Disney Bans Netflix Ads as Streaming’s Marketing Wars Intensify
wsj.com
wsj.com
For example; I wanted to buy "Final Space" on Blu-Ray, and it doesn't appear to exist. I then look for DVD, and the only place to purchase that is on TBS's website, and it's been sold out for quite awhile.
I really don't want to have to sign up for another streaming service, I just want to buy the damn show, rip it myself, and watch it on my server; sadly it looks like I'm somewhat in the minority on this, and I suppose I get it, but it does upset me that soon the only way to guarantee that I get to have something forever is via piracy.
EDIT:
I just checked, apparently the DVD for Final Space is back in stock. I think my point still stands, and I think that it's weird that a show that was broadcast in 1080p isn't available on blu-ray.
Or, you can invest nothing extra, and the majority of your audience will still engage with the product.
The cost/benefit analysis doesn't point to physical media as worth it.
In another life I did a stint in the subtitle industry (right around the glorious DVD boom and before the arrival of Blue-Ray).
Execs from distributors would sit down in a room once a movie had been subbed and played around the UI to see if "every language can be selected". How to spice up that job and make it look like indispensable ? Become an UI expert in the shades of faux shadow TIFF pictures overlay and timing in sound loop in menus. The fact that magazines were grading DVD's menus and UI also helped. "It's part of the experience". From then on you could not not provide fancy menus.
The funny part ? We had to purposefully disable built-in functionalities (soundtrack switching, subtitles switching, scene skipping, etc.) to enforce some "entertaining" loading times (and the usual anti-piracy scheme). So that the exec can sit in the room discussing for three hours how a menu DVD should look and sound to "give a mood". Rinse and repeat, you got a job.
Fun fact: the whole operation relied heavily on DVD shrink which we used to remove those limitations. Some took the habit to introduce hidden code to disable stuff or still allow skipping.
I am a bit bitter about it but I acknowledge that for most people it's part of the experience and it's expected. But forcing it on people who don't like it ? Bummer.
edit: I don't remember the name of the major software used to produce DVD menus (it was a tool chain anyway) (sonic something ?) but it was horrible compared to flash and flash mx from the mid 2000's. Think: timeline, b-frame based loop, on a slow media, still frame for background, simple transparent overlay TIFF files to render highlighted menu items, the editor was basically a vid and audio track editor with loops and skip points. No code. Mac and Windows versions not compatible.
Adobe had a good hobbyist software but there were small showstoppers problems I can't remember.
Anyway, it went all downhill really fast as the money needed to get a studio on track to do the authoring went from hundred of thousand of euros for hardware to a PC with early NAS and cheap HDD. A guy could set up his own subtitling and authoring studio on a dime. But you needed connections with distributors to make some money.
Not saying you're wrong, I just don't understand.
Interestingly, I have never lost hard drive data in 25 years or so... I am pretty meticulous in my backups.
If you buy movies from the four major studios that support Movies Anywhere and you connect your accounts, you can purchase on Google Play, Amazon Prime, Apple, or Vudu and they are credited to each of your accounts.
That being said, I wouldn’t buy digital movies either. I will rent them.
Just checked prices again and it's at $4 a month for a terrabyte, which is less, but I'd still just rather rent/buy than pay for backups.
When have you “bought” digital music or movies and lost access to them?
Refusing to pirate from shitty companies on ethical grounds is like refusing to switch from a shitty job to a better one based on loyalty to the company. If loyalty meant anything the company wouldn't be treating you so poorly in the first place. Same goes for Disney or EA or whoever else.
Signing up for streaming drm only content is a lose lose for me, especially when the bandwidth and speed in my country is rather dismal.
[1] -- https://discussions.apple.com/thread/6474540 (But, it's old, so may be out of date? I didn't spend too much time looking into this one provider.)
Just for the record I found out why my it would not accept my updated AMEX information. Because of the charge back due to a dispute that I put through my AMEX card when the app company never got back to me on unauthorized charge AMEX was able to get me my credit but then Apple has the right according to them to no longer accept your AMEX card as form of payment. Well this is another reason why I hate APPLE period, I only own a iPad and will never own a iPhone. I told them they have lost me as a client. It's ridiculious that they are going to tell me that I cannot use my AMEX because of a $7.99 charge back. PLEASE don't insult my intelligence.. I am done.
