What exactly does MS Word add over markdown which matters to an author? I am talking about the writing experience. You could always export to docx.
What exactly does MS Word add over markdown which matters to an author? I am talking about the writing experience. You could always export to docx.
No offense but you don't sound like someone who writes a lot?
* Inserting special characters: personally I don't find those "character choosing" windows to be very convenient. Hunt and peck is a slow way to type! Anyway, you can do this in Markdown with either Unicode (if you have the right keyboard) or you can write HTML escape codes (&tm; etc.)
* Automatic (grammar/spelling). I don't like check as I type, but sure. Anyway, Emacs provides this if I want it.
* Macros. Hello? Emacs? (Also, Pandoc has a scripting interface.)
I may not be published yet but I've written my own book. I've also published books for other people. I did both of those with a Markdown-based toolchain. It works.
Edit: Just to prove the point: https://www.amazon.com/dp/0692553916 . Go see for yourself how the book is formatted.
Also, if emacs was good enough for Neal Stephenson, I'm sold...though I hear he uses Scrivener now!
(Also, I wrote a Markdown-to-ePub script, too! Although I don't think anything I've got up online uses it anymore.)
I'm a Markdown fan, but really there _are_ better solutions for book writing that maintain the ease that Markdown brings. Things like ASCIIDoc.
The most obvious WYSIWYG competitor for novelWriter is Scrivener, which is similar to Ulysses -- and also shares the limitation that it can only export to Word rather than import. Nevertheless, its testimonials page is filled with praise from people who arguably write more than I do. :)
Some people may need "special characters" they can't type, but I have keybindings for the characters I use.
Grammar checking and corrections is my proofreaders job, not mine. It happens after I've converted my document and sent it off.
Macros are supported in pretty much every editor I've ever used for plain-text. I use lots of macros, but exactly zero of them for my novels.
I don't need to send and receive documents with no conversion needed. I do one export when I'm done with my first draft, and then I edit and do one more export before handing it over to my proofreader. Then, sure, I review those changes in Librewriter. The proportion of my time that takes is tiny. It'd be nice not to have to, but I'd take that over having to work in a word processor during writing any day.
> No offense but you don't sound like someone who writes a lot?
As someone who has written several novels, that's how your comment came across to me. At the same time I know novelists range from the pen and paper type (e.g. Gaiman, King to give two examples discussed in this thread) up to wanting word processors with all bells and whistles - it's very much down to taste.
What does Markdown get me that makes it worth switching to for the first draft only?
> what an author should want
That is normative / prescriptive attitude, and seems to gatekeep who gets called "an author."
On the other hand, I think the biggest challenges most writers have is getting words on (digital) paper, regardless of the software.
I am also unconvinced that there are any practical benefits (for me) to using Markdown in particular, instead of whatever is closest to hand and offers the least friction...use what works for you!
i am not yet there in the process, but i won't be using plain text/markdown just for the first draft.
when i get back that word documents with comments from the editor, i'll look at that like a read-only copy, and actually make the required edits in that same plain text editor.
while it may be easier to make edits right in place in the word document, it is easier (for me at least) to keep a history of changes with plain text documents.
otherwise i'd agree with you. if you are going to end up editing in word, may as well start with editing in word. for me the goal is to avoid using word/libreoffice at all.
Hemingway famously favoured pencils for his first draft and switched to typewriter for his second.
Gaiman and Stephen King uses pens for at least their first drafts. Gaiman expressly for the reason that he believes it force him to be more thoughtful and forces him to go back and rewrite the full book word for word rather than going back and forth to edit. King switched to pens after his car accident.
JK Rowling wrote Harry Potter with pen on loose sheaf paper.
Writing novels is intensely personal, to the point where writers will insist on specific brands of pens or specific models of typewriters. E.g. Danielle Steele has used 1946 Olympia's throughout her entire career.