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Comment by _red | Hacker News Reader

>I don't see this as a pathetic premise.

You might agree with the politics of it which could be clouding your vision (I'm not intending that as anyway critical). Sometimes it's helpful to view it from another angle:

Imagine if back in 2015 I told you my big book idea was set in 2200 and was about a group of renegade patriots who traveled back in time to stop Obama getting elected because 80% of the population had been killed in the FEMA camps he set up....

Would you think that was somehow a profound idea? Or would it strike you as pathetic attempt of me shoehorning politics into my work? Wouldn't that come across as hysterical and insulting to the future?

The notion that 120+ years in the future the world will have changed so little that its still follows the same MSNBC vs Fox News script of today borders on hubris.

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You missed the part where he wrote the bit about the Clinton timeline being written prior to her election. He then had an alternate timeline by accident, and tried to come up with a reason for why his 2017 is different.

And if you’d, oh, I dunno, read the book instead of judging it by its cover you’d understand that the Clinton world is still barreling toward apocalypse because Gibson isn’t a hack and the point is not “if only democrats would save us” but rather “our whole system is built on corruption and will destroy us.”

So your comments make zero sense. Your critique is aimed at an abstract idea of what you think a book should be and has no relation to the text itself.

Ken MacLeod's The Execution Channel is a sci-fi political spy thriller taking place in a very intensified war on terror, with a backstory that Gore was elected president. The alternate history backstory was intended by MacLeod to show that the paranoid milieu and the security state could take place under any president. The difference is that he didn't have an in-universe explanation for the divergence, the sci-fi in the story didn't deal with it.

The future world premise was in his previous book - The Peripheral. With the same characters. So I wonder why the article said he created this future world just to "fix" his story's timeline.

Yeah I thought that was very odd as well; the intersection of the two stubs seemed inevitable. Not like a last minute correction at all. I think the article must be taking him wildly out of context. At the same time, we have this:

"After giving that only a few hours' thought, I realized that the world in which Hillary won wouldn't be a happy world either"

This doesn't make a whole lot of sense to me. I can only interpret it as: he was writing it as a somewhat happy world, then thought he would need to revise to make it less happy, and then realized that it should never have been happy at all. Which just seems odd, given his style.

That being said, he did discuss a lot of revision due to current events in this article: https://www.newyorker.com/magazine/2019/12/16/how-william-gi...

Anyways the whole article is hard to follow, I love me some NPR but this misquote was rough: Gibson is quoted as referring to "an uploaded healing consciousness" whereas if you listen to the audio it is clearly "an uploaded human consciousness", which makes _much_ more sense.

You're not well informed about the book and that makes your comments pretty painful to read, a problem which the radio clip obviously didn't remedy. Although in fairness to NPR, it's just radio, it's not exactly the New York Times Book Review.

> The notion that 120+ years in the future the world will have changed so little that its still follows the same MSNBC vs Fox News script of today borders on hubris.

Agency, and its' predecessor The Peripheral, are set both in (a version of, or more precisely multiple versions of) the present day or the very near future, and in the future. There's no way to not take the present day into account. But the politics of Gibson's future are not reminiscent of "MSNBC vs Fox News," if that makes you feel any better.

Perhaps you should familiarize yourself with what you are writing about.

>You're not well informed about the book and that makes your comments pretty painful to read

I accept that. But I'm commenting on the article that OP linked which quoted Gibson.

You’re commenting on the plot of a book you haven’t read.

He is working with what was provided. Both of you are correct.

> Imagine if back in 2015 I told you my big book idea was set in 2200 and was about a group of renegade patriots who traveled back in time to stop Obama getting elected because 80% of the population had been killed in the FEMA camps he set up....

Isn't that a Harry Turtledove novel, or am I thinking of some other mil-SF writer? It's also similar to the plot of the original Deus Ex game.

> shoehorning politics into my work?

Tom Clancy sold a hundred million novels.

>The notion that 120+ years in the future the world will have changed so little that its still follows the same MSNBC vs Fox News script of today borders on hubris.

I'm been watching "The Plot Against America" miniseries and realised that a similar scenario played out in the early 1800's. Imagine a SciFi writer of the time (If such a thing existed) publishing a novel where a time traveller travels back from 2020 to stop the Federalist Hamiltonian conspiracy to bring the U.S back under British rule/Democratic-Republican Jeffersonian conspiracy to enter the war on the side of France and bring the Reign of Terror to America.

It would be 100% political shoehorning of course but people would lap it up all the same.

I would read that now.

> Or would it strike you as pathetic attempt of me shoehorning politics into my work?

We're talking about William Fucking Gibson here. Next you'll tell me you hate it when Ursula Leguin 'shoehorned politics' into her work.

It's true that Gibson's work is compelling because like all great cyberpunk writers, it grafts real world social, cultural, and political considerations in with his futuristic technology. That said, good world-building doesn't mean the author himself might not have naive or problematic politics. J.K. Rowling's expressed views on Twitter have been an ongoing source of controversy. Or perhaps more relevant, Ray Bradbury in his old age became a staunch supporter of George Bush and the wars waged by his administration:

https://www.salon.com/control/2001/08/29/bradbury_2/

https://books.google.com/books?id=rRmlA33pEcsC&pg=PT192&lpg=...

https://web.archive.org/web/20080521050300/http://anthony.gn...

Sure. Shitty politics in fiction still flies.

Generally speaking, it is good for literature to address political topics, and perhaps even take particular positions on them, but it is a bad idea for literature to address specific real people or specific real instances of those topics, if for no other reason than the specific instance is going to be yesterday's news by the time your book comes out. And addressing specific people is almost always a very petty look; even if you are superficially in the choir being preached at and cheering along in the heat of the moment, the work is almost certainly failing to touch you deeply and you probably won't remember it in a month.

(Even when taking positions, the really good stuff will still make sure than the people on the wrong side have some sort of insight applied to them and some effort to understand them on their own terms, rather than just crafting strawmen of bad people who are bad, who deserve to lose, because they are bad.)

I think if you look back at the good political work, you'll find most of them fit this pattern. I'm sure exceptions exist, but they are not common.

Then again, the Divine Comedy had real (then) still alive people in hell.

Gibson is no Alighieri but the Peripheral was still a great book.

William McKinley was assassinated 120 years ago and I wouldn't bat an eye about an alternate timeline story involving that. It put Teddy Roosevelt in the office and probably had a massive effect on our current politics.

But as others have pointed out, Gibson was simply trying to salvage his existing manuscript.

But also, I'm blanking on what 2015 event you're referring to. Do you mean 2005 and Katrina?

Maybe, but SciFi has always been great at discussing what happens at the time of writing.

Gibson's novel is an extrapolation of current events mixed with science. Your proposal is an extrapolation of conspiracy theories.

That's the entire point he is trying to express. It's like you just stop reading after the first sentence.

in the actual book, Gibson's vision of the future is basically as you describe -- it's extremely weird and alien with little mapping to our current political system. meddling in past timelines is an esoteric hobby for the super-rich.

the Clinton/Trump election is mentioned offhand a handful of times through the book, the protagonists didn't have anything to do with it, and it's just not about that at all.

Obama didn't set up killer FEMA camps, Trump is actively encouraging killer climate change. That's the difference. The example you're looking for is something something Heinlein/Card, where awareness of the very real role politics plays in shaping human history is compellingly cast through a conservative prism and not, like... utter nonsense.

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