P.S.: And audience score should roughly be above 70.
Even Ebert, who was a relatively "everyman" sort of critic, definitely had a serious film critic persona if you've ever listened to any of his DVD commentaries.
It does get repetitive. It is boring. It does become a job.
Critics are elites.
Same thing happens in music. You get critics rating albums in magazines. Some people rely on them but most listen to the radio and pick songs they like based on that.
IMDB always seems to skew mid-high since they're averaging out lots of "star" ratings. Seeing 3.5 stars doesn't tell me much. But even if 90% of the reviews were "nothing amazing, but fun to watch" then there's a chance it might be fun to watch.
Obviously it's just a tool for sorting and surfacing options, but it can be useful. I probably won't depend on a review aggregator to decide whether or not to go see a movie in the theater, but they are helpful when I see a movie/show pop up on Netflix or Amazon and I want to see if the general consensus is "worth a watch" or "effing terrible".
They sometimes over-rate things people in their position cannot be seen disliking because it's about Societal Importance or some such thing that has little to do with actual quality. And conversely, they sometimes ignore or under-rate things because they cannot be seen to overly praise a work that's criticised for things having little or nothing to do with actual quality.
Thing is, I don't need to be culturally influenced, have my outdated views updated to match what's currently considered mainstream, my privilege checked, etc. I just want to watch a good fucking movie and decide for myself whether it contains a message that changes my mind on a topic.
For example, critics and users disagree on The Shape of Water[0] (users are right, it's very mediocre). They also disagree on Green Book[1] (users are right again, it's a great film even if it doesn't tick all the wokeness and political correctness checkboxes).
no, the green book is awful, a particularly bad example of the feel-good movie, never once inviting the viewer to get lost in a believable world, instead inviting the viewer to question every directorial decision made. it was fake and pretentious at the same time, and completely safe around race relations.
the shape of water was not perfect, but better. not the best example of interracial relations (metaphorically), but gentle, revealing, quirky, ambient, and unpretentious.
e.g. "Blood Machines" - which I can see why a lot of people dislike it but I think it is awesome.
Edit: Probably not a great idea to search for it if you have a problem with nipples.
I do think that that there is something to media that creates a "love it or hate it" response. It's usually trying something new (Blood Machines certainly was).
p.s.: I saw Blood Machines when it premiered on Shudder & really enjoyed it.
You could track your own personal rating of the movies, then regress these ratings against a variety of external rating sources (IMDB, ebert, etc) to see which is the most predictive.
What's the easiest way to do this?
It looks like it's actually not as easy to find any more if you try to find it on their developer portal as it's been revamped recently with their official paid API.