Science Fiction Stories with Good Astronomy and Physics: A Topical Index
astrosociety.org
astrosociety.org
His early short stories have a lot of "drugs can let your brain talk to other dimensions" and "your mind literally makes reality" (though some of those are also really good, "The Infinite Assassin" is a great read and it's only like 15 pages), but his later full books are basically all hard (if speculative) physics stuff.
Dichronauts is difficult to get your head around, but very rewarding. It's about cartographers who work in a universe with essentially 2.5 dimensions of space and 1.5 dimensions of time.
The Orthogonal trilogy is about a species living in a toroidal universe where all 4 dimensions are identical and interchangeable.
The universes of Diaspora, Schild's Ladder, and Incandescence are set in a future when most intelligent life in the galaxy lives in a network of space-computers and interact with the outside world via robots and programmable matter.
Oh and I almost forgot the Bobiverse series. Not by Egan, but still good. Some guy gets stuck in a brain-computer and sent off in a self-replicating space probe to prepare other planets for human colonization.
FTL communication? Eh, there's both enough new stuff to discover in physics and it provides such a massive boost to most stories that I'm generally willing to allow it, if treated well.
The clone personalities diverging almost immediately? Kinda torn. On the one hand, I think they would diverge significantly eventually anyway (take anyone at age 40 and give them a couple hundred years of experience being a martial protector, trying to unite nations, an R&D head, or a explorer of the wondrous, and you're bound to come out the other side with large differences), so I'm not sure how important it was to have it immediately if the plot points it helped could have been achieved in some other manner.
Edit: Added "around here" - which is quite important.... ;-)
The ostensible explanation for the later casimir generators was that they were pulling energy from vacuum fluctuations in a similar way that armature-linked buoys can generate power from ocean waves, but they were pretty vague on how that could provide more than a minuscule amount of power. Instead it was portrayed as being able to supply orders of magnitude more energy than fusion, which seems implausible. But at that point we're like 2 books in and already pretty invested...
The book really considers things like the time it would take to go from Earth to Mars, or the edge of the Solar System, and also take into account gravity forces in battles and other events.
It still has a lot of very sci-fi things in some areas, but it was very interesting to see that going from Earth to somewhere after Neptune really took 8+ months for the passengers, including some of the psychological stress of spending that much time together on a small ship.
The TV Series is also good but misses a lot of those little things that the books explicitly deal with. It became my favorite book series because of that.
No magically going to another galaxy in the blink of an eye. Going to another planet always required planning, sacrifices, time, etc. In addition it also has some pretty nice politics compared to other space stories.
Spoiler alert. They do though, kinda. Thousands of systems but all in the Milky Way.
As a good sci-fi, the books will use some magic here and there, but it is very discrete, in my opinion. Not even close to what most popular space stories do for convenience.
I gladly accept that part you are talking about since it came with a very good balance in other areas.
Let me explain, since I think this is an aspect of writing that's not widely appreciated. The beginning of a book essentially sets up "promises" for what the rest of the book is going to be like. In the case of Leviathan Wakes, I think it's entirely reasonable to see the book as making a promise that it's hard sci-fi, given that it's trying so hard to be. All of the little details, like you say, are made very obvious in the beginning.
And then, you get a good ways into the book, and suddenly you realize that it's not really hard sci-fi after all. It can be a serious let-down since the book was leading you on to believe it was fully hard sci-fi.
Now I'm not actually a huge fan of hard sci-fi per se, but this did irritate me that I didn't bother to pick up any of the sequels. Maybe I'll get back to it some day, since I do think some of the almost-hard details are nice, and now that I know to set the right expectations.
Then the big reveal happened (in season 3, I think?) and it’s like the bottom dropped out. I legit stopped watching at that point, although I’m considering giving it another chance now. Had I known upfront I think I would have been more forgiving, but instead I felt deceived.
All that said, the Epstein drive is nearly as magic as the usual hyperspace trope. Even in the beginning The Expanse isn’t as hard sci-fi as it purports to be.
IMO, straying out of the lane of the subgenre that someone going in with no foreknowledge happened to sort a story into without reading the whole thing first is pretty low on the big list of literary sins. On the contrary, I think a genre switch-up executed well is a delightful thing, mostly because complications and reversals are critical elements of most good plots and genre is completely arbitrary and artificial. All other things being equal, a story that tiptoes around genre conventions is never going to be more interesting than one that goes where it wants.
It starts as a bit of duex ex machina yes, but its never inconsistent. Any new progression seems logical from the old, so its easy to follow and doesn’t break the world view you develop for the series.
Also one of the best things the book got right for me is the scale of character’s actions. You don’t have mega heroes. The good guys just try to survive in the big universe and do good, but it doesn’t always work out the way they want as the world is big and you have unintended consequences. It felt very real.
It does have mega villains though, which were a bit _too_ powerful in my opinion, but not without historical precedent I’m afraid.
The third and fourth books are the weakest by far and are actually done much better by the TV series than the books.
