Charlie Kaufman’s Defense of Film
newrepublic.com
newrepublic.com
Also Richard Brody is hilarious to read. He's such a grumpy old man. I love reading him just for his disgust with modern acclaimed films and championing of smaller obscure films (some of which are genuinely great!). And his absolute adoration of Godard.
Writing an entire book to spite a critic for writing a bad review strikes me as being a bit of a "self-own" so to speak. From the summary, there also seem to be some borrowings from better imagined fiction, such as the novel A Confederacy of Dunces, and the short story The Aleph.
Months later when I told this to a friend, they looked at me like I was crazy, because the whole point of the movie was the exact opposite!
I loved "Inside Out", but I have to say, Brody convinced me:
"The film is on the wrong track from the beginning, when the first view of the world, through the eyes of the infant Riley, is taken by Joy, and Joy becomes, from that point on, the default leader, Riley’s emotional captain.
Given the smack on the bottom that brings Riley and all of us into the world, and the lusty howl that follows, I’d say that something altogether different is in the driver’s seat. Anyone who hears a baby scream at the slightest quiver of need or discomfort knows better than Pixar that primal forces, entirely more hirsute and imperious, are in control from the start, and those forces only slowly and grudgingly make room for the five cutesy minions of emotional negotiation. "