That’s insane. If this were to hold up then any royalty obligation could be shuffled off to a shell entity?!
That’s insane. If this were to hold up then any royalty obligation could be shuffled off to a shell entity?!
This is by no means a novel idea; the concept of fraudulent conveyance is frequently litigated: https://en.wikipedia.org/wiki/Fraudulent_conveyance
I'll take the asset of my house, without the liability of the outstanding mortgage balance.
Western tax laws were a joke to me as an outsider, heavily geared towards the haves. But hey, I was contributing to the economy too.
The UK tax laws are a joke. As told to me by multiple HMRC auditors, and my accountant (who is funnily a former HMRC auditor). The US' laws are an even bigger joke. After incorporating on the mainland, I've found that Swiss/Liechtensteiner/Luxembourgian tax laws are actually pretty decent and exacting, in spite of them being criticized as a tax haven and all.
Also, was neighbours with a ton of Arab guys in Knightsbridge who used to offset the risk of being caught (since they were into active money laundering), by donating to the Tories. Disgusting, but it is what it is.
If you could actually buy anything but an ear for your complaints access would be a great deal more expensive. That’s not to say this petty corruption of the democratic process is right but it’s like how a Russian would burst out laughing at the idea of a politician with bricks of cash in the freezer. In Russia the Chief of Police lives in a palace he obviously can’t afford on his salary and it’s very public, not something he tries to hide. In the US or UK if you have a freezer full of cash the police are going to get you eventually.
Take no small or secret bribes.
I'm going to be a film company, get paid millions to work in different places, then have exactly zero profit when all is said and done.
Sources:
Exemption - https://www.citizensinformation.ie/en/money_and_tax/tax/inco...
Writers salary - https://www.irishtimes.com/culture/books/the-500-a-year-care...
Artist salary - https://www.glassdoor.ie/Salaries/artist-salary-SRCH_KO0,6.h...
I agree with the cap, as people earning more than 50k p.a. from their arts don't need it.
This happened in the UK: it was very common for IT contractors to set up companies to get preferential tax rates, until the "IR35" reforms targeted that. Lots of the Crown Dependencies and Overseas Territories make their livings from tax avoidance; the Paradise Papers caught out a lot of celebrities using their services. https://www.theguardian.com/news/2017/nov/14/after-successiv...
Look down https://thebanks.eu/compare-countries-by-banking-sector and do a rough division of size of assets by size of country, and you can estimate which countries have the biggest tax avoidance industries.
Nearly a trillion Euro sitting in the Cayman Islands? Bank soundness "n/a"? Seems legit.
Jersey (pop 97,000) and Guernsey (pop 67,000) more assets than Romania (pop 19,000,000)? Seems legit.
Most of these tricks involve entities-in-cahoots across multiple (usually at least three) jurisdictions, so I imagine it might take quite a LONG time before the various legal authorities in all relevant jurisdictions get sufficiently coordinated to have effective regulations in place. The evidence that this is the status-quo is that it exists, and has not, to date, been "solved" by any one government. Unfortunately it's just too expensive a solution to justify itself for us proles.
eta: Also Alderney (pop. 2000-ish)
One specific issue I remember running into was the strategy of offloading intellectual property to an offshore entity.
That entity needs to have staff and be at least doing something in regards to the business. I don't think you could get by just having an employee less or even shared entity holding the intellectual property. Because just an empty shell company is going to be seen purely as a tax avoidance play with no other purpose.
Edit: Ah, one thing I didn't think of in my praise of the idea, is that this services doesn't give you a moat -- anyone can copy your forms, structures, etc. for getting the scheme set up.
https://inqld.com.au/insights/2020/09/22/how-a-gold-coast-je...
(note: I may have mixed referring to 2019 and 2020 tax forms here, particularly wher I cited line numbers)
I think in canada (where i live), you can just deduct all the business expenses (things that are part personal like rent have to be the reasonable porportion related to the business). You can't deduct more than the income from the business in a year, but you can carry over your expenses to the next year if you have more expenses than income.
I'm only half joking because I'd like to see that tested in court.
It sounds like a scam but apparently it is legal somehow.
https://slate.com/business/2020/01/private-equity-retail-fai...
The first theory is interesting: "sometimes, private equity firms really are just looters."
The high bankruptcy rate is not encouraging.
https://www.washingtonpost.com/business/2019/07/24/private-e...
etc.
And some of Toys R Us' creditors aren't happy either:
https://www.bloomberg.com/news/articles/2020-03-13/toys-r-us...
