A forgotten twentieth-century photographer’s wild portraits of women in nature
newyorker.com
newyorker.com
To some it mechanised art in a good way and allowed 'mass production' - e.g. of portraits for people who couldn't afford an artist. To others this was of course a bad thing. Others liked the apparent objectivity of photography - 'the camera never lies'.
I read Susan Sontag's On Photography many years ago and would love to see an updated version that takes account of our current image-saturated world.
https://en.wikipedia.org/wiki/Maxfield_Parrish
https://commons.wikimedia.org/w/index.php?title=Special:Sear...
Surprises like this is why I love HN.
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