This is exactly what we need, removing the lock-in. I could buy something and then watch it on netflix or on amazon prime, doesn't matter! I would love it. Sad that it's going to be discontinued.
Unless, everyone gets so used to pirating things that they ignore the evolutions in pricing models and find it easier to just pirate content.
If I'm not doing something active now and I just want to sit - I read the funny pages (reddit), I read hacker news, I find questions in my mind to research, I play video games, read a book, start a side-project and/or listen to some music.
My wife still watches all sorts of garbage TV and if not for her I'd have cancelled cable a long time ago.
I feel much happier paying a handful of content creators via Patreon than spending money on a cable or streaming service subscription.
There would be a lot more work to do if I wanted to "product-ize" the tool, and periodically youtube breaks it by adding a new feature or moving something around. For personal use, though, it's very needs-suiting. The whole approach is also less of a tempting distraction than browsing youtube itself, so it's easier to manage how much time I spend watching videos. If I ever run out of content, I just go for a walk, or read a book!
Then I just have a setup in plex for youtube videos and I have plethora of content to watch when I have time.
Its jarring to use "normal" youtube now and all the ads after using this setup.
Also really nice for archiving channels and/or preparing for when youtube randomly decides to throw strikes on videos and not being able to see them anymore or people setting things to private etc...
1. Sharing account details. eg four people in a circle of friends, one will have Netflix, another Prime Video, someone else will have Now TV and so on. And each of them will use the others account so all of them get access to all of the services.
2. Some of the more well off individuals or less socially connected will sign up to two or three services and pirate everything else.
Whichever way you look at it, basically consumers have gotten fed up with the vendor lock ins and have gone back to sharing content.
It has always been this way though. Even when VHS's were a thing, you'd get families which would share videos with each other. Sometimes those films and TV shows were just recorded straight off the TV. This is also why I think there is a culture where people don't care about downloading content because there has always been an understanding that it was fine to record stuff on the TV and radio for personal consumption back before the internet was in every home. The daft thing is the TV and film industry had a massive opportunity to disrupt this culture but instead their own greed has just encouraged people back into old habits.
I know regulation isn't a popular topic on here but I do wonder if it's time someone stepped in and said "You guys need to start cooperating together!"
Sadly Disney is now lobbying to make that a crime
Corporations will get involved, jack the prices up, throw in ads and try to invent cable again.
Repeat.
When Netflix streaming (and Spotify, Steam) became popular it made consuming your favourite content easy, cheap and decent quality.
Now, with so many competing platforms, watching your favourite shows is more expensive and more difficult (having to have loads of accounts and remember which show is where, etc). Piracy will bloom.
Out of curiosity I looked to see if there were any bootlegged Beauty and the Beast (original) available for my kids to watch. Couldn't find anything that (1) worked and (2) worked with Chromecast.
Case in point: all I want right now is to stream the award-winning film “Give me Liberty”. It is over a year old and available precisely nowhere.
And when it comes available, the chances are high it’s not on one of the several competing services I pay for on a monthly basis.
Anyone who watches Hulu has heard "will play with a commercial before and after the show". Hulu has been increasing the number of ads they include. It used to be ad free for many shows. Then they went to 30 second ads. Now they're stuffing 180 seconds or more on many shows.
> higher quality (arguably) shows
Definitely arguable. My feeling is the quality is going down quite a bit, but I think that's because the demand for content volume has increased (in the era of binge watching, a single TV series is started and over in one weekend).
> Additionally, it’s possible to just subscribe to the one service you really like because they all have a lot of content.
This might be true now. But there are multiple high profile streaming services launching in the next year (e.g. Disney+), which is prompting Disney to pull all content off other platforms.
Which is sad because there are plenty of better things to do than TV. I love shows as much as the next person, but if streaming really does morph back into Cable, I will just end up watching little to no TV and pirating anything I must see, which is rare. I'm already most of the way there anyhow. Life's too short for modern brainwashing via advertising. Vegetation is death.