The TV series version of Ashford is an actual deep character and not just a 2d caricature. Equally, all of the schoolgirl romance stuff in Cibola Burn is removed.
The rest of the books are pretty decent though I thought, so if you stopped at Cibola Burn I'd recommend Nemesis Games and the rest.
A group of transhuman researchers make first contact with an unusual object of extraterrestrial origin. Light on exposition but hard on its science, with extensively researched (and annotated!) details ranging from astrophysics to biology and psychology.
Available online: https://rifters.com/real/Blindsight.htm
Anathem for the QM section? Maybe a stretch!
I think it would have been too close to Earth if there hadn't been some sense of "foreignness" created by the different words. Of course, the similarity of Arbre to Earth is an important part of the plot so its not like he could make the environment wildly different.
Glad to see Poul Anderson's "Tau Zero" on the list - that made a big impression on me when I read it back in the 70s.
Fun that Ted Chiang's "Exhalation" shows up in 3 different categories. Stunning story. I would have included his "Tower of Babylon" story as well - in cosmology <g>.
> Sheckley, Robert "Specialist" in Keyes, N., ed. Contact. 1963, Paperback Library. Proposes the idea that life in the universe is all specialized by function, except on Earth.
Scheckley's short stories are uniformly excellent.
> Clement, Hal Mission of Gravity. 1962, Pyramid. Life on a massive, rapidly rotating planet. Clement is a high-school science teacher. . (A new edition of all his stories about this planet was issued in 2002 by TOR, under the title Heavy Planet.)
Fantastic book.
Is it just that some people can't "suspend their belief" without an explainable-in-present-day backdrop?
Some of my most fun scifi stories are NOT explainable using current science.
just off the top of my head
"And He Built a Crooked House" by Heinlein
"Little Black Bag" Kornbluth
(both findable in one web search)
the Gateway series by Pohl
or basically anything with time travel or ftl.
The thing is - the real world can be BORING. With present-day physics and astronomy - we are alone in the universe with real difficulty escaping our planet, let alone our solar system, galaxy or more.
I think the answer to real-world physics and astronomy in science fiction is -- better character development :)
That being said, his other books were a slight let down after Anubis Gates.
The blend of nearly phantasmagoric horror, fantasy and a touch of science fiction is unique too. If anyone knows of any similar novels from other authors, i'm all ears.
I'm just now reading the last of the Culture Series[0] by Ian Banks (not included in the list, and for good reason) and will be looking for something new soon.
I didn't see Nightfall[1] in the list (although I just skimmed, so it may be there), which (indirectly) addresses orbital dynamics in a system with multiple stars. Perhaps it should be included?
[0] https://en.wikipedia.org/wiki/Culture_series
[1] https://en.wikipedia.org/wiki/Nightfall_(Asimov_novelette_an...
As a side note, I absolutely love the intro The Expanse show because of the all the orbital mechanics.
His earlier stuff, definitely yes (eg The Inhibitor series).
His more recent works (eg Revenger series) is pretty average if not outright bad.
I'm on the third book of the Revenger series now, and it's just... crap. :(
If you haven't read it yet, avoid it. Major foundation sections of the third books' plot are completely nonsensical, the characters do outright idiotic things to move the plot along, etc. It's not good reading. :(
Loved Revelation Space, Chasm City, and all the short stories in that universe though. Diamond Dogs is one of my favorite novellas.
On the same topic, another good resource is the Atomic Rockets Seal of Approval: http://www.projectrho.com/public_html/rocket/sealofapproval.... - an award given by the Atomic Rockets site for works of fiction that get the physics right.
For those who haven't read it, spaceships create an environment where the speed of light is much slower - the write-up says 30 m/s; my memory is that it's more like 10 m/s, because people were able to sprint moderately close to the speed of light. In this world, you experience relativistic effects just walking around. It does a great job letting you experience what that would be like.
Recommended. Still current (modulo pocket supercomputers).
There's a catch - you have to be OK with long-winded exposition - but the stories are really good, with a fascinating look at technology and culture of a not-too-distant future.
Saying Weber has long-winded exposition is a little like saying “Blade Runner” has the occasional sweeping visual. In his later Honorverse novels, especially the most recent, it really feels like our author is getting paid by the word. He has...a lot of story background he feels the need to fill in. If you’ve ever made it to the end of a “Star Trek: The Next Generation” episode and thought “wow, I wonder how that civilization came to be and what happened after our heroes left,” this is the series for you.
They’re good stories and I like the middle of the arc in particular but, yes, I hope future readers like very detailed backgrounds on the technology or in-universe history of the societies in question.
https://www.tor.com/2011/05/04/how-seasons-qworkq-in-a-song-...
Basically what it does is pick a variety of topics of interest to science fiction, has a science fact essay about it, then a short story with theoretically possible technology based on that topic.
Highly recommended.
It does have Gateway on the list which had implausible black holes - so I don't think the plausibility bar is high.