The question, however, is: given that all these companies are already on the brink of bankruptcy, how is it legal (and acceptable) that a 3rd party comes in, extracts hundreds of millions from the already bankrupt company, and when the bankruptcy does arrive, it is bigger and worse than what would have happened without the PE involvement? Basically everyone except the PE gets screwed.
I have not been following this closely, but if the 5-10 PE deals I’ve looked at over the years, it was clear from day 1 whether it was structured to have a chance at recovery, (some of which succeed, and some fail) or just to enrich the PE buyer.
I wonder why this isn’t clear to the creditors - my guess would be that an early legitimate creditor only uses “other peoples money”, which legitimizes it for others.
They have their share of failures like any other industry, but IME Hanlon's Razor - or just legitimate risk-taking that doesn't pan out - applies to most PE bankruptcies.
Looting implies that the objects didn't belong to you. If I buy a cheap crappy old car to sell of the spare parts, is that "looting"
> The high bankruptcy rate is not encouraging.
That doesn't have much to do with private equity, the entire sector is in deep shit. It's not like Toys'R'Us was a model of health...
> And some of Toys R Us' creditors aren't happy either:
That's a more serious question, and will need to be resolved. Keep in mind that if the creditors aren't happy, they won't lend money again to companies owned by those PE firms. So it's not like there are no consequences
It is a well known phenomenon - the book Glass House covers the destruction of Anchor Glass this way in surprising detail.
More background: https://prospect.org/economy/last-legislation-stop-private-e...
None of this makes sense. if the company is profitable enough to be able to pay back its entire market capitalisation, why would they sell the assets off? If the cow is making that much milk, they'll keep milking it, or float it back and make a fortune
It is indeed the creditors money that is lost. And AFAIK it is legal. I just wonder why it’s legal.
Much like in the subprime crisis, the original creditor knows quite well the likelihood of recovering the loan is low, but they sell it to a dumber creditor (often pension funds) who does not.
Unlike toysrus and hostess, the subprime thing included a huge mount of illegal things by many of the parties, but still hardly any enforcement - so I guess it doesn’t matter all that much if it’s legal or not.
It's very different.
The mortgage equivalent would be an investor taking out a loan to buy out the mortgage, transferring the deeds of the house to themselves. And then transferring the loan into the mortgage-payer's name and making him responsible for paying it off.
They've really done nothing except use their superior credit status as abritage to obtain a tangible asset.
It's very different. A PE firm borrows money, buys a company, transfers the debt to the company, strips the assets and then lets it go bankrupt, leaving them with all the assets and no debts. Rinse and repeat.
The PE firm should have more skin in the game, if they take out a loan to buy Toys R Us, they should be responsible if the company fails.
When I buy a house on a mortgage, I (not the house) end up with the debt, and I don't get to transfer any of the assets associated with the house to myself in a way which makes them not subject to repossession if the mortgage isn't paid.
So, yeah, the deals we're talking about are very different.
12 out of 50 is not "most".
https://www.forbes.com/advisor/loans/recourse-loans-vs-non-r... ["In all but 12 states, home mortgages are also considered recourse loans. If a borrower is underwater on their mortgage—meaning the outstanding debt is greater than the value of the home—the bank may not be able to recoup all of its money from a foreclosure sale. In this case, the bank can get a deficiency judgment for the difference between the debt and the foreclosure sale price and then garnish the borrower’s wages or file a lien against other assets."]
If you find a bank that lets me pay myself a "tenant fee" for living in a house I bought on a mortgage, please let me know, I'm all ears...
I was able to get my heat-exchanger covered but not the labor because, oddly enough, their labor cost for me suddenly increased by the amount Goodman specified as usual and customary and that's saying nothing about scheduling fees and truck-roll fees (and convenience fees for paying with a card, and a "collection" fee while I argued with them about all the insane fees).
His heat-exchanger (also a Goodman) wasn't covered and he ended up just straight up eating a 3.5k repair bill.
He and I both submitted paperwork to the state attorney general's office but the company "changed management" to the dude's wife and that restructuring meant we were SOL.
Is the "dude" here the state attorney general, or someone else?
That employer also agreed to pay him out of the books revenues, and that is the obligation Disney claims it did not acquire when it acquired the assets of the company.
If the royalty-like payments were part of a separate agreement from the work for hire agreement, Disney would be correct about not owing ADF any money. However, if the payments were part of the WFH agreement then Disney could be wrong, but it depends on how the WFH agreement was written.
That would be a bit extreme wouldn't it? So no more freelance developers?
