Now the overtone series IS important and is not always 'simple ratios', a good example in a real instrument is the strong minor third overtone of a carillon, and as expected writing in major for that instrument is hard.
Now the overtone series IS important and is not always 'simple ratios', a good example in a real instrument is the strong minor third overtone of a carillon, and as expected writing in major for that instrument is hard.
https://www.wolframalpha.com/input/?i=sin%28x%29+%2B+sin%282...
https://www.wolframalpha.com/input/?i=sin%28x%29+%2B+sin%28s...
https://www.wolframalpha.com/input/?i=%7B+x+%3D+sin%28t%29%3...
https://www.wolframalpha.com/input/?i=%7B+x+%3D+sin%28t%29%3...
https://www.wolframalpha.com/input/?i=%7B+x+%3D+sin%28t%29%3...
The strange thing is, none of these "simple ratio" theories account for the fact that our brains allow a lot of "fuzziness" around these simple ratios, so much that you can't really call them simple ratios as they encompass a whole bunch of not-simple ratios as well.
Edit: Didn't see the url, makes my old reply obsolete:
Interesting. I tried to avoid clipping/aliasing by using audacity with as high quality audio as my system allows and I can still reproduce pretty much exactly what you hear on those websites. https://vocaroo.com/i/s0Be5CexLgVs is 440hz, then 440hz+880hz, then 440hz+850hz. But I would be interested in any repeatable signal that does not harmonize at all so do share!