Academy establishes inclusion standards for Oscars eligibility
oscars.org
oscars.org
Yes... Don't give in to people who want to cheapen awards for political points. Let talented diverse crews win on the merits of their art.
The Oscars have a long history of being biased towards white people. What is worse since winning a Oscar allows you to vote on the Oscars that bias has been perpetrated.
Also, what about introversive movies with a extremely small cast? (The usual Oscar bait of "character gets stuck in a mountain/island/wherever"). Does 30% of your single actor have to be a minority?
It sounds super ridiculous that you have to wonder about this kind of questions, like it will inevitably lead to worsen the tokenization of characters that Hollywood is already infamous for, and harmful for indie companies.
What if ($DIVINITY forbid) someone decides to do a movie about N.Y. stockbrokers in the 80s, or about the sole survivor of an expedition/starship/civilization? Do animals/aliens/octopi count as “diverse” cast members?
I haven’t had coffee yet so I’m thinking off the cuff, but of all the recent movies I’ve watched/intend to see, only Mulan (which I haven’t watched) would qualify on the first three counts.
Also, I can see a lot of writers and movie directors going “I want to tell my story in my own way and not tick someone else’s arbitrary boxes”. Creativity is like that.
¡Muchas gracias por escribrir!
Latinx neither does that nor is phonetically sensible in English (if you don't know it's origin, it looks like it should be pronounced “la-TINKS”), and further isn't just gender neutral but actively gender-hostile (literally X-ing out part of the identity of the people labelled with it.)
The oscars has consistently ignored SF/F, favoured films about history. To the point that some movie makers directly pander to the academy’s tastes in an attempt to get a Oscar nom.
The academy knows that there taste is out of touch with the American people because the movies that gets Oscar noms are less and less like the movies that American people like. This is a part of their attempt to fix this.
https://www.nytimes.com/2020/07/16/arts/music/blind-audition...
https://americanorchestras.org/images/stories/diversity/Raci...
I suspect the extreme criteria associated with A&B are mostly for PR purposes, and they expect just some lip-service to be paid via a few "opportunities" far behind the scenes.
You are half way to being accepted at least two of these roles are held by women/LGBTQ/racial minorities:
Casting Director, Cinematographer, Composer, Costume Designer, Director, Editor, Hairstylist, Makeup Artist, Producer, Production Designer, Set Decorator, Sound, VFX Supervisor, Writer
There are other ways to get very easy points in.
They list the BFI as the model for this and we brits are great at this sort of "looks tough but you met the criteria twice over without changing anything" systems.
Seems like this policy will freak out conservatives while being effectively toothless for progressives.
One, there is a lot to be said about having written criteria. You can agree or disagree, critique or boycott, but you can’t really do either of those with a woke cancel culture of unwritten rules of correctness.
Two, it is true, how many films show disabled people as part of normal life? Films do present a distorted view of the world. That’s partly why we watch them - we can watch the world as it is for free - but to encourage it to show marginalised groups as part of “normal background” is definitely good. I wonder how I would feel if I were wheelchair bound, say, and all I could see were films where no one like me existed. What, for aesthetic reasons?
And finally, films are generally aspirational (maybe except catastrophe and horror genres). They raise the bar of what we expect financially, socially, romantically etc. Especially so for Hollywood blockbusters. So why shouldn’t they be aspirational in social progress too?
I’m sure sometimes it just won’t be possible. A film about Nazis will definitely show a bunch of white men. But that’s not a typical Hollywood blockbuster.
If we can’t put successful Black lawyers, female leaders, disabled heroes on a fake screen of film, what are our odds with the real life?