Buckingham Palace art collection to go on gallery display for the first time
theguardian.com
theguardian.com
Tangential and complimentary: if in London... The Wallace Collection [1] [2] is a fantastic off-the-mainstream collection of works focused around the time of the French Revolution. Convenient location for public transport (just off Oxford Street), low foot traffic, off the typical tourist trail radar, knowledgable staff.
A president only has to convince (fool?) the people twice, and can always hide behind a "mandate" from the people to justify bad behavior. A monarch has to fight to earn that legitimacy every day. Plus they have the incentive of not screwing their kids' inheritance up. That's the value I see in it anyways, I don't know if there's a more sophisticated articulation of this idea out there.
In reality it takes a huge amount of propaganda from the British media to keep them in place. If there was anything resembling an objective assesment of them then they would be gone.
Are there problems with how some of the stuff was acquired? Probably. I don't know. But the lazy assertion that their holdings are secret (the things in this exhibition or the collection more generally) is just completely off the wall.
It's fashionable to complain about colonial theft of artifacts. Fine. Please apply the same level of rigor to statements about this topic as you would to statements about technical subjects. Don't spread FUD or try to glamorize your ignorance by saying "no one knows."
The collection is managed by a charity, The Royal Collection Trust, and other than the tax advantages all charities have, there's no taxpayer involvement here.
I see it no different than displaying some gift in a presidential library. It's simply the right thing to do.
The Chinese government's supposed approach is pretty interesting - https://www.gq.com/story/the-great-chinese-art-heist
plus while something may have come from a region and people of the world that no longer exist and the attachment is in name only. As in, there is no connection to the society that created the works to the one that rules the area now. There is always a case for those stolen within a few generations but going back beyond that is not always warranted. Plus when you get into some art and such who was the last rightful owner, you stole from someone who stole it from another and so on.
I would prefer a world where these antiquities are preserved but open to anyone to see.
I understand what you're saying, but thats like making the argument that you shouldn't have the fancy car because it's safer in my driveway than yours.
You want to redress the past, invent a time machine. Otherwise, it is what it is (or, rather, was).
https://www.wbur.org/hereandnow/2018/08/28/chinese-art-theft
The British Museum is an active historical crime scene.
The western world loves talking about intellectual property, morality, and intellectual honesty, but here you actually have the British flaunting all the treasures that they stole from the rest of the world.
Everything is stolen; nothing is stolen.