Ad tiers of streaming services are really cheap (approaching zero over time), so if we are looking at those, then the cost of a bunch of them is less than cable equivalent and don’t need to be better (even though they are.)
Marvel/Disney/Star Wars/Simpsons... I’m good for awhile.
And yet Amazon Prime insists on showing me ads for their other shows before I can watch the one I actually tapped on to watch. Or the next episode of the show I'm watching. It really diminishes the value a lot.
I vastly prefer the experience of Netflix.
Prime Video simply feels like a bad Chinese knockoff of Netflix.
I'm sure Netflix will start once revenue starts slipping.
As for cable-style interstitial commercials, though, the only way I could see Netflix ever doing that is if the company were to enter a Blockbuster-level tailspin. It would be selling off the core Netflix experience just to stay afloat.
Stupid semantic arguments about whether it is an ad are not are completely irrelevant to the fact that I don’t want to see content I did not pick.
Hulu has literally half a dozen old shows that they are contractually required to show an ad in front of or take down entirely. The vast, vast majority of users on the service will never see one.
It's a very different scenario to a company actively looking to increase advertising.
I can see Netflix looking to a similar model in the future. What are they at now, $12.99? I can see the current base subscription going to $14.99, while simultaneously launching an ad-supported version priced around $7.99.
Edit: Netflix actually DOES offer a cheaper $8.99 plan currently. This one is restricted to one screen at a time, and does not offer content in HD. So if they stuck ads on it, maybe they could bring the price down to like $5.99.
So the only way they can make an ad-supported Netflix work is to create some form of much more effective ad (which usually means taking more of your data) or attract a very specific high value audience (makes them too much of a niche player for their size)
No, but instead a pretty bad attempts at suggesting content because you happen once to watch xyz out of no reason.
> more shows
If you live in country that happens to have license agreements done well - there's still lot of content I am unable to see on Netflix in Poland because someone holds license rights for the show or movie. I'd like to see older movies, tv series - things I grow up with but instead I'm being constantly flooded with new stuff that I'm not fond of (not mention that damn autoplay preview in "header" part of Netflix in both site and applications; I really wish there would be a way to disable that "feature").
Ohh you sweet summer child... Cable was the same way when it launched. Everyone knows how this ends.
No commercials on Netflix.
I"m sure they do product placement and other marketing stuff, though.
And like others have said, people are using Netflix to replace cable - and as such, it is a cable replacement. It isn't difficult to get some live news from major services (BBC, for example) or get some local news from local sources. I don't know much about sports as I've never really watched them - but I know in some places, you need a fairly special cable package to have good access and that sometimes, a disagreement between the networks and the cable company will keep them from you. Using sports as a marker seems pretty flimsy.
I'll admit this was only on a few networks and maybe only certain programs, but overall it was a pretty poor experience.
We got a la cart purchase power. Now we just need to bring our own devices for each service.
I've been a long time Roku fan, and for now it can stream everything I want (though there was a time where I needed a Chromecast to get YouTube). When will the battling streaming services change that though?
[1]: http://cdixon.org/2012/07/08/how-bundling-benefits-sellers-a...
Now that streaming has gone from experimental status to mainstream adoption status, it now has the same pressures to deliver profits above all else. What is the customer going to do, go back to cable TV?
Netflix/Hulu have become successful in part because they undercut cable with lower subscription fees and fewer commercials.
It makes sense that once streaming becomes the dominent mode of television consumption, with traditional cable pushed out, that they begin to adopt some of the more aggressive value extraction mechanisms as did traditional cable service.
I predict the same will happen, or perhaps it's already beginning to happen, with Amazon in the retail sector (Amazon is providing more value for less money compared with traditional retail, which is causing retail chains to close shop, which will lead Amazon to discover new ways to extract new value once brick/mortar chains are gone and no longer competing).
But, that is capitalism.
Why is that?
For years, I heard people saying "I just wish I could get ala carte cable". Well, the future is now.
Really? How can I buy the shows & movies I want and literally nothing else?
