However, it's not an isolated problem. It feels that every other week something happens that undermines my confidence in Macbook as good device for making music.
However, it's not an isolated problem. It feels that every other week something happens that undermines my confidence in Macbook as good device for making music.
That is not anti-consumer.
Revoking signatures and disabling the apps on user devices to protect your business model is definitely anti-consumer in my book.
You could easily see Apple revoking signatures because of DMCA claims. Even faulty ones, like the claim RIAA made against youtube-dl on GitHub.
The only anti-consumer behavior in your situation came from Epic who knowingly violated the rules as a PR stunt.
Exactly. Never forget, it was Epic who threw their users under the bus, not Apple.
Epic expected you to be a soldier in their fight. They expected you to make a sacrifice you were not willing to make.
That's entirely on Epic.
Even though I agree that in the Epic case, most of the blame lies with Epic, I still have a problem with Apple: the signature revocation system is used for more things than removing malware. I think it is user hostile and anti consumer to disable installed apps on other grounds, because the users might be dependent on them.
I'd like to be able to run programs and apps on my machine that are not Apple-approved.
I thought you could anyway. You would right-click the app in Finder and choose Open — from then on, it would continue to open.
Or is that a different mechanism?
But when returning to a digital musical work months or years later, oftentimes the idea is to improve or otherwise rework it ... just as live bands do constantly. A non-working essential plug-in (filter, synth, VCO, whatever) might make that much more difficult.
One of the biggest headaches in computer music-making is how much time fighting the tech takes away from the creative process. Noone needs their OS to be adding to their distress. Let alone switching serial-port designs every few years (obsoleting trusted and often expensive equipment).
A machine that's used for making professional music should not be upgraded or connected to the internet. If it's for a hobby... I think we will have to live with the compromise if we want to have the latest security fixes and connect to the internet.
Most DAW-makers are constantly upgrading their software. And they often obsolete their older versions to get in sync with new OS's. 'Keeping the old stuff' sometimes isn't an option.
Physical instruments keep working for decades ... but thanks to OS upgrades, valued digital hardware and/or software instruments (say by Opcode or Native) can be lost to stupid or cavalier changes. Anyone who's been making 'professional music' for long has been bitten many times.
The only solution to not having a broken music workstation is to never connect that machine to the internet and never update it. Physical instruments keep working for decades because...they are never connected to the internet and never updated.
This is exactly what Apple has already done to the iTunes world, music you had a decade ago is suddenly inaccessible
Music bought via iTunes doesn't have any DRM since 2009.