Practices That Hurt Dyslexic Users
uxmovement.com
uxmovement.com
would work too, but stops the line from breaking after sentences.
Not that its a good idea... But that's how you'd do it :)
More seriously - is anything like that used in the wild? I'm just trying to figure out why they gave a suggestion to stop doing something that it takes such improbable work-arounds to do in the first place. Double-spacing after sentences sticks out like a sore thumb in proportional fonts.
Edit: this mentions Comic Sans as a somewhat dyslexic-friendly font: http://www.angelfire.com/tn3/writing/DesignUsersReadDis.pdf
Since when is fully justified text deemed difficult to read? I guess that's why nearly all printed books use fully justified typesetting?
lines where words are spaced far apart
which many people find harder to read.Printed books are justified and hyphenated, so this is not an issue.
Unfortunately, browsers are not the only offenders here. Almost almost every word processor in existence is brain-dead when it comes to justification. To my knowledge, there are only a handful of programs that get it right: InDesign, Quark, and Word (but only if you turn on a "Compatibility" option called, "Use Full Justification like Word Perfect"). I am deliberately excluding dinosaurs like Word Perfect and Pagemaker, which also get it right. Oh, and TeX. I am excluding TeX. Tough cookies.
What do I mean by "right"? That there should be more than one tool in your line-breaking toolbox. Hyphenation is one tool. The other is minimum word spacing. This means that instead of only allowing space between words to grow, you also allow it to shrink, up to a set limit. In almost every word processor (Including OOo and derivates, Pages, Mellel and Nisus on the Mac, etc.), no attempt whatsoever is made to reduce the spacing between words to allow another word to fit, or a hyphenation break to occur at a better location.
Doing this is obviously very controversial but I think that allowing InDesign to stretch and squeeze letters by a percent or half a percent is visually not noticeable (at least with body text) and can noticeably reduce the number of large holes in your text, especially if the columns of your text are relatively narrow.
Other word processors don’t give you that option at all.
I've found that text with variable font widths looks "off" to my eyes, but because the effect is so subtle I'm not sure that this isn't just psychological.
You also shouldn’t think of spaces between words as multiples of one space width. When you are justifying texts, a space has no defined width, it has an upper bound and a lower bound.
I also don’t think that algorithms are the problem. InDesign does a beautiful job at typesetting paragraphs. You can enter an upper bound and lower bound for the space between words and you can display violations of those bounds (the offending words will be highlighted) which you can then manually fine tune. InDesign also offers many other options for hyphenation and justification. (Other professional layout tools have similar options.)
The problem might rather be that the effect of such sophisticated typesetting is subtle and it is unlikely that a program like Pages on Mac OS X will be used by typesetters and designers who care about things like that.
Sure, it's good to keep disadvantaged users in mind, but some counterpoints:
1) As already mentioned, you have to go out of your way to double-space after periods in webpages. It's something to keep in mind, sure, but it's rare.
3) Gray on gray. As I started reading the article, I found that it was a little difficult to read because of low contrast.
5) Serif fonts. Used properly, serif fonts increase readability for normals.
6) Italics. You shouldn't be using italics for lengthy tracts anyway, because it's meant to be an effect signifying something (in-line quote, foreign word etc). It's meant to be 'unusual' to mark something as different and should be used in short doses anyway.
Particularly with respect to #3 and #5, the lesson to take away should be "know your audience". If you're writing for the general public, keep dyslexics in mind, but don't make readability harder for the majority to satisfy a minority - particularly with respect to contrast.