Recommended for those wanting to ditch spotify. Redirect the subscription fee to buying an album or two each month. Get a few friends to do the same. The artists get much more royalties and you have a more personal collection.
Recommended for those wanting to ditch spotify. Redirect the subscription fee to buying an album or two each month. Get a few friends to do the same. The artists get much more royalties and you have a more personal collection.
The top 50 albums over those 2 years are a quarter of my listens, the top 100 are just over a third.
Even if two-thirds of that album count is bad metadata (e.g. the same song counted against multiple different albums/compilations/etc.) it would still be prohibitively expensive to consume anywhere near the same breadth of content if I had to acquire perpetual rights (from Bandcamp/iTunes/etc.) for everything rather than effectively renting them out for a single play (from Spotify).
The other thing I like about the streaming model is that artist remuneration correlates to how impactful their work subsequently is to my life (i.e. how many times I listen to it both during discovery and then over the subsequent years/decades) rather than how effective their marketing is at convincing me to buy the album up front.
I may have the wrong end of the stick here, but it sounds like you think all artists get a certain fee per stream, where as the reality is far from that (depending on many factors).
So I've been trying Ultrasonic, using the subsonic API feature of Funkwhale, and it's working pretty well. Not as slick as Google Play Music ever was, but better than Otter (for now).
This could be really cool especially for a lot of older music that isn't on streaming platforms.
as usual, this depends on where in the world you are. Some legal systems do make a difference here.
"Making a noncommercial mix tape (as in, an analog audiocassette) of copyrighted songs is immune from claims of copyright infringement, thanks to the Audio Home Recording Act of 1992, 17 U.S.C. § 1008."
Some info here...
http://jolt.law.harvard.edu/articles/pdf/v07/07HarvJLTech377...
Besides, if you're going through all that networking hassle, you're better off doing things right. Get a real firewall like pfSense, then setup a separate network just for outside facing services. To access those services locally create firewall rules that allow traffic 1 way: from your trusted network to your outside facing network. While you're at it, consider making separate networks for IoT devices, and maybe even another for untrusted guest devices. You can use VLANs or physical interfaces if your firewall has enough ports.
My home network has 12 VLANs, but each VM cluster node only has 2 NICs
This seems to have been fixed in the 10.7.0 RCs, and they've been quite wonderful.
The only feature I find lacking is being able to use Jellyfin on a Chromecast, via their iOS app. It seems to be blocked by the lack of upstream SDK support: https://github.com/jellyfin/jellyfin-expo/issues/16
I use (and recommend) the Kodi addon as the client. I had stability issues with the jellyfin Android (TV) app, but Kodi runs on all sorts of platforms and it's very well supported. I use it for music, too (there's a dedicated music player for it in f-droid called "gelli.")
Pretty much this. The music is basically promotion for the merch, which actually makes money.
Cassette and vinyl sales are also important because in addition to the nostalgic (hissy/scratchy but also warm and saturated) "analog" sound the physical recording is a fun collector's item and something you can show off.
Hopefully live shows will return at some point as well.
For streaming music, let's say you're listening to the artists music in the USA (meaning your streams are worth the most). Let's also assume an average song length of 4 minutes and an average per-stream payment to the artist of $0.003526648542 dollars since you're in the USA[1]. In this world, if you listen to that artist for 3 hours a day, every day, for all 30 days in a month, then you will listen to 1350 songs from that artist and earn them ~$4.76 with all your listening.
So while it is possible that you could listen to an artist so much on a streaming platform that you give them more than if you buy an album, I wouldn't call it super likely.
[0] - https://www.recordingconnection.com/reference-library/record...
[1] - https://www.igroovemusic.com/blog/wie-viel-erhalte-ich-pro-s...