I struggle to think of anything that engages my analytical brain and artful soul so fully and simultaneously. How the hell did he do it?!
Oh, and he died at 65, old for the time he lived in but still, that's pretty young by today's standards for a life full of accomplishment.
These days I am much more Schubert and Beethoven, but I feel a certain guilt for not being able to appreciate Bach more. Both Mozart and Chopin worshipped him amongst others (iirc both were known to copy out das wohltemperiete klavier by hand as an exercise of love)
Any tips on grokking Bach? Feel like I have to concentrate super hard - to the point I either go a bit numb or lose focus
EDIT worth mentioning I'm not really a casual listener. More like a failing amateur musician with no talent. (Probably more so than Salieri :p)
Here are some recommendations:
1. Listen to works for solo instruments; this allows you to focus in on what's going on
2. Watch videos for solo instruments; this allows you to really take in what the musician is doing to perform this work
3. When listening to a piece, say to yourself "I am going to focus on X" and try to hear that part is doing throughout the piece in relation to the other parts. E.g. "I'm going to listen to the bass voices in a solo work" or "I'm going to listen to the oboes".
4. I often find myself being very physical when I listen to Bach...e.g. clapping or slamming my hands on various cues.
5. LISTEN TO THE SAME PIECE OF MUSIC A LOT...either same performance or different ones. You are given new revelations as you get to know a piece more, certain harmonies, certain voices, etc that you never noticed before.
Do you always have to listen with such focus? No, as it seems your brain then becomes able to enjoy pieces more casually as it is trained to hear these things.
Here is a fun piece to "train" yourself to enjoy Bach: https://www.youtube.com/watch?v=j3lH_Tevw5o
Bellermann wrote about a pedal solo that Bach played: he “ran over the pedals so quickly that his feet appeared winged, with a thundering fullness of sound, and penetrated the ears of the listeners like a bolt of lightning”, and that he “was admired in amazement” by Prince Frederick van Hessen. The prince removed a jewelled ring from his hand on the spot and gave it to Bach. If he had earned that just with the speed of his feet, wondered Bellermann, what would the prince have given him if Bach had used his hands as well?
https://en.wikipedia.org/wiki/Barbara_Dennerlein
There are some youtube videos of her playing jazz.
It's hard to think of a pipe organ as a jazz instrument, but then again, any instrument is a jazz instrument.