How good is Google’s Instant Mix?
musicmachinery.com
musicmachinery.com
I know music is a very subjective subject, I really think he could have been more objective about the whole thing. Maybe using other peoples music collections and getting their own personal opinions on which songs work and which songs don't. Add to that, have other people rate the playlists he generated, so it wasn't just his opinion.
Also, wtf about Genius only getting 10 marks against it for not doing Beatles playlists? I'm sorry, if you hold the criteria that any songs that are out of place are considered negative, no songs in a playlist should be worth 24 'WTF' points. Not that it matters in the comparison, and it was nowhere near close.
I don't have access to the beta, and at this point don't really care about it, but this just screams as self promotion. I think it would have been a lot more respectable if he had been more objective concerning the tests he used.
You couldn't do a test with other collections because the beta is very limited right now-- I can only think of a few people I know that have access. But I can concur that my results are as terrible as his were.
Yes, he works for EN (which he's very clear about) and yes it's a bit inside baseball showing a service that most people can't use (because they're not developers or customers) but you can scroll past our results & take it as a post titled "How is Apple so much better than Google at such a data driven task?"
(I would have given the lack of beatles on genius -24 too! I also found a couple EN clunkers that I'd give a WTF to, but I'm a notorious jerk for those things, ask anyone i work with :)
Sure, but that wouldn't exactly be fair seeing as Genius is 3+ years mature, and Google Music+Instant Mix is in beta and less than a week old. OP even seems to think so...
> The last time I took a close look at iTunes Genius was 3 years ago. It was generating pretty poor recommendations.
- Genius was much better than this when it launched. It's even better now, but it wasn't as bad back then as Instant Mix is today.
- You don't think google has more data about music than Apple did when it launched Genius? YouTube, Music Onebox, search traffic.
- (severe bias alert) EN's playlist APIs are the same excellent quality today as the day it launched (sept '10.) We're roughly 0.10% Google's size. We didn't need any warm up period.
Just curious, in regard to the quality of EN since launching.. You guys we're clearly working on your algorithm for several years prior to launch[1] in late 2010.. That's sort of a warm-up period, no?
[1] second last paragraph of http://blogs.oracle.com/plamere/entry/genius_or_savant_syndr... from 2008
Why do they think it is so important to get in this market ASAP? Perhaps under Page there is additional pressure to launch fast and early a la start-ups?
With that said, I have no idea if the quality of EN is as good as he claims.
http://techcrunch.com/2008/03/27/first-machine-listening-api...
Re: "warmup": My point was technologies like ours don't need a warm up period where users give us catalog and preference data. You can have great results without relying on that. Even better, we think.
Also, re: "please buy us" -- come by the office sometime and have some drinks and you'll see why we all found that comment pretty funny. Hopefully someone still reading this thread knows us well enough to +1 this. Come to a music hack day if you're not near boston.
(post-edit: davemebs -- our stuff is pretty easy to try for yourself if you're a developer. see developer.echonest.com . if not, wait a little bit for some consumer facing things. we're primarily developer-focused at the moment)
..so? I'd honestly like to see more of this sort of advertising.
From my perspective, I'd say an empty playlist is worth 24 WTFs, in the sense of "WTF, I expected 24 similar songs and got 0!"
Would you rather be given no results or bad results? I agree that no results isn't good but I'd rather an application that actually identified it couldn't do a good job than one that just threw a load of junk at me.
I think a score of 50% or so is probably about fair. It shouldn't get a good score certainly but I'd certainly rate it higher than one which just produced nonsense.
While the author could have been more objective about his criteria, ironically enough, I think he missed the more salient point that he raised by implication: that music engines should be mapping the user's behavior patterns vis-a-vis the songs in his collection, and not so much objective connections between songs. This is what Genius does and has always tried to do, and it's why Genius seems to work better for the author. Genius doesn't focus as heavily on attempts to forge objective links between songs, so much as it focuses on attempts to draw links in behavior patterns w/r/t songs by likeminded users.
When listening to songs in a collection, our brain maps out its own connections between songs, as reflected in the way we compile our own lists consciously or subconsciously. Sometimes those connections make objective sense (i.e., "I want to listen to '70s funk, so I'm going to pick ten '70s funk songs in a row."). Sometimes those connections make little objective sense (i.e., "I am listening to a track by Lady Gaga, and afterward, I feel like listening to a track by J.S. Bach."). A good mixing engine figures out the idiosyncracies and subjectivity of our brains, as reflected statistically by the choices we've made in the past.
I think that if you survey the researchers in the field, the "WTF test" would be considered fairly reasonable - especially for a quick-and-dirty evaluation. Can you point to any specific songs that he said were WTF's and you think aren't, or vice/versa? If not then it would appear to meet the objectivity criteria.
Using his own music collection might be slightly more suspect. Changing that might have flipped the outcome of iTunes vs EchoNest, but wouldn't have changed the real news here: Google does really, really badly.
There's no objective evaluation of playlists. I've proposed a simple, subjective one that I think gets the job done. I'm happy to try other ones if you have something to suggest.
[Note: All this applies to Beatles tracks ripped from CD rather than purchased via iTunes.]
I've just tried Genius (updated immediately before) on a selection of Beatles tracks in iTunes - Eleanor Rigby, Yellow Submarine, Lucy in the Sky with Diamonds, Sgt. Peppers Lonely Hearts Club Band and not one of them produces a playlist.
Even before they were selling Beatles tracks enough people will have ripped them from CD to have the data to produce playlists so it seems unlikely (but not impossible) that it's data related, which suggests that it's either an odd, very specific error or intentional.
What's stranger is that for some (but not all) of the tracks it will make Genius recommendations to buy...
Anyone any ideas? Some strange part of the Beatles licensing deal perhaps though that would be very odd as really who gains anything by that?
To what end? Unless Google is trying to make sure that when its software becomes sentient and takes over the world it has good taste in music (heh) I can't see much use for the data beyond building a recommender.
Let Google build their product first, it is still a beta, for a reason. Music recommendation is close to impossible without lots of data - and it becomes unfair to compare Google Music with iTunes Genius, which has been on the market in 3 years.
Jazz doesn't mean a thing. When I'm happy I don't want to listen to down jazz although it's jazz. Maybe I would like some happy funk and metal as well.