The surprising accuracy of Minority Report 10 years later
thenextweb.com
thenextweb.com
"This is minority report! Pre-crime! We're being arrested for street theater."
It's amazing how well the British do fascism, complete with a bit of descent into absurdist comedy. Life imitates Terry Pratchett.
Minority report is distinctly different in that there's 100% assurance that a crime has been committed in the future, therefore the suspects are guilty.
[SPOILER BELOW]
As plot progresses, it is found that reading the computer that looks towards the future are human and there's no 100% certainty due to paradoxes among other past life twists. This lead to release of all prisoners (I think).
There must be a better solution to umbrellas getting inverted. Why do they even have to bend that way?
I'd be very hesitant to claim that I could design a better umbrella. They've been evolving for a very long time. Maybe modern materials would help, but I for one wouldn't dare buy a carbon-fiber umbrella because I just know I'd leave it on a bus or something. Cheapness is a feature too.
Meanwhile, the hilarious invention at the link not only looks ridiculous, but I'd have to be convinced that it wouldn't drip all over my lower body. And how on earth do you carry it when it's folded up? A big feature of the standard umbrella design is that it's not that hard to carry or store while folded.
I have a nice waterproof hat from Outdoor Research and a Gore-Tex jacket. For serious swimming I've also got waterproof pants and even gaiters. That combination seems like it would be superior to the space helmet.
As great as the Senz is, it lacks one of a regular umbrella's most compelling features; its handle is inconvenient to use, and, combined with the lack of a pointy end, you can't use it as a walking stick of sorts. This also makes umbrellas feel less cumbersome, because they still serve a purpose, when it is not raining.
(And it also makes it more difficult to hum Singing in the Rain to yourself and pretend you're Gene Kelly.)
- Your face and hands don't get wet, even when the rain is blowing sideways. (Coat-only waterproofing also leaves you with wet jeans and shoes.)
- You don't get basically just as wet anyhow on account of sweat being trapped inside the clothes. (Even "breathable" stuff traps sweat when its outside is slick with water.)
That's from the top of my head.
http://www.wired.com/wired/archive/10.06/spielberg.html?pg=1...
In many ways, I think a really well written sci-fi book, and especially a movie, can be a self-fulfilling prophecy. In which case, the movie would be making a proposition rather than a prediction :)
Actually, the future predicted by the movie is pretty scary, in particular:
- Automated cars that can be remotely controlled by the government
- Eye-based identification everywhere
I wouldn't wanna live in such a place :/
Google automated cars + OnStar-Law Enforcement partnership.
> - Eye-based identification everywhere
Google already uses it in their datacenters. It's hard to say if it will catch on, but it's not unreasonable to expect its widespread use in, say, 2030/2040.
Even though I drive with my seatbelt on under 80 MPH anyways, it's really annoying for my car to tell me what to do.
It should be configurable, the rental company probably programmed the key they gave you.
When I rented a Penske truck, it was speed limited to 75mph, which I don't object too, 26" diesel truck over 75mph is a scary thing, even when going in a straight line through fields of corn.
I heard once that the imagination of science fiction is the same imagination of innovation. That life becomes more and more like science fiction because actually building something is the next step after coming up with the idea,
That's about as close as you could get to Minority Report (this was earlier than the movie) but it used ongoing series of crimes to predict where the crimes may occur or to narrow down where the criminal may live.
It's not the IBM software mentioned in the article this was from Canada and I distinctly remember it was an RCMP officer who created it.
Movie adaptations of science fiction short stories often have a way of missing the point. Sometimes it's an improvement, sometimes it isn't.
The bit about Minority Report that I didn't like (and I think this point was made by somebody else at the time but I can't remember who it was) is as follows: the movie starts off by saying "Let's suppose that there's some psychic system that allows us to predict crimes before they occur!" "Gee okay movie" I say, "that sounds pretty implausible but I'll go along with it". "And then" says the movie "the big twist at the end is.... sometimes it doesn't work!"
It feels like a cheap sort of ending because, well, I never would have thought it could work until the logic of the story demanded it. It feels like the movie is trying to make some kind of point about free will, but it's not only keeping its thumb on the scale, it's also keeping its other thumb on the other side of the scale, making the discussion pointless. Free will is nonexistent, it says, because of this hypothetical device which could never exist in the real world. Except, oh wait, the device doesn't work because there's free will. The end.
There, I said:
"The issue of her predicting the future as it actually ends up taking place is more or less irrelevant in terms of the story the filmmakers chose to tell. That's set up from the very first precognition and subsequent raid. Agatha sees a murder that does not happen, because there is interevention. The premise underlying the story the filmmakers chose to tell us is that what she sees will in fact occur if we do not stop it. We are free to stop it, of course, but only because we know it is coming. If we didn't know, the world would continue on the rails it has been traveling on, and it would arrive at the destination Agatha has foreseen. This is the essential point that you have to buy into for the premise to work at all."
I dig a little deeper here, including analysis of the eye transplant scene. With a bit of a snarky tone, but I was arguing with friends...
http://www.wordplayer.com/forums/moviesarc05/index.cgi?read=...
The sequence of events would never have happened if she hadn't shown him committing the murder, and Tom Cruise would have kept going about his job.
The story was fundamentally predicated on the assumption that the precognitive telepaths worked as advertised, but that the director's knowledge of their data combined with a data error causing them to take each others' output as input created an artifical scenario that could only really affect that one person. The film, on the other hand, turned them into a fundamentally flawed system that didn't and couldn't actually work; the minority report was removed, the concept of them feeding off each others' data was removed and we were left with nothing more than a motiveless, random crime being incorrectly predicted. Which, to me, completely undermined the point of the exercise.
Social Advertising: There isn't any advertising. The only media that's referenced is the radio which is a broadcast medium, and as such can't be individually tuned.
Virtual Shopping: Anderton buys some essentials at a drugstore, and a second hand set of clothes. It's important to the plot of the story that he takes the risk of exposing himself to get these items.
Crime: Alright, I'll give you that one. Pre crime is a cool concept.
Robots: The only automatic machines mentioned in the story are those that tend to the needs of the pre cogs (presumably life support type stuff) and things like automatic card printers. Hardly robotic spiders.
Gesture Based Computing: In the story, Anderton has to lookup where data will be stored on a tape and manually copy it to another reel of tape. That's as close as he gets to a cool interface.
Cars: Flying cars feature into the story, but they required a human driver. Anderton has to ask his wife to take the wheel at one point as he has to deal with something else.
Sometimes it's alright to acknowledge that an adaptation of a work has added to it.
Don't miss the "What's around the corner" video.