P.J. Vogt on Reply All’s “The Case of the Missing Hit”
vulture.com
vulture.com
Here is one of the opening paragraphs of the article to give you a little spoiler free teaser:
>To recap: California filmmaker Tyler Gillett was hunting for a song that may or may not exist. The quest started after a holiday party, when he started singing a tune from memory to his wife. He swore it was a hit from the ’90s, some aesthetic mix of U2 and Barenaked Ladies. His wife had never heard of it before. Later, after hours falling down Google rabbit holes, he realizes the song can’t be found on the internet, the infinite repository of information where almost everything that’s ever existed can be found. It feels uncanny, like he’s found a hole in the universe. But the song continues to settle into his brain, an earworm that can’t be cured. Desperately seeking a solution, he reaches out to the Reply All team.
> A: Not really....
I wasn't familiar with Reply All and only listened to this episode after it was mentioned in a comment here on HN about two weeks ago.
P.J. Vogt is selling himself short. It is a fantastic piece of investigation. The story unfolds beautifully. I had a smile on my face the entire way through. When they finally played the song at the end I grinned from ear to ear in delight.
What the hell isn't to love about it?
The stories they tell should be of interest to the HN crowd, I'd highly recommend everyone give them a try.
I loved the Missing Hit episode of Reply All and need to make a point of seeking out this podcast more. The only episodes I've heard, I've loved. There's another good one that must be at least a year old now about scammy products on Amazon.
Also yes, yes, no is hilarious and sometimes even I learn stuff from those segments, because they go really deep on the memes.
I highly recommend Reply All.
One word of warning, they do sometimes get stuff wrong in ways that are frustrating as an expert. It's usually a minor error but one that feels very out of place. Sometimes it's a tech error, sometimes it's a story about a company where you actually know the founders.
So be prepared to accept that. They are however really receptive to feedback.
Now that would have been an episode to remember.
In all seriousness, it was a great episode. I wish they could have tracked down the guitarist from Trinidad and Tobago who also remembered the song and posted about it on an obscure guitar forum.
Lots of people are talking about songs from the analog/early digital era not making it to the streaming world. This is a big issue for a lot of the music I listen to, mostly indie stuff from the 80s and 90s, much of it from local scenes. Even if it made it to CD, the likelihood of indie labels or rights holders doing the required legal, bureaucratic, and technical steps to make the recordings available on Spotify, Apple Music, or other streaming services is slim.
I know one Boston-area band whose single major label album (from 1990) is on streaming services, but the earlier stuff from indie labels in the 1980s (including their best-known material) didn't make it.
One of the band members is now a lawyer, and I asked him why I couldn't get the band's songs from Apple Music. He indicated it would be a huge pain from the perspective of getting former members who don't get along to sign the paperwork, and questioned whether it would be worth it financially considering the paltry payouts offered by streaming services to artists (https://www.theguardian.com/technology/askjack/2019/oct/31/b...).
I know this just something that happens but the same week I listened to this episode I watched the Seinfeld episode that they mention this place.
Couldn’t figure out why it sounded so familiar when I watched the episode until you mentioned it here.
Others: Heavyweight. Stuff You Should Know. Radiolab. Criminal.
https://heavy.com/tech/2016/11/what-cd-shut-down-music-torre...
Part 6.
A skeptic might argue that this is as it should be. In the 140-odd years since Thomas Edison invented the phonograph, countless recordings have been made under the auspices of record companies. To conserve anything close to all those recordings has proved impossible; it may not even be desirable. The caretaking of canonical material, the Bings and Billies and Nirvanas, must naturally take priority. To ask that the same level of attention be lavished on all music, including stuff that holds interest only for obscurantists, is to demand a preservation standard that prevails in no other area of culture. If the sole vestiges of thousands of old recordings are a few stray 45s lining the shelves of collectors — perhaps that’s not a cultural tragedy, perhaps that’s a commercial-art ecosystem functioning properly.
Perhaps. But history holds a counterargument. Many recordings were ignored for decades, only to be rediscovered and enshrined as Imperishable Art. The Velvet Underground were a commercial bust in the late 1960s and early ’70s but have proved to be one of the most influential groups in history. Then there’s Nick Drake, the English singer-songwriter who recorded three LPs of dreamy jazz-inflected folk between 1969 and 1972, before his death at age 26. During Drake’s lifetime, his albums sold modestly. A cult fan base developed following the release of a box set; in 1999, Drake’s song “Pink Moon” appeared in a Volkswagen commercial, and sales went through the roof. All three of Drake’s LPs were included in Rolling Stone magazine’s 2005 tally of the 500 Greatest Albums of All Time.
It lacks the professionalism and respect for the listener's time and attention I've come to expect after listening to shows like This American Life for years.
There are full on prolonged laughing fits about stuff the audience isn't even aware of. Like we're eavesdropping on kids experiencing a sugar high and giggling over an inside joke.
That becomes obnoxious real quick.
Maybe you have trouble with non-visual social cues?
But I agree in general; podcast hosts need to learn that their inside jokes are not really funny or fun to a broader audience.
Yes, that may make a new listener listening to an episode for the first time get less out of it than a long time listener.
But to the long time listeners, it is an absolutely delight, and it is exactly inside jokes and callbacks that breed loyal long term fanbases.