If the economics of a service don't make sense to you, then do not subscribe. But to turn around and steal from the engineers and artists who work to create these experiences is just indefensible. You are not entitled to television shows.
If the economics of a service don't make sense to you, then do not subscribe. But to turn around and steal from the engineers and artists who work to create these experiences is just indefensible. You are not entitled to television shows.
It's not stealing when you already paid in full.
Sharing my Netflix password with my wife and/or child is not stealing, I paid in full for that account, and have now for many many years.
My Plex server is full of DVDs and BluRays I paid full retail price for (that's $20 to $30 USD each), it's not stealing to use it, and it's not stealing to let some friends occasionally borrow films from it.
The entitlement companies feel to micromanage the lives of their paid-in-full customers is ridiculous. If you don't want people to have your product, stop selling them the product. And if you sell someone a product, don't act all surprised that they now have the product and are free to use it accordingly.
I get the attraction of getting content for free. I used to pirate software when I was young and broke. But I'm an adult now and I do adult things, meaning I pay for what I consume.
Amazingly, people can survive without consuming other people's content. You don't have to watch a streaming service. There are other things in life to do.
Much like I think people who don't vote forfeit the right to complain about politicians, I think people who steal content don't get to complain about the quality of the available content.
Any limitation like annoying password resets, strict geofencing, or any move a company makes to tell me how to use the service I pay for and use entirely legally inconvenience me, the paying customer. It will not inconvenience Pirate Joe. Of course none of these inconveniences and limitations would ever come attached to a hefty price drop to make it worth the effort for me.
The entitlement companies feel to inconvenience paying customers for profit is never surprising. Also those "lost revenue" calculations are so massively and intentionally misleading by presuming that every non-paying viewer would turn to a paying one. If your point is based on misdirection it's not much of a point.
But you can lend those people a Blu-Ray, which only deprives you of watching it while they have it.
You're right, it's not. And Netflix is fine with this. However, should you be able to share your Netflix username and password with everyone on the block?
Presumably, your Netflix subscription has limitations on how many people can simultaneously watch it. So, yes, you should be able to share it with everyone on the block. Why not? By doing so, you're potentially preventing yourself from using it during that time, for instance if it has a maximum of 4 simultaneous streams. Why should you not be able to use the maximum number? It's no different than having 4 copies of a book or Blu-Ray and lending them out to your neighbors: if they haven't all borrowed them, you still have at least one to view, but if they're all borrowed, you're unable to view them.
I don't even know what 'paid in full' means here. It's a specific service with specific terms of use that include not sharing passwords outside one's household. You are free to reject the terms of use and not subscribe to the service. It doesn't make sense to justify breaking some terms just because you don't like them but keep the rest of the service because it's convenient. Would you sign a contract and then break specific clauses just because you didn't like those clauses? The contract is the contract. You choose to give your word to abide.
Disney for years resisted selling films on videos because they had no way of controlling how many people would be in the room watching the content. And they investigated single-use tapes (these had a latch that prevented rewinding, you'd have to send the tape back to the factory to be re-wound) and 24 hour DVDs (these would be sealed in an oxygen free case and would start oxidising on contact with air).
This short time we've had of "owning content" has been an anomaly and it's something they've wanted to stop as soon as possible.
> My Plex server is full of DVDs and BluRays I paid full retail price for (that's $20 to $30 USD each), it's not stealing to use it,
Format-shifting is not legal in all places. It's currently not legal in the UK. And if it requires circumvention of technical measures (which ripping DVDs and BluRays does) it's probably not legal because of DMCA.
If you want to change the law you're going to need a better argument than "I bought it", because you haven't bought it, you've licensed it, and they control the licences.
I did find the dvd one: https://en.wikipedia.org/wiki/Flexplay
> Cassettes of major movies such as The Bridge on the River Kwai, Guess Who's Coming to Dinner, Dr. Strangelove, High Noon, It Happened One Night, Divorce Italian Style, The Quiet Man, The Belles of St Trinian's, Two Rode Together and Brother Rat[4] were ordered via the initial 200-movie catalog at a retailer, delivered by parcel mail, and then returned to the retailer after viewing. These rental cassettes were red, approximately 7 inches (180 mm) high by 6.5 inches (170 mm) wide by 1.5 inches (38 mm) deep (however used the same videotape used today) and could not be rewound by a home Cartrivision recorder. Rather, they were rewound by a special machine upon their return to the retailer.[5] Other cassettes on sports, travel, art, and how-to topics were available for purchase. These cassettes were black, and could be rewound on a Cartrivision recorder. An optional monochrome camera manufactured for Cartrivision by Eumig could be bought to make home videos. A color camera was in the works but never materialized before CTI's demise.
Have you ever heard of books?
I am inclined to agree with HBO, Netflix, et al. that this is stealing. You are using their computing resources against the terms you agreed to.
