Well the point is the tone. Modeling amps have come a long way, but nothing compares to the real thing.
Of course, most people won’t be able to tell the difference, but many musicians tend to prefer analog.
Of course, most people won’t be able to tell the difference, but many musicians tend to prefer analog.
That, and your experience affects your performance. It’s easier for an actor to act in a room full of props and other actors, versus a green screen. Easier for a musician to make music with the gear and tone that they prefer.
Can you explain this a bit more? I do not see this is commonly true, it is the exception and not the rule in many cases of 'someone and their audience'.
It might be true that that 'someone' believes it, however misguided.
But audiences tend not to care about specifics. They care if you can live up to expectations and provide the experience they expect. So if a performance is lacklustre, or a piece of software is stupidly designed from their POV, they'll know something has gone wrong - but they won't know (or care) exactly why.
Amateurs and wannabes tend to fethishise equipment instead of art. There's a lot of "If only I had that equipment I could do this properly."
The reality is that expensive pro-grade equipment only ever adds a final layer of polish. It's also good at not getting in the way with unnecessary frills and complications.
So a world-class professional with a budget guitar will always outplay and outperform an amateur with a pro-league instrument. No exceptions. And a professional photographer will always take better photos with your phone than you will. And so on.
The professional may notice some polish is missing and they may have to work harder than usual - but they will be able to do the job, while an amateur won't, no matter what they're using.
But a nicer instrument is a pleasure to have, and provides me with the assurance that anything wrong with my sound is strictly a matter of improving my own abilities. So it's a challenge to live up to the quality of my instrument.
One thing is that the audience only has to tolerate your sound for a couple of hours, and can always seek refuge at the bar or just go home. You have to hear it over and over, night after night. You also have to hear it at home. As an amateur, most of my playing time occurs in my own living room.
Another thing is that there's a layer of the performance above the basic sound of the instruments, that the audience might perceive even if they can't quite put their finger on what it is. It's what separates a great performance from a dull one. We're all trying to find what that thing is, and it involves exploration on many fronts, including how we choose and optimize our instruments.