As for realism when it comes to chess, as a (former - covid bleh) competitive league player they absolutely nailed the "feel" of the Chess world for me, better than anything else I've seen - yes they compressed the games and showed players moving far too quickly but that was a necessary compromise - hard to show a 7 hour game in real time as a TV show.
The camaraderie and eccentricities of the Chess world where displayed really well.
Also, using a woman character was a good idea in my opinion, since chess is such a man world.
It's like making a movie where the best 100m sprinter in the world is a Guatemalan woman. Nice story, 0 credibility.
As a tournament player myself (of course, a rather shoddy amateur) I felt the series got the details of tournament play right. The fact that the prodigy was a teenage girl was besides the point.
Their story demonstrates 2 things.
Within an specific limited discipline, "genius" can be manufactured if specialized long training and time is invested since childhood.
Individual variability still matters a lot. Out of all the 3 sisters, Judit was the only who went to become a truly world-class player.
Also, do you categorise the gulf between Polgar and Hou Yifan as a ridiculous margin (about 50 Elo)? Obviously Polgar was better at her peak, stayed there longer, and clearly had a dedication to the game than Hou never seemed interested in, but I think on the level of natural talent they'd actually be close.
Sorry I'm not sure what you're trying to say.
Are you saying that Americans should lose more in film directed at Americans? It's not that it doesn't happen. It's just that it's hard to do. An example that immediately came to mind is the ironically named (for this conversation) show, "The Americans", where the Russians definitely win more than they lose. From Wikipedia:
"The series's final season earned Rhys the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series, while Weisberg and co-lead writer Joel Fields won Outstanding Writing for a Drama Series; it was also awarded the Golden Globe Award for Best Television Series – Drama. Additionally, Margo Martindale won the Primetime Emmy Award for Outstanding Guest Actress in a Drama Series twice for her performance in the third and fourth seasons. It also became one of the rare drama shows to receive two Peabody Awards during its run."
It's easily my favorite show.
Looping back to Queens Gambit, I think the basic idea is that it's juuuust unrealistic enough without being too unreasonable to take you out of it. It's not unrealistic that Americans can be the best at chess. Hell, an American faced Magnus last world championship for the title and is still world #2. It's also not unrealistic that a Woman could get there as well. Hou Yifan is 84th right now.
But the combination is just unrealistic enough without taking you out of it, which makes it very entertaining.
A documentary about an orphan Russian or Chinese guy who ascends to the top? Might be more realistic, but not a good enough story for a Netflix #1 level of entertainment to a US audience.
[0] https://www.vanityfair.com/hollywood/2020/11/queens-gambit-a...
Which is kind of weird considering the show did even the comparing the protagonist to Paul Morphy thing that also applied to Fischer.
The book also tackles themes like drug addiction and feminism, but I found the show's take on these mostly pointless and superficial. Her drug addiction is never depicted as a struggle, she performs well drugged as well as sober, more of a comedic air to it than serious affliction.
It's also slightly historically revisionist when claiming there were no female chess clubs in the US back then, when there actually were whole female national championships since the late 1930s. The show also claimed how in the USSR women would never play against men, completely ignoring the history of Nina Alexandrovna Bluket [1], who's life would probably have made for a way more interesting and authentic story than a gender-swapped Bobby Fischer.
[0] https://en.wikipedia.org/wiki/The_Queen%27s_Gambit_(novel)
[1] https://www.chess.com/blog/Spektrowski/pioneers-of-soviet-wo...
To have more objective outlook at “chess prodigy” story it’s interesting to look story of Joshua Waitzkin. He is a great and talented chess player but not at the level of grandmasters. He explained that he didn’t really wanted to “sacrifice” other things in his life to become a grandmaster.
Generally agreed on your post but I don't think I agree with this. You aren't making it to GM without an extreme amount of talent. Training is likely to be required too, but I'd say it's much more likely that an extremely talented but untrained person could make GM vs an not-so-talented person with rigorous training. Basically I'm saying that the vast majority of people would never be able to become a GM regardless of training.
Highly recommended: "The Queen's Gambit", 7-episode miniseries on Netflix.