And Youtube Music isn't much better, and it's only a matter of time before their aggressive opinions on what's good for their consumers diverges from mine.
I'm not willing to let a company dictate which music I can listen to based on licensing agreements with yet another company. I try to buy my music directly from the creator, and keep it safe and sound.
Funkwhale will never be as large as Spotify, and that's fine. There is a niche for what they're offering.
Torrent/soulseek if the song is region-locked, sold in lower quality, or if it takes me more than 5 min to find a legit link.
I listen to a lot of Indian music (film soundtracks), and Google was annoyingly consistent in changing my songs to different language versions because their acoustic fingerprint training models are shit.
That's kind of what I assumed. I'm sure YouTube will make a few changes in the coming year that'll make it worthwhile to deal with the hassle of setting this up and putting up with an alright experience. They're almost there as it is.
> Fans have paid artists $619 million using Bandcamp, and $18.3 million in the last 30 days alone.
And that is from Bandcamp alone. There are numerous other genre-specific sites that sell music, as well as Amazon, Google and others.
I can't speak for everyone, but one of the challenges of this relatively open market is managing music bought from different stores. Who wants 5 apps to stream from all these places? Funkwhale is really designed with a more libre/open source/communal spirit, but happens to be excellent at doing this for individuals too.
My family has a spotify account. In the past we used pandora. I have tried them both but I always immediately come back to playing albums from my own collection.
I'm in my mid 50s, and I grew up listening to album-oriented rock (AOR), and not just a stream of pop hits. I still prefer to listen to albums start to end. When an album ends, I judge my mood and think what album fits it and put that one on. That is something spotify doesn't do for me.