But to be honest I was thinking more about relatively simple works of art. Books, comics, and songs, are typically made by a handful of people, often a single one; these processes should be completely excluded from WFH, since the final product is evidently and inextricably linked to the authors’ own skills and names. (Movies are more complicated, but credits in that area are strictly defined by unions and vigorously enforced.)
This is the problem I have with this anti-capitalism rhetoric. There's nothing to stop people forming worker owned cooperatives, creator owned companies, etc if they want. In fact some people do exactly that and can be very successful, so clearly the regulatory framework isn't inimical to that sort of organisation. It's a perfectly legal ownership structure. So go and do it, and let the rest of us exercise our freedoms to do otherwise if we choose.
The real point remains: WFH in certain fields of endeavour is patently ripe for abuse. Or are you sincerely happy with the way DC Comics treated Simon and Schuster? Or the way Marvel treated Jack Kirby? Or, to get back on the issue of the day, what Disney is now doing to Mr. Foster?
Regardless, see my other reply [0] in this thread for the actual scenario that I had in mind, which can likely be accomplished without any economic armageddon.
Generally, a novelization of a preexisting script (such as all of the novels that ADF is complaining about) is a "commissioned" work, meaning that it is a WFH under American law. As a WFH, the commissioning employer would own the copyrights, and an author would not be entitled to royalties because they aren't licensing a copyright from them. To the extent the author might receive any ongoing payments, those would generally be "performance bonuses" for reaching milestone sales. It is extremely rare for commissioned works to be subject to royalties, and that generally involves novelizations.
Interestingly, ADF is claiming that the payments are royalties. (https://www.theverge.com/2020/11/19/21578621/disney-alan-dea...) Given Fox's history of non-standard/talent-friendly legal practices during the era in question (see, e.g., letting Lucas keep the rights to Star Wars), that sounds like something that 80's era Fox would have done...with respect to the Aliens novelizations.
Something is off with how both sides are characterizing the agreements. Disney claims it didn't acquire any liabilites--but both the Fox and Lucasfilm acquisitions were stock acquisitions, meaning that acquired companies inclusive of all assets and liabilities. And ADF is claiming that WFH agreements included royalties, which is extremely rare.
Ultimately, unless someone coughs up a contract, there's no way to be sure who's right here.
Which has already been attempted, not least in romantic fiction where a certain well known publisher did exactly that - channeled sales through a shell company which allowed it to pay a hugely reduced royalty rate based on the publisher's net income.
That didn't end well, and I doubt this will end well either. It would be very surprising if there aren't multiple writers involved, and this will most likely go through an expensive class action or at the very least an expensive out of court settlement.
Whatever Disney's bean counters and lawyers believe they are saving is going to be wiped out in a few weeks of bad PR when core fans hear about this.
They might be banking on news not reaching core fans because of all the noise in the news. It feels like it's not the first time they are treating their creators like trash. Here's Don - the best Donald Duck comic writer of all - Rosa's story about that: https://career-end.donrosa.de/
Unless it says that's allowed in the original contract, that's absurd...can't see that holding up in court. Disney is probably banking on using their legal teams to drag it through court and hoping he gives up. Wouldn't be surprised if they're doing this to dozens/hundreds of individuals.
I wonder if it’s just a case of corporate laziness. Lucasfilm produced tons of Star Wars “extended universe” material from different authors. Maybe some middlemanager just went “eh, paying them all would take too much time. Let’s just pretend they don’t exist. If they complain, we’ll fob them off.” Could also be a reason for chucking out the extended universe at a narrative level.
https://konvexity.wordpress.com/2013/01/12/what-accounting-l...
This is how every major film works. Sometimes that offset will be for future films, sometimes it will be a charge for "marketing and promotion" paid to a child company of the studio, but no matter what you call it you don't make a blockbuster film without this kind of funny bookkeeping.
Warner Brothers claimed a $167 million dollar loss on Harry Potter: Order of the Phoenix, a film that made nearly a billion dollars in theaters.
https://www.slashfilm.com/insane-studio-accounting-warner-br...
See the incredible profit/loss sheet there.
Top talent – A-list stars – negotiate for gross points. Daniel Radcliffe likely made a percentage of 600 million. Secondary stars might've got a percentage of gross after the "distribution fee" (paid to the same studio making the movie). Everybody else got a percentage of negative one hundred sixty seven million.
From: https://en.wikipedia.org/wiki/Hollywood_accounting
> According to Lucasfilm, Return of the Jedi, despite having earned $475 million at the box office against a budget of $32.5 million, "has never gone into profit".
this story really bums me out - I thought judges were supposed to interpret the essence of situations like this and say something like "nice try Paramount but I say you owe this man $10M" gavel slam.
RIP Winston Groom
"I have altered the deal. Pray I don't alter it any further." - DV
Book publishing rights are usually sold as a contingent right, kind of like an option, where the publisher is allowed to print the book so long as they pay out royalties. It would be very convenient for Disney to be able to separate the right and the obligation, but that would be similar to purchasing the right to a subscription service from a bankrupt company, and deciding that one did not have to pay for it, because that obligation was left to the defunct organization.
Probably this wouldn't work as well for smaller publishers, who have less deep pockets and who authors could boycott for such shenanigans, but still very worrying...
Corporate structures are aware of this and play the statistics as to if they'll pursue the proper action or simply take the infraction to court. This creates a new barrier to entry for people at large wishing to be fairly compensated: resources to litigate.
To me, this shows just how misaligned modern corporate entities interests are with society and it's only going to get worse. These are, IMHO, some of the greatest threats to our society because they are legal, have a long history of legal precedent and are threats that come from within our own society.
If there is nothing missing, then shame shame shame
Splinter of the minds eye may not have been the best novel, have mercy please!
I liked it too, Alan Dean Foster did some nice worldbuilding there (that ended up very non-canon) that you don't usually see in franchise novels.
Another good example of this that comes to mind is 'Spock's World' by Diane Duane (though I think most of the worldbuilding there did become canon).
The other ADF movie novelization I recall fondly is 'The Last Starfighter'.
Everyone thinks their circumstance is "precedent setting" and something to pay more attention to than other things, but the question here being is it?
You can buy assets without liabilities. There isn't something to find out... or is there? Yes, you and them just noticed that this could undermine all royalties by just shuffling them off to a shell company that has no ability to pay. But are you sure it hasn't always been like that?
For example, many jurisdictions require a tax when a car is sold. But you can always buy the LLC that happens to own a car and no tax event occurred. The only point of this example - not as an analogy to this case - is that the feature was always present and it avoids a transaction. Could this deprive the state of revenue? Yes, yes it could, astute observation, moving on.
This article and complaint makes it seem like it is groundshaking, but did the earthquake really come decades ago and nobody used their platform to notice?
I am reserving judgement on the legal side for that purpose. Can we shame Disney for taking that approach, sure. But attempting to get a reputable legal advocacy foundation involved for a reality that already has existed for an unknown amount of time seems like misdirection.
Otherwise what's stopping me from selling my Disney BluRays to someone but not the liabilities of adhering to the copyright agreement?
That being said, it’s still quite likely Disney is in breach of contract. But it’s not quite as simple.
The reasonable interpretation is that someone at Disney is attempting to shore up their revenue this year and is using Mr. Foster’s due proceeds as a way to attempt to make their balance sheet look better.
The only reason I can really think of them doing this is that they don’t actually believe they owe him the money.
It’s reasonably clear that he never held the copyright to the works and it’s not public what his actual contract was.
Disney could be doing this at scale to many authors, this announcement by SFWA may bring a bunch of other complainants out of the woodwork.
The other aspect is that while what you say is certainly true of Disney as a whole, the amounts may be more meaningful for some subsidiary or division, (like, you know, their publishing arm) and the exec(s) that head it.
The copyright holder (the company) is the only one that can levy usage licenses aka royalties that other people need to pay it.
Disney became the copyright holder and so Disney is owed royalties from whomever has a usage license that the previous company negotiated.
Anything else is a liability that was shed or simply stayed in the now defunct company. If the contract was irreconcilably tied to the company then Disney would opt not to buy the shares and instead by all the assets and network and trademark.
https://www.reuters.com/article/us-patriot-bankruptcy/bankru...
Asking this as a foreigner and because such a system sounds so ripe for abuse that it would have already been fixed if it really was flawed and affected those pensioners' lives.
Why would this be surprising? If that was hired work (instead of licence for IP) for company A, then IP owner is company A and obligations to author are just contractural payments unrelated to IP ownership. Company A then may sell IP ownership to company B, while keeping contractual obligations to pay for contracted work to author.
It seems not much different to a case when you buy a house from a developer, while the developer is still owing money to contract workers / builders.
As has been noted elsewhere in this discussion, Disney didn't just buy LucasFilm's assets, they bought LucasFilm, in a straightforward stock swap.
That simply doesn't provide the opportunity you're describing. LucasFilm wasn't left behind as an obligation riddled shell.
I'm pretty sure that if Disney could point to some legal entity other than themselves that was left saddled with the obligations, they would do so.
Perhaps they just haven't done so yet, so we'll see.