Why is this a need? The minimum unit you can purchase is a month of service. You are free to subscribe and unsubscribe as many times as you want. I'm not aware of a single service that costs more than either a single movie theater ticket or a single newly released Blu-ray/DVD. So you are free to subscribe to HBO watch Game of Thrones, cancel HBO, subscribe to Netflix, watch BoJack Horseman, cancel Netflix, subscribe to Amazon, watch Marvelous Mrs Maisel, cancel Amazon, and so on. That is much more control and choice than cable subscribers had a decade ago. We don't need to make perfect the enemy of the good.
The license generally does pass along with your purchase account when you die.
Like... I've never seen an ad for Fox on CBS, or for ABC on NBC. Same as I don't think I've ever seen ads for the NYT inside of the WSJ.
I don't have a strong opinion on the matter... but is a policy against Netflix ads on Disney properties really something new and newsworthy, or just par for the course for companies in the US which compete generally?
Either "advertising" should be considered a "free speech" issue from the point of view of the broadcaster -- that they have the "free speech" to allow/disallow whatever ads they want -- whether because of vulgarity, quality, competition, political alignment, whatever they want, including charging different ads different rates if they so choose.
Or we consider advertising space a "free speech" issue from the point of view of advertisers, that any and all advertising on TV, cable, newspapers, magazines, etc. should be equally available to the highest bidder. Thus a newspaper should not be able to discriminate against an advertiser because of vulgarity, competition, quality, brand alignment, etc.
It's actually a really thorny issue because there are really good arguments on both sides.
Seems to me it IS a simple answer:
"If you take paid for ads you are not allowed to turn down any ad that does not violate public guidelines"
Set guidelines.
Forcing a company to run any ad based on nothing more than who pays the most money is not only a terrible idea, but effectively compelled speech.
“Free speech” doesn’t include a guarantee that someone will publish it for you. It just means no one can stop you from publishing it.
The public airwaves argument is the only argument that makes any sense at all, but it’s a weak one in my opinion; and that’s now how it currently works in practice.
https://www.fcc.gov/media/radio/public-and-broadcasting#BUSI...
But they explicitly state broadcasters can mostly choose as they like:
> Except for the requirements concerning political advertisements, the limits on the number of commercials that can be aired during children’s programming and the prohibition of advertisements over noncommercial educational stations, the Commission does not regulate a licensee’s business practices, such as its advertising rates or its profits. Rates charged for broadcast time are matters for private negotiation between sponsors and stations. Except for certain classes of political advertisements, STATION LICENSEES HAVE FULL DISCRETION TO ACCEPT OR REJECT ANY ADVERTISING.
(all-caps added for emphasis)
ABC pays for the right to rent the airways and do with it as they please within certain parameters. When you rent an apartment don’t you have the expectation of being allowed to do what you want within your apartment within certain constraints?
It wouldn’t really hurt Disney that much if they couldn’t reach the relatively few people who watch TV over an antennae.
That said, ads suck, blah blah and I personally don't care.
- No ads
- You can watch on demand
- Orders of magnitude more choice in what to watch
- Writers have a lot more flexibility. They don't have to be advertiser friendly.
- Writers don't have to write cliffhangers every N minutes so you come back after the ad break.
- Writers don't have to worry about sequence like they did with TV/Cable, because they know you'll be able to watch the show in order. Meaning that their worlds and characters can change and have real consequence.
Just pick your favorite 2 or 3 services. You don't have watch everything.
Another benefit is less shitty pricing models, none of this first year pricing after which it goes up 50% that Comcast loves to do, and no year-long contracts.
yes!, and am I glad about it, we have more paced stories
> - No ads
Not really, Hulu still has ads for the TV stuff, even if you're on Hulu plus. But yeah, overall, way WAY less ads. For now. But I foresee this is more of a capture strategy. After most of us cancel cable, I think we're gonna see a lot of ads on streaming services. Greed is good. In the meantime, product placement galore. Stranger Things was IMO disgusting from this perspective. Ads just moved from interrupting you to basically taking over the shows.
> - You can watch on demand
I agree, this is indeed a good thing
> - Orders of magnitude more choice in what to watch
Yes, but no. Most streaming services have a lot of filler. A lot of garbage is counted against the 'we have a 10k catalog of movies' but in the end, you have a lot of choice, between a douche and a whole bