Cambridge gallery lends art to students 'with none damaged' in 60 years
bbc.com
bbc.com
It's very popular here — students camp out overnight to maintain their spot in line, and the art up for rental tends to run out quickly.
[1]: https://www.oberlin.edu/news/art-rental-behind-scenes-look
[2]: https://www.oberlin.edu/news/visionary-behind-art-rental
I have no idea what the damage statistics are for it, but this just reminded me of it.
[0] https://listart.mit.edu/collections/student-lending-art-prog...
I use to play on a minecraft server that had a griefer trap right at spawn. The server automatically monitored any attempts to grief and auto banned griefers while sending a server wide announcement.
When the server was wide open and anyone could join, the ban notice would spill out so fast we had to get an admin to silence it.
When we swapped to a whitelist that required a person to submit an application and wait to be approved, messages were rare. Only one or two a week.
When we swapped to invite only, we never had the message go off. Not once from what I remember.
As we swapped between the three states (in an attempt to maintain a certain server population level), the pattern was kept up.
The lower the cost to get in, the more people who violated trust. The higher the price, the less people who violated trust. When personal reputation was on the line, no one violated trust.
Seems like a compelling idea.
Related: Microsoft are looking at using AI to detect abusive in-game chat. [0]
> When personal reputation was on the line, no one violated trust.
This approach hasn't worked for Facebook, for whatever reason. Perhaps Facebook triggers the 'road rage' mentality more than gaming does.
Plus, they were never invite-only (or at least have not had that model for a long time).
I know that goes against what people want to believe that we are all the same, but fact of the matter is that most people are in fact not at all the same outside of a confirmation bias bubble that people often are not even aware they are in. Exhibit A are the several liberals that have been slaughtered while proving that muslims are not violent by hitchhiking or hiking through muslim lands.
It is easy enough of a thing to test and prove, even without putting the actual art at risk. You could just reproduce fake art and provide it to various different groups of people, including at various costs, to see what happens. It would surely show either that we are actually all the same, or that we are not all the same. Cue the subsequent rationalization and excuse making when the results contradict the cult doctrine.
I find that an extremely interesting study. The more screaming and preemptive hedging and excuse making you encounter, the more you know you will find heretical results.
Yet far fewer in number than the amount of muslims who've been shot dead by Christians and white supremacists even just within the last year, yet it's interesting that "muslims are violent" is the theory you latch on to. Why's that?
> It would surely show either that we are actually all the same, or that we are not all the same. Cue the subsequent rationalization and excuse making when the results contradict the cult doctrine.
"Liberals" don't believe we are all the same. Such an experiment would show the differences in culture, socialisation and upbringing that "liberals" very much believe in. Your ignorance of such things, or dismissal of them as "excuse making", shows that you lack the nuance needed to properly assess such a study.
* the scheme is not widely known/advertised among the student body, so it's closer to word-of-mouth recommendations than mass anonymous access. (Note that there are over 12,000 undergrads but they only lend out 100 or so pieces -- it's a self-selected 1% or so of students)
* there is a deposit plus the hassle factor of actually going to collect the piece, so you're not going to do it unless you actually wanted to display the art; this is a minor barrier to entry but it makes a difference I think
* students are easy to find and easy to impose penalties on in the event of actual malice, because you can just ask their college to intervene
* they take some obvious precautions to avoid major risk -- no lending of very valuable pieces, no lending of sculptures (which I guess to be at higher risk of being knocked over and accidentally damaged compared to pictures hung on a wall)
The biggest threat to these pieces lies in being stored outside of a climate, light, and humidity-controlled environment. When the lifespan of a thing is hundreds or thousands of years, this matters just as much.
However, if the museum doesn't normally keep its stored pieces in a controlled environment, then this should be no different.
But kudos to these organizations for trusting the students enough to do this.
A painting requires a viewer for it to become art.
It may just as well not exist at all.
Maybe for a lay-viewer. As an amateur realist painter, even the very best prints seem to lose 75-80% of the mark-making and process clues that are easily observable in originals.
I don’t think there were deposits but we maybe had to write down what we had borrowed.
https://www.zlb.de/fachinformation/spezialbereiche/artothek....
This is slightly off-topic but it was interesting to learn that "homely" has a very different meaning in the UK. Similar to "homey" in the US
Would you be the artist for creating the comment? Or would I be the artist for using the comment and framing it in a creative way?
EDIT: Richard Prince[0] I guess I've been on HN longer than I thought.