Longest known exposure photograph ever captured using a beer can
herts.ac.uk
herts.ac.uk
Anyway, a couple of our classmates turned their entire room into a pinhole camera — a “camera obscura”, where the image of the whole valley was projected upside down on the wall.
It was pretty magical being inside of that.
Is it fair to say that the image is always there, but lost in a wash of additional light, and that a camera obscura filters out the other light, revealing the image that is already there? Or does a camera obscura somehow shape the light in a new way to produce the image?
http://fslashd.com/2015/04/circles-of-confusion/
http://www.villageinframe.com/how-big-should-the-hole-be-in-...
This is a useful image. https://qph.fs.quoracdn.net/main-qimg-e92438d691243116d52f99...
Supposedly this was something the Nvidia devs were not necessarily expecting to see but happened to stumble upon it. In other words, it arose naturally from their treating light as physical rays rather than being programmed in, and if so I think that's pretty neat.
https://www.torretavira.com/en/what-is-a-camera-obscura/#jp-... (uses a mirror to project an image on a table surface, and allows one to rotate the tower containing the pinhole. Uses a lens, so this is a camera obscura, but I’m not sure whether to call it a pinhole camera)
With his mentorship I then got into other "primitive photography" methods like pinhole cameras. My favorite thing I made was a camera that had a vertical slit, as opposed to a pinhole, and a gear system that would pull 35mm film across the slit as the camera was rotated on a base. It was effectively a panoramic camera, but the cool thing is you could follow moving objects like cars and stretch them out.
RISD campus: https://i.imgur.com/VoONn1W.jpg
Stretched out cars: https://i.imgur.com/Gm6LMRE.jpg
See how on the far right, the front wheel of the minivan is a regular circle while the back is a long oval.
That was a very fun hobby, I expect to pick it up again when I have more free time.
We blocked up the projection hole but missed a bit. Turning round to the see the hall outside projected upside down on the back wall was one of the most magical bits of serendipitous learning I have ever experienced.
[1] This one for example: https://old.reddit.com/user/Solargraphy/submitted/?sort=top
It makes me think if you were an alien life form who lived for eons, maybe eight years would be like an eye-blink (in some sense), and perhaps this is one of the perspectives you would have, if you wanted it.
You know how successful artists often have a line or series that they return to and that really identifies them? I hope this is or can become that for her.
Humans are the slow ones and the Aliens are creatures living on the surface of a neutron star. Humanity makes contact and generations of the aliens live, die, and develop technology over the course of several subjective days for the humans.
Highly recommend giving it a read~
I didn't love Voyager overall but it had some pretty good episodes scattered throughout.
https://en.wikipedia.org/wiki/Pinspeck_camera
(p.s. you seem to be shadowbanned)
Then how can you see and reply to my post?
I really can't think of what I did to deserve a shadow ban.
Would be interesting if we ever found such a case where a discernible image got burned on the wall.
Looks like the photographer only said "It could be one of, if not the, longest exposures in existence", and they took it from there
In this context: “are you sure it’s the longest long-exposure in the world? Have you checked every single camera or device that employs a camera obscura technique?” isn’t a very reasonable objection. And “known” isn’t a weasel word so much as a tautological qualifier. It doesn’t weaken the statement in anyway, it just clarifies that the author is not ominiscient.
If the headline was “believed to be one of the longest” because they were aware of a longer long-exposure, that would be much more weaselly.
>It could be one of, if not the, longest exposures in existence.
On the other hand, there is certainly a surveillance camera somewhere quietly humming along for way longer than this, and you could make a photograph by simply averaging all the video frames.
Sure, but that's a different thing, even if the effect is similar.
A fun experiment.
It’s strange though because you usually need to figure out how long the exposure would be and then use the right size hole / paper. But this sounded like it was accidentally left for all this time.
[1] https://solarcan.co.uk/wp-content/uploads/2019/06/solarcan-t...
Here's a quote from the Solarcan (a premade product that uses the same principle) instructions:
> Inside the Solarcan is a single sheet of light sensitive photographic paper. Once exposed to light a chemical reaction happens to the emulsion and it begins to change colour. Traditionally photographic paper captures a latent image that is not visible to the naked eye and requires chemical processing, however with a Solarcan the light from the Sun is so powerful that as it passes across the paper it darkens visibly and no chemicals will be required to ‘develop’ the image.
https://solarcan.co.uk/wp-content/uploads/2019/06/solarcan-t...
I remember my astronomy and maths teacher, Franck W. Pettersen, rest his soul, teaching us how to build a telescope from scratch. We got a long cardboard tube, and some other pieces that we put together quite cheaply. The most expensive part was the lens, which we put at the end of the tube.
Earlier he worked as the director of the Northeren Lights Planetarium in Tromsø, but he quit the job, citing that it was much more rewarding to teach astronomy and physics to pupils rather than showing tourists around.
It is perhaps unseremonious, but the first use the telescope saw, was us boys trying to peek at the girls at the neighbouring high school, three kilometres away at Kongsbakken (King's Hill) accross the sound. It was a success. We could even read what the teachers there wrote on the blackboards with it.
Personally I've always liked night photography, and I've spent many hours making time lapse photography of the Aurora Borealis phenomena that is so common in the North of Norway. However I think this image is a testament to how also daylight photography of certain phenomena might also be very beautiful, and even moving.
Think of it as a one way hash...
https://petapixel.com/2020/12/11/shot-with-a-beer-can-this-i...
[1] https://en.wikipedia.org/wiki/Long-exposure_photography#Sola...
https://www.nationalgeographic.co.uk/photography/2020/12/lon...
The sentence "She placed a can on one of the Observatory’s telescopes, which had been forgotten about until September this year ..." makes it sound like it was the telescope that had been forgotten.
I've done many 30 minutes+ exposures on both pinhole and large format cameras. On the later, it captures an insane amount of tonalities from what you are imaging, almost like "HDR" but well, with just a piece of carboard for shutter and a watch to time how long your patience lasts :-)
Decades before anyone had an HDR TV, film frames were being stored in HDR formats for digital processing.
Regina: “Hold my beer”.
See here for more https://en.m.wikipedia.org/wiki/Joke