Building a Thinking Room
online.wsj.com
online.wsj.com
Nobody has ever walked into our office and been offended by the decoration. And nobody has ever done any amazing creative work, either.
But to help you visualize in the mean time: imagine choosing interior furnishings by always saying, "I'll take the cheapest, please", and you'll have the right feeling. It's not beautiful in its simplicity, it's shocking in its lack of personality.
I've worked in an advertising agencies where the office is designed to look plain, and let the work stand out more. It was also designed to look good with the macs. The lighting is different for different areas, and also floors are designed with the types of clients they service in mind. Different designs for sectors like financials to creatives to airlines. With different journeys through the building depending on who the visitor was. There are white boards built into the walls, meeting rooms, board rooms, pitch rooms, reading areas, relaxing areas, and other special purpose areas including thinking areas.
There are architects who specialise in party dynamics, and provoking all sorts of different emotions. There are people who specialise in shopping centers, public areas, and sporting areas. Each type of place has it's own needs and requirements.
However, none of this is new - it's been happening since people have made and designed buildings.
Most of the times that I have sat down at the same desk for 2 hours, I have regretted it. It's sub-optimal unless you are literally just typing in what is already known.
And unfortunately, libraries don't work for me, I find other people much too distracting.
"So wenig als möglich sitzen; keinem Gedanken Glauben schenken, der nicht im Freien geboren ist und bei freier Bewegung, in dem nicht auch die Muskeln ein Fest feiern."
"Remain seated as little as possible; trust no thought that is not born in the open, to the accompaniment of free bodily motion-nor one in which your very muscles do not celebrate a feast."
Let's understand that, while the article discusses scientific studies, the above explanations are merely guesses. I would suggest something different: red stands out so much to the human visual system because it is the color of two very important things that did not originate as culturally mediated associations: (1) blood, and (2) many kinds of ripe fruit. I leave it to the reader to speculate how this might translate into accuracy and attention to detail.
Also, interesting that the author thinks architecture has always been about aesthetics, not psychology. Do you think the Greek & Roman temples were only about aesthetics? I think their largesse was definitely designed to take your mind somewhere else; to make you think of the heavens; to expand your mind. Same for the great cathedrals of europe.