The Odyssey – Alexander Pope translation (1725)
gutenberg.org
gutenberg.org
Robert Fagles is one of the most famous English translators of the Odyssey, but I find Wilson's to be more fun to read.
I think one reason why I enjoy Wilson's translation more is because she translates each line using iambic pentameter (like how Shakespeare wrote). The original is in six-footed lines (dactylic hexameters). This is an important style choice because dactylic hexameter was a great choice for poets in the ancient Greek language, but a poor choice in English. The translation into English using iambic pentameter gives the poem a natural flow in English.
What's most impressive is that Wilson's translation is the same length as the original, with exactly the same number of lines while changing the meter from dactylic hexameter to iambic pentameter!
>When Alexander Pope's majestic translation of Homer's Odyssey appeared in 1726, his translation of the Iliad had already been acclaimed by Samuel Johnson as "a performance which no age or nation could hope to equal."
The comparison of first lines at https://en.wikipedia.org/wiki/English_translations_of_Homer does a good job of giving some sense of the differences in style between various translations.
Each to their own, of course, but I wanted to provide a counterpoint to anyone out there deciding on a translation to read.
An example of the opposite, as hackneyed as it is appropriate, is Moby Dick. Melville was a popular author who created something that was very out of sync with the era (to which previously he had suited his style) and as it turns out very interesting - but only once the zeitgeist had advanced.
Today translators are expected to be reasonable faithful to the source material. Adding rhymes to verses which is not originally rhymed, like Pope does, represent an older tradition where the translator had more free reign. Modern readers would probably expect a more faithful translation.
Yeah Shakespeare is a great example.
The King James Bible might be the ur-example, as I’ve heard it said that it’s so influential it basically shaped the English language.
As another poster said, the phrase “product of its time” in this case is talking about if the language holds up over time or ends up sounding dated and thus loses its luster.
"Luther made the Bible and you have made Homer speak German. This is the greatest gift that can be given to a people; for a people remains barbaric and fails to see the excellence it knows as its own true property as long as it does not come to know it in its own language. If you want to forget these two examples, I still want to say of my own efforts that I will try to teach philosophy to speak German. If it ultimately comes to do that, then it will be infinitely more difficult to give triviality the appearance of profound speech".
- Hegel, ‘Letter to Johann Heinrich Voss’, 1805.
Hah, talk about irony.
(Personally, I find that I always seem to have a special place in my heart for my first translation of something -- for me, nobody beats Richmond Lattimore. But I'm more nostalgic than most.)
This is the literary equivalent of claiming 640K should be enough for anybody.
Bach is no lesser than deadmau5 because deadmau5 composes 300 years later. But technology from 300 years before is by definition less advanced than todays...
What was pleasant to read text 300 years ago is unpleasant hard to read text. What was normal word 300 years ago is unusual rare word now. What is even worst, the same word now can mean something completely different.
It is more like technology then music in this regard.
Agree with the rest of what you say but take issue with “ceases to be good”, since, even with translations, determining what is “good” about a piece of literature is complicated and often more about the process than the outcome.
For example some translation which still has a lot of artistic merit or historical importance, but, as you said, is now dated and difficult to read because the language has changed so much since when the translation was written.
I’d argue it doesn’t make sense to call that translation “bad”. “Bad for an undergraduate”, or “bad as a first translation to read, or “bad at X”, some specific thing, but overall bad? Personally I’d argue now.
Also for what it’s worth even if the science behind music doesn’t change, music itself - how we hear it and our culture for it - kinda does.
For example, lots of sounds / music that used to be considered unbearable noise is now widely accepted and popular. Looking at the changes in western popular music in the 20th century is a great example of this.
But —- I agree with you that language and music (and art) are all sort of their own kinds of technologies!
There are materials and techniques and functions and so on. The technology / art divide is much blurrier than is often appreciated. :)
Often attributed (erroneously) to Kenneth Olsen, founder of Digital Equipment Corporation (DEC).
Source investigation: https://quoteinvestigator.com/2017/09/14/home-computer/
The first one I read was Fitzgerald's translation. That was the one my father gave me. He studied classics at Cambridge and claims that none of the translations really capture the original, but Fitzgerald is closest. My Greek is rudimentary, but having looked through most of English translations, I definitely prefer Fitzgerald.
If you're interested in enjoyable translations of Homer, I'd strongly recommend War Music by the British poet Chrisopher Logue. It's The Iliad, but he called it something like "a retelling" rather than "a translation" because it gave him more leeway. Unfortunately he died before he could finish it.
Another British poet Alice Oswald wrote an interesting version of the Iliad that tried to strip out the glamourisation of war and focus on the footsoldiers: https://www.theguardian.com/books/2011/oct/09/alice-oswald-h...
I think the "cliched, British empire part of our culture" aspect talked about by Alice Oswald is why I love Logue's version so much - it becomes much more vivid in his retelling for me, somehow using a modern idiom to bring an ancient story alive.
I've read both the Iliad and Odyssey translated by Fagles, and although I can't compare it to Wilson's version I think they're reasonably approachable versions without any stuffiness, although not exactly exciting, as you say.
I thinks Wilson makes things a little too clear in her effort to produce a modern story. This erases a lot of purposeful vagueness, allusions to background knowledge, innuendo, and general openness to interpretation that makes classics "feel classic."
For example, the first few lines of Pope's translation says that Odysseus, "Wandering from clime to clime, observant stray’d, Their manners noted, and their states survey’d." In Greek mythology, Odysseus was said to have been an unusually curious man. Even in his far-flung travels, he took note of the natural and human elements he encountered, as if he was Charles Darwin! Unlike Darwin's, though, his surveys were neither methodical nor preserved for posterity. His days were unnumbered, and we can merely glimpse a few portions of his exploits that a muse can snatch up for us. There's plenty of blank space for us to fill with our own imagination and interpretation. Indeed, we fill it with a sense of grandiosity and timelessness, as we do when we read any good epic from Homer to Tolkien.
This introduction to the main character is completely missing in Wilson's translation. Odysseus just becomes a "complicated man" who filmed five Die Hard movies in a row to save his crew and get back home. Wilson's opening feels... hollow. It leaves little room for imagination. It sets us up in popcorn mode, merely waiting for the author to fill us in, punch by punch.
Perhaps, everyday English has co-evolved with modern science for too long to avoid sounding matter-of-factly.
Yeah, and neither am I, although I do have a BA in literature from a third-tier college, which probably doesn't give me much credibility here. Your opinion is pretty close to my own. The only thing I might disagree with you on is that I'm not as attached to the (mildly) archaic language. I think modern English can serve a mythic function; it just doesn't really work for me in Wilson's translation. By the way, if anyone wants to compare, here are three versions of that one line:
Pope
> Wandering from clime to clime, observant stray’d, Their manners noted, and their states survey’d.
Fagles
> Many cities of men he saw and learned their minds
Wilson
> and where he went, and who he met
(On this one, Pope is my favorite too.)
That being said: this is all literature! It's mostly a matter of taste and opinion. And if Wilson's writing helps anyone get something new out of the Odyssey, I'm all for it. I'm genuinely just curious what that is.
But when so much detail is lost, one begins to wonder if it should be called an "abridged edition", even if it preserves the number of lines.
There’s a big difference between that and a translators work for something like The Odyssey.
Fagles is my favorite of the two, because he gave me more of what I wanted: high diction and mythic tone. Wilson's translation was great, and evidently captured the spirit of the Greek much better, but I wasn't really looking for that. I'm not a classicist, I don't read Greek. I want my blood to be stirred by evocative lines that transport me into a non-existent past. I don't think that's what Wilson was trying to accomplish, so it's no surprise she doesn't succeed at it.
But, to answer your question, one advantage of the Wilson Odyssey is that it is a really fast, fun translation to read. Whereas I found Fagles to be more of a study, Wilson was practically a page-turner. I'm not saying it was dumbed-down in any way! It's an amazing achievement to have maintained fidelity to the source text while also writing something approachable and engrossing for popular audiences. When she finishes translating the Iliad, I will buy that too, and probably give both her translations to someone I want to have a good experience with Homer. I wouldn't do that with Fagles.
