I'd be interested in follow-up reading on the academic research you're gesturing towards here- do you have links or any specific names/citations that would point to the material you have in mind?
https://www.washingtonpost.com/posteverything/wp/2016/06/24/...
https://www.independent.co.uk/life-style/women/disney-movies...
https://srcd.onlinelibrary.wiley.com/doi/abs/10.1111/cdev.12...
https://link.springer.com/article/10.1007/s11199-011-9930-7
http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.933...
https://scholarworks.sjsu.edu/etd_theses/4094/
https://link.springer.com/article/10.1007/s11199-017-0773-8
http://www.hillpublisher.com/UpFile/201803/2018032844432581....
https://firescholars.seu.edu/cgi/viewcontent.cgi?article=105...
https://macsphere.mcmaster.ca/handle/11375/14406
https://en.wikipedia.org/wiki/Criticism_of_The_Walt_Disney_C...
I feel if anything the "pretty is everything" comes from toys, rather then the movie plots themselves.
Young, beautiful girl runs into conflict because ____. Foolishly and/or impulsively, she attempts to solve the problem herself by ___, but of course she is too weak to do so. Luckily, she is saved by the charming man, who resolves the problem by ____.
Wrap it around details of a fairy tale and bam: $300M+ profit.
Step in the right direction, still pretty lame.
This is not a narrative I find more compelling for my daughter than a mermaid trading her voice away to have the opportunity to seduce a sailor prince.
The thing is, this really wasn't just a Disney thing, it was largely a Hollywood thing in general. Strong(er), three-dimensional women in film narrative didn't hit major motion pictures with significance until the late 60s and into the early 80s.
The late 1980s was an unfortunate time for Disneys resurgence, because somehow there was also a revival of strong man/weak, beautiful woman tropes in Hollywood. So when movies like The Little Mermaid, The Princess and the Frog, Tarzan, Aladdin, Beauty and the Beast came out they very much followed this template.
The plots of these and previous movies hammer home that the young women are meant as prizes for men who come and save them. It's in the stories themselves.
I’ve been pretty pleased with the last several years of children’s content though. A lot of it feels respectable of kids intellect and aware of where we’re trying to get culturally. Inside Out and Zootopia come to mind.
Frozen is an interesting one in that I felt it was mostly in line with previous Disney film tropes but it had a lot of plot points that allowed them to say, technically, it wasn’t.
I am unconvinced about the disney renaissance characters: jasmine literally storms out of a room saying "you can't decide what's best for me" to her father, aladdin and jafar; the little mermaid saves the prince, before she saves him; Belle doesn't get saved by anyone either, and the strong handsome man is actually the bad guy.
I mean, sure, they exemplify a certain passée idea of woman/girl, but they are a far cry from cinderella and sleeping beauty.
Also note how many of these present older women as the villain.
One thing I noticed is that the focus of these is on gender-stereotypical portrayals of princesses. Is only the princess-themed content specifically seen as 'damaging', or is Disney content not featuring princesses also suspect?
Another detail is that a good number of the results you dug up seem to be reflections on interactions with the 'Disney Princess' line of toys and media which was launched in 2000, which would suggest that the most 'damaging' of this content is specifically 'post-2000'. Was there something about pre-2000 Disney content you had in mind that's especially damaging, that is not the case with the post-2000 Disney Princess line, or is it all garbage?
However it's just not about girls, it also impacts boys negatively as well. If you have to read one great book about raising kids, make it NurtureShock. One thing I learned from it was how kids learn to value nature vs nurture. When you tell your kid "great job! you are smart" you are basically saying they have natural capability to do great things, they don't have to work for it. So when they fail, they tend to interpret that there is nothing they could do. Parents who say "great job! You worked hard for it" have much more successful kids. One simple phrasing makes huge change in their lives. NurtureShock has detailed analysis and citations.
Back to movies... Here's the thing: Do you love Star Wars? Lord of the Ring? Harry Potter? Do you know what is one common thing between all of them? The hero in the movie is born with capabilities to be great. You are Jedi because force with you since you were born. You are just that way. You didn't had to work for it. You are just destined to be the great, it's written in the stars. Story writers know this simple thing is cocaine for people and they keep creating more supply to keep us fed. We get hooked on to it right away but its not good for us. Now look back in your life and think about all the time you avoided hard work in the hope that your specialness would just do the work for you. Kids should avoid these kind of movies, at least until they are 18 or may be 21.
Harry potter also employs this trope in the beginning. But builds upon it beyond the wish fulfillment.
LotR? He literally inherited the ring and was pushed into the adventure. It gets better from there, but his past doesn't really matter. If mentioned, I can't remember anything except some reason for the other hobbits to tag along. Could have happened to anyone. It certainly doesn't convey any kind of message like "you have to work hard to find great adventures in life". No reason not to enjoy a movie/show/franchise, but should probably not be entirely absent from a media diet, either.
In the last decades STEM enrollment for girls rose in poor countries. And Disney movies are watched worldwide, including poor countries...
[1] https://www.theguardian.com/science/2018/sep/29/so-is-it-nat...
This is just an example of a well-known recent sociology paper that can appeal to science-minded people unfamiliar with sociology.
By the way, it's a danger to rely too much on mathematical formalism as a heuristic for deciding whether a research field is scientific or valid. String theory for example lacks empirical evidence (and maybe even the possibility of empirical validation altogether).
I have only anecdotal sample size of one - but my daughter loves disney female characters, and she enjoys maths and sciences as well. Her mother has a PhD in physics so there is that as well, so... we're not exactly a good 'average sample'. But I've never got the vibe that she would not enjoy maths because the little mermaid doesn't.
Societies are driven by fashions that trickle down from perceived elite to the rest of the society. It's much more 'damaging' if there are popular celebrities setting the 'wrong' example, rather than if Ariel is not into STEM.
I know it's popular to blame big corps for all the woes of the world, but non-interactive entertainment is not harmfull on the same scale as social media or tobacco.
I have a hunch it's not the disney princesses that stifle young girls but just being told at some point in their lives that science is more for boys. You don't need more than that. Once you have a bunch of young girls, each of which have internalized this at some point in their life, it becomes part of their 'subconscious group identity' and that's that.
I think it's ok for girls to love princesses. It's not ok for their role models (mums) say so that they hear "i don't understand maths but that's ok" or something silly like that.
Kids learn rules from adults. Not from cartoons.
Expose your kids to physical comedy trough silent black and white classics. Young children love them and watch them again and again. Adults love them too. Charlie Chaplin, Buster Keaton, Harold Lloyd and many others.
While not silent, as a child I spent many a weekend morning watching The Three Stooges on our local PBS channel.
There's no study that supports post 2000 content does anything to improve things.