounds right when you just imagine it... but doesn't hold weight once you actually experience them.
If this text isn't done like this then you have to either omit it entirely, possibly leaving out relevant details, or just put them next to the normal subtitles. The latter doesn't work at all for me, because I can't distinguish which text relates to what quick enough.
For instance translating the text on a piece of paper by writing the translation above the piece of paper.
How it is written in this case, in charcoal, on the paper, in perspective, seamlessly blending into the paper, makes it seem as if, for whatever reason, the same text was written twice on the paper in English and Japanese.
It's even more unnerving when the text be written and the English pencil charcoal appears out of thin air next to the Japanese charcoal that emerges from a pencil.
Fansubbers work for the shows they love while the commercial distributors just pick the cheapest option to get the thing done ASAP, don't matter how sh*tty the result is. There is no chance for quality here.
The same happens with Blurays x rips streams: piracy is the best option (no DRM, no unskippable screens, no ads, no regional restrictions).
But also, Crunchyroll uses the fansub toolset and SSA subtitles.
Case in point, I remember watching "Is the Order a Rabbit S3" in Crunchyroll, the English subtitles are pretty basic but the Portuguese (Brazillian) subtitles are great, including things like Karaoke in opening and ending.
I wouldn’t call subtitles that require about a GB of RAM to process and don’t even get 20fps on an i7-6700 "quality". That’s just a bunch of shitty hacks people accept because there’s no alternative.
ASS is a horrible format (three implementations, only a single well-working implementation, performance hungry, etc), and almost all of the benefits of ASS can also be had with e.g. TTML without the issues.
And stuff like rendering the same line hundreds of times to get a gradient effect or blurred background is absolutely wasteful, especially because it’s just a hack to work around the broken ASS limitations.
But now that HS is gone, I'm not sure what's happening to the scene. There is a power vacuum and I'm not sure if anyone took up the space.
Mostly they seem to work on shows that haven't been licensed by official simulcast sources, or that are licensed but aren't being released on a timely schedule (ahem Netflix), or projects that for whatever reason they think the official releases haven't done justice to.