Fair :). Lol I’ve been constantly re-reading The Lord of the Rings for the same reason :). And I’ve read (Fagles, I think) The Iliad for the same reasons.
You may have already, but if not check out the Seamus Heaney translation of ‘Beowulf.’
He doesn’t do “high diction” or “mythic tone”, but, imho, he’s managed to give the story a quite “epic tone” in a very contemporary and earthy fashion.
It’s also a short / fun / fast read.
A fun postscript is Atwood’s “The Penelopiad.” It’s short and really entertaining.
“Let me add that meat was highly valued among us – the aristocracy ate lots of it, meat, meat, meat, and all they ever did was roast it: ours was not an age of haute cuisine. Oh, I forgot: there was also bread, flatbread that is, bread, bread, bread, and wine, wine, wine. We did have the odd fruit or vegetable, but you’ve probably never heard of these because no one put them into the songs much.”
The Literature and History podcast has great coverage of the Illiad and Odyssey, and reads from Wilson in addition to Fagles, Rieu, and others. The podcast itself is exceptionally good if you are into the history behind the writing.
https://literatureandhistory.com/index.php/episodes/all-epis...
Lattimore, and Willam Cowper are excellent too.
Also there is Chapman too, mentioned in the memorable poem by Keats..
It was joy. My neighbors still look at me funny, though.
Pope's translation of the Iliad is one of the most amazing books I've ever read. Highly, highly recommended if you want to experience stunningly beautiful and powerful language.
Maybe we'll use his name as the label of the translation but without explicitly saying he translated it. That seems approximately what you described.
With the Iliad, it helps to know about the Judgment of Paris but I think my prof at Berkeley simply recited it. I don't know what the 'classic' telling would be.
Of course it helps to have read the Iliad and the Odyssey before the Aeneid. The first half, the Odyssean half, is just a lot more fun because of Dido. She's like Mercutio in Romeo and Juliet. But when Dido does what Dido did then in the Iliadic second half you're stuck with stoic Aeneas (and Turnus) and Aeneas is just not that interesting.
I would say:
1. Judgment of Paris (somehow, somewhere, Robert Graves?)
2. Iliad (I'm a huge fan of Lattimore)
3. Oresteia (at least Agamemnon)
4. Odyssey
5. Aeneid
I could never get into Joyce but I may give him another try.Joyce’s own chart of the construction of the book[0] features the Odyssey chapter titles as prominently as any of the other issues. Certainly there is an "essential" connection to the Odyssey, though it is just one rich ingredient for this masterpiece among others. Joyce’s later regret can be chalked down to people imagining parallels that he didn’t intend, but I don’t think there’s a scholar around who doesn’t believe that Joyce wrote the barmaids as a parallel to the sirens, or the Citizen to the Cyclops.
[0] https://en.wikipedia.org/wiki/Gilbert_schema_for_Ulysses
I'm currently learning ancient Greek as my "Corona project": purely for fun, and mainly because I'm interested in Greek philosophy and culture.
That said, I feel a bit lonely in my country in pursuing this. Sweden has no strong history of classical studies. Some high schools may offer a course in latin, but it's getting more and more rare, and as far as I know there are not even courses in university because the interest is too low. I don't know anyone and I don't know _of_ anyone in Sweden who actually reads/knows the language.
When I talk to friends in the US, the UK and the Netherlands on the other hand, Greek and the classical Greek works (including Homer, of course) seems to be much more popular and also part of normal young adult education. One of my friends, an American in his late 20:s, had to read the Odessey in high school. My fiance from the Netherlands was offered either latin or greek in high school as well. Most of my textbooks in greek are written by American, English and Dutch authors. So these nations seem to have a stronger tradition in classics.
Can anyone care to elaborate the situation where you live? I'm very curious what motivates people to learn dead languages and read books thousands years old.
In the US, pretty much everyone with a high school education reads at least some Homer in translation.
> I'm very curious what motivates people to learn dead languages and read books thousands years old.
You're conflating learning Ancient Greek with reading Homer, but most of us read Homer in translation. Having read at least a little Homer is very common in the United States, having learned Ancient Greek or Latin is more unusual.
The two obvious reasons for reading Homer: it's a good story, and it's foundational to our culture. I guess you could dive into what makes it a good enough story to keep it around for thousands of years, or why knowing anything about culture is important... you don't believe you're going to get an adequate explication of those matters in a short HN comment, do you?
Australia:
* My high school in Melbourne had one class (15 people) learning Latin to year 12 level. Funnily enough, almost all of us also studied advanced math, and more than half were left-handed. By the end, we were reading the Aeneid, Catullus and Cicero.
* Why did I pick Latin? Well, at my school, two foreign languages were compulsory for years 7-10, and optional for years 11 and 12. In year 7 and 8, everyone had to do Latin, and either French or German. In year 9, around half switched from Latin to Mandarin.
* Two of my friends also did Ancient Greek. They were taught by the school headmaster, who was a Classics scholar.
* That year, in the whole state of Victoria, the total number of year 12 students taking Latin and Ancient Greek were 70 and 6 respectively.
* At university, my engineering school required us to take one subject in a non-technical faculty. I chose Ancient Greek, to complement my Latin from high school. That class had around 60 students. 2/3 of them were of Greek descent and already spoke modern Greek.
* The only Greek word I remember now is κῠβερνήτης (helmsman). You may recognise it as Kubernetes :)
Netherlands:
* My partner, who is Dutch, studied Latin at high school there.
* His school was a "gymnasium", a category of very academic high schools which traditionally taught Latin and Greek. Check out [1] for the background to these gymnasium schools in the Netherlands and various countries.
I first read the Illiad (Fagels) by torchlight, in a tent by a campfire in a muddy field, next to a cliff where I was risking my neck each day to impress the other boys in the university mountain club. As everyone should.
Here is a project I'm involved in to help support people learning classical languages:
I'd love to know what you think.
By the way, if you're ever considering classical languages further east, I'd call your attention to ctext.org -- it doesn't do anything particularly fancy with its UI, but it has a lot of classical / premodern Chinese texts, and classic English translations (largely Legge) of some of the major ones.
The schools follow a chronological program which means youngsters will study Antiquity while in middle school and recent centuries while in high school. Those who specialize in humanities will also go back in time while in high school. So I suppose a large majority of students reaching eighteen have absolutely no memory of reading or studying Homer.
I've enjoyed very much reading Homer. I found the Odyssey very moving and beautiful — not all translations are equals, I read two and you should find the one that suits you. Another obvious pleasure with reading classical works is the myriad of references to them in our culture. Apart from this, I like traveling in space and time through these texts. For example, the Iliad is very different from the Odyssey, and it looked older to me; at a times were gods were among people and human heroes could fight them, like Gilgamesh insulting Ishtar or Jacob wrestling with Yahve. In the Odyssey, the main gods have retreated from the world, and the focus is on human torments and fabulous encounters.
Unfortunately as many a Highschool student are wont to do, I sadly ignored the opportunity to learn as it would help my curiosity now.
I'd guess religion is one driver. My impression of Sweden is that it's not a terribly religious country, so interest in languages like Latin or Koine Greek might be less compared to countries where religion has a deeper hold like the US.
It could also simply be a question of population size: more people suggests more people might share those interests.
It might also have to do with foreign language learning. I don't know about Sweden, but my impression of the Netherlands is that they teach foreign languages very early (e.g., my Dutch professors all sounded mostly American). It may be that if you have early language learning, the barrier to entry is lowered for subsequent languages.
I don’t think this is the case. I believe it’s all Dutch, all the time through primary school. They don’t dub anything though, everything is subtitled whether it’s in English, French, German or something else. And Dutch is the closest living language to English unless you count Scots. Dutch people speaking great English is as surprising as Portuguese speaking great Spanish, except English is a great deal more useful.
Dutch is from a different branch of Germanic than English. The "closest relative" is typically held to be Frisian, which is part of the same Germanic subgroup as English.[0]
I will say that having to use Latin conjugation really improved my English grammar and understanding of sentence structure. I don't know if this is a typical effect of studying a second language from an outsider perspective (instead of just going by what sounds right in your native language) or if the simplicity of an older root language like Latin helped.
My impression is that a fair number of people who went through liberal arts programs in college have read Homer in translation. But I've never taken a poll.
A classics professor I know says that all her department's graduates have job offers, because Latin has made a modest comeback. One child on my street attends a Latin charter school.
Here in Denmark, at the turn of the century, I took a 'classics' class in our equivalent to high school.
A bit of Plato and Socrates, a bit of ancient Greek / Roman architecture (different types of columns?), a smidgen of archeology review.
I imagine it was some kind of condensed and simplified remnant of the broad set of classics courses that would have been compulsory in 'high school' before the democratization of secondary education here (i.e. ~50 years ago our 'high school' was mostly populated by future academics and the children of the upper-middle classes).
My colleague from Austria had a course in Latin back in school, and he mentioned that he read /Commentarii de Bello Gallico/ in the original language.
Oh, and I study Ancient Egyptian right now. Not too many - none - people support me in this endeavor. But in general it feels that in UK it is relatively easy to find people interested in those things.
>Gallia est omnis divisa in partes tres...
I have the Loeb Classical Library version of the Odyssey, which has the Greek on one side and a prose English translation on the other.
In México, both Homer works are standard readings in high school. Latin and Greek authors are well known in academia here.
In the US they are all read in translation unless you are in a classical studies University program, which is an area few pursue, or attend an old elite private primary or secondary school.
IMHO the Iliad is far more fun than the Odyssey regardless of translation, it also features much better in the wider Hellenic corpus as a reference point if you like to see how it influences wider classic drama.
I became a little obsessed with him for a while because he became a millionaire in his time by essentially inventing DLC: His courtly friends would buy each volume of the books in advance, so he generated a solid stream of revenue so long as he hit his deadlines. For a poet that's good going.
His Greek wasn't particularly good, so it's suggested that quite a few people helped him, which makes the translation itself inaccurate, but there's no denying his poetic flair.
If you're looking for classic Pope I'd say look at the Rape of the Lock (which most folks read in school), and some of his satires - like Dante though they require some historical knowledge because he was very much a satirist and political commentator and used poetry as a means of expression rather tyhan art.
Bonus fact: did you know he invented the insult "namby pamby", it's derived from a nickname he came up with for one of his literary and courtly rivals.
I look forward to expanding a bit outside of the Western Canon. Also, one wonders about the many stories that have been lost over the centuries.
When I read, I like to collect quotations. My quotes from the Odyssey are here: https://goodlifeodyssey.com/the-odyssey
You will like Sappho(if you haven’t read it already).
I've read most of this collection of Greek Lyric fragments:
https://books.google.com/books/about/Greek_Lyric.html?id=-aY...
If I recall, there are only a handful of fragments from Sappho that survived. Is this what you were referring to? (Or perhaps I a mistaken and the collection I had only included a few.)
This is the first transcription of Bryant's translation available online, and it was very well regarded in its day. Like Wilson's translation, it's in iambic pentameter. It still reads really well, considering its age!
I am, however, incredibly happy that we have Clive James's translation of the Divine Comedy.
Even translated into English, the language is indescribably entrancing. I won't try to do it justice here. Thematically, it picks up where Homer left off: Odysseus, genius & trickster, covered in the blood of those who sought to take his home & wife, is home after 20 years of war and strife with gods & monsters. How can such a man return to a normal life?
https://underodysseus.blogspot.com/2006_02_12_archive.html
I should get back to the Odyssey.
(unliked, but no one had any specific complaints about any of the characterisations... And I'm still curious about the downthread sensus tactilus, if anyone has any pointers.)
More evidence, from archeological digs and from the text itself, has come to light and I think there is less skepticism these days in general.
As an example, the boring part in the beginning is the names of ships and tribes enlisted to sail to Troy. What I am thinking while reading these parts is why this list was so important and the sheer complexity of organizing all of it. You are talking about months if not years worth of preparation and yet it's reduced to this almost data-like catalog where you can get the sense that the message is: "We have a lot of friends... and we are coming."
And this isn't to say that you should hold it as Truth. What I am saying is that this work had a profound cultural impact over the course of hundreds of years similar to the The Bible today. It will take work to enjoy it and you should only approach it if reading literature of this kind is of interest to you in general.
There was a plague about and he was simply self isolating.