I’ve written about it here: https://twitter.com/amadlonkay/status/1260924102161821698?s=...
The 50音表 regularity is real and meaningful (e.g. it shows up in verb inflections); any representation that lacks it is necessarily less faithful to the native experience. Whereas the letter-sound correspondence in Hepburn is not consistent in the first place ("chi" for ち is ridiculous to anyone who speaks a non-English language), so the idea that Nihonshiki is somehow less consistent is simply wrong.