However torrenting is good and not stealing. You are using your own bandwidth.
4.2. The Netflix service and any content viewed through
our service are for your personal and non-commercial use
only and may not be shared with individuals beyond your
household. During your Netflix membership, we grant you a
limited, non-exclusive, non-transferable right to access
the Netflix service and view Netflix content through the
service. Except for the foregoing, no right, title or
interest shall be transferred to you. You agree not to use
the service for public performances.
Note it says "household" not "individual".And frankly this is a good thing. It would be completely ridiculous for Netflix to demand a separate account for my wife and each child. The children aren't even allowed to make accounts, they would be left high and dry.
This is one area where I have a constantly annoyance with Steam. You can create multiple accounts on Steam and share the library, but you can't play more than one game at once, even if it's not the same game. It's horrible. I can understand locking you out of a specific game because someone else is playing, but locking you out of your entire library because someone else is playing is so dumb.
IANAL
- https://aeon.co/essays/the-idea-of-intellectual-property-is-...
Personally, I want to financially support media creators, but every time I get a forced prereel commercial, or Hulu inserts ads in a service I pay for, I make a mental note to care a little less. Every time I’m region restricted, I make a mental note. Every time my browser widevine plugin breaks and I can’t watch something, I make a mental note.
Essentially every time I witness a dark pattern, I realize this is about control. Not fairness.
Fuck them. If they wanna play games, I’ll play games. And I’ll win, because I’m better at it than they are.
I would be happy to pay some cryptocurrency directly to an artist for the production of media. I could care less about the distributors though.
Now, it's true that it takes many individual artists working together to make a major motion picture of any kind, but that doesn't change the fact that there are so many layers of middlemen between your money and the actual artists that saying that "giving Disney your money" is giving your money to the artists is....at best a gross oversimplification, and at worst outright false.
Should software be free as well then? It seems to me it should fit the definition of culture, and the economics of e.g. a game seem similar to the economics of making a movie.
The problem is they won't do that though, they'll just pocket the extra. Bit of a tangent, but this is one of the major failings of our current economic model IMO - it is perfectly acceptable, even encouraged (because shareholders need profits), for companies to milk consumers for all they can.
There is a level of assault ON the public's rights happening. They arent completely innocent content creators being robbed, having done nothing wrong.
It smells less of entitlement, and more of intentional comeuppance.
It's not just hypothetical. In our family we subscribe to 3 or 4 streaming services, but last year we still had to pay $5 to watch It's a Wonderful Life (1946), a movie that was literally in the public domain for 20 years. A Charlie Brown Christmas (1965) wasn't available at any price, except with ads that stretched its 25-minute runtime to nearly an hour. We pirated that one. I don't think most people would think there was anything wrong with that.
You're probably right for everything produced since the second World War, but I doubt people think that e.g. Triumph of the Will is under copyright. I think people have a vague notion of "historical" vs. "contemporary" that starts right around the end of WWII.
My point is there's plenty of good content people want that's 30-70 years old & they don't feel bad about pirating it. My dad by his principles would never download a new movie; nevertheless he's looking up the songs from his childhood on YouTube. He feels entitled to listen to them whenever and however he wants. I think that's a pretty common attitude toward the older stuff.
I'm actually a fan of the notion of copyright, trademarks and intellectual property in a sense but not to power it currently holds. Infringement on your sole or licensed right to copy is not as significant an issue as permanently depriving someone of something.
You might argue that someone who copies another's information is depriving them of money that would have been paid for that information. This is flawed though as you would need to be able to prove that the infringer of the copyright would have paid for the information in the first place.
That’s exactly what I’m doing. What does it matter exactly if I pirate or not? The money would not reach “engineers” and “artists” either way.
If piracy wasn’t available , you might find yourself paying for some content even if not everything you pirate.
you are probably talking about paywalls. my 2 cents is that all that pay-to-read content is somehow going against what the internet stood for: a network where information could be freely shared. this will always find some resistance.
what about having a separate network where they can take all their pay-to-read blogging platforms, newspapers & magazines, etc?
the other thing is that it's impossible to pay for all these digital services. and more and more are being created. something is wrong with that model and it won't last long.
It still baffles me that people try to justify their objectively immoral theft of someone else's hard work and their right to profit on that work as they see fit with pedantry like this.
The only people who can copy a show to show it to you have "the license" to do so.
When you disregard the license put in play to govern the content, you're stealing from the people who protect their property with licenses.
Even in the open source world, respecting the terms of a license is important.
It's not theft. It's not fraud. It's not vandalism.
And yet, people in these discussion use those wrong terms to describe the activity. But the only reason they do that, is because they want to attach the greater stigma of those crimes, onto the less stigmatized crime of copyright infringement.
And that's a dishonest argument.