Twitter wants feedback on its proposed deepfakes policy
arstechnica.com
arstechnica.com
Especially on a platform like Twitter where a tweet of a screenshot of a headline with no source (that possible has no source) will have thousands of upvotes and angry responses which is much more alarming and something that already exists today.
For example, every once in a while on r/PoliticalHumor you'll see a screenshot of a tweet that Trump didn't even write, yet everyone responding will take it at face value. Deepfakes are a red herring and a distraction from a ubiquitous phenomenon we might never solve.
Requiring deepfakes to have a disclaimer to me is like training people that it's safe to insert their credit card info on a website as long as they see the https lock icon in the navbar. Instead, people should be trained to be eternally vigilant and to be skeptical even if there is no "this is fake" disclaimer.
We're long past screwed.
Anything else can be faked.
Plenty of handy tools for the aspiring fake tweeter too:
So many things suffer from propaganda (our diets) to indoctrination in schools (lots of things, both left and right, but now mostly left).
Very few people read up on history and follow a garden path to education and realization. It’s very few people. Most people heed a “trusted source” like their club, their union, their mentors, their teachers, etc.
People are very good at believing what they want to, and the more we encourage them to turn off their skepticism because something has a little badge on it, the worse off we all are.
From what I recall, one video was slightly slowed down, the other was just a montage of various clips joined together. I am not sure either constitutes serious modification or doctoring.
Basically (spoilers ahead), this researcher creates a sentient AI and the AI promptly decides that sentient AI is a danger to humanity and tries to kill a few of the top AI researchers. Ok, kinda unrealistic.
The more realistic part? To get one of the AI researchers killed, a deepfake video is created of that researcher saying something along the lines of "over the years at X corp I've seen the worst of humanity, too much evil, it's time to end it all" accompanied by him strapping on a bomb vest. The video is released and everyone freaks out. He doesn't notice, goes to work, gets surrounded by cops while holding a small black device (his phone), and the police shoot and kill him thinking it's a detonator.
I'd always considered deepfakes in the context of making false political statements which could eventually be disproved. Worst case, a bunch of people think the wrong thing for a while. This use case of forcing rapid response without time for validation or refutal is quite a bit scarier and one I personally hadn't considered before.
To be fair, I can imagine this happening in the US without a deepfake video. Just look at all the instances where the cops are called because of a "suspicious person" and end up shooting an unarmed civilian. Random example: https://en.wikipedia.org/wiki/Shooting_of_Charles_Kinsey
Seems better that we all just adjust to the fact that we can’t trust what we see (we never could anyway).
Of course if there's no transparency to the process or a known way to contest being classified as a deepfake, this could lead to other problems. And is a work of performance art -- an actor who can do a spot-on impression of someone -- a deepfake if meant as art?
You seem to be under the impression that this is not already the case. Why is that?
Because the internet/web was created by technical and mathematical oriented people - programmers, electrical engineers, researchers - who are typically much less committed to systemic deceit than marketers and propagandists. Consequently, much of the initial content was posted out of a genuine desire to inform rather than deceive people.
By now the marketers and propagandists have long taken over, social media was just one out of their many trojan horses.
"Content" has merely become an excuse to drive ad revenue and interactions up, lure users into signing up accounts, to harvest as much data about them as possible.
Very little stuff and only a very few people, they've also been busy warning about this whole situation, even offering solutions [0] that sound rather fantastical in their probability of being realizable.
So while you are technically correct; There's still a little tiny bit of trustworthy content left on the www, it doesn't make really that much of a difference when 70%+ of the webs traffic is systematically routed past that to game the attention economy and facilitate mass-scale data collection.
[0] https://www.theguardian.com/technology/2017/mar/11/tim-berne...
They must fully specify how they categorize content as misleading.
Deceit predates computers. Lies of omission and half-truths, misleading presentation of statistics (e.g. the ubiquitous pie chart of US federal spending that only shows discretionary spending). If they're setting themselves up as guardians, they should cover non-digital methods as well as deepfakes.
> Misleading altered media does NOT include photos and videos that are edited to remove blemishes or physical imperfections.
If Twitter wants users to pay attention to items of content which are particularly misleading, they need to avoid alert fatigue - i.e. these notices need to be rare and reliable.
Until then -- and especially in the presence of rewards for narcissism (iPhones, Instagram, venues designed solely for vanity) -- filtering and editing your own self-image is at least understandable, and at worst rational or beneficial.
That leads to issues determining (and putting into writing) the difference between malign manipulation / generation of truth and the behaviour of a reasonable person.
They love being outraged, even when what they post is clearly labelled as fake they ignore it, and people commenting ignore it.
From the site perspective there's not much more we can do without driving people away, if you try to police content too much people will just go to another site.
But it does get pretty frustrating.
I find this too, and I'm fascinated with this aspect of our new online world. I wonder why and how. I'm guessing outrage is a way of feeling superior to other people, "How can they be so stupid, I'm so happy I'm smarter than them and know the truth!" (Trying to think if this would apply to online public shamers, I guess so.).
I'm guessing the loneliness, insecurities and FOMO created by online social networks has lead to this. Although it was TV before that, there are reports of how Bhutan's society suffering negative things after the introduction of TV in 1999 (e.g. http://news.bbc.co.uk/2/hi/entertainment/3812275.stm )
Even the false positives would be good for both laughs and insights if say an art musuem exhibit which screws with perspective or scale results in being flagged as fake.
> we propose defining synthetic and manipulated media as any photo, audio, or video that has been significantly altered or fabricated in a way that intends to mislead people or changes its original meaning.
'meme' is pretty broad so if it's literally just a screenshot of a faked tweet then Yes it would fall under this rule based on the broad language they are using. BUT I think that's still a good thing as long has the label/warning is unobtrusive yet at the same time it needs to not be used on every meme/image since then it would loose it's effect.
I'm very curious how they are going to differentiate between normal image mashups (memes, etc.) and false information alterations at least without human oversight.
The blog post has a survey for feedback so I encourage everyone to leave some since this most likely impacts everyone at least indirectly.
It’s artistic manipulation but it’s not fakery.
Maybe they’ll have s table with the hash of all verified images and anything not in there gets auto tagged as unverified/fake.
I think it’s s losing proposition, but let’s see what comes of it. Of course the downside is this benefits incumbents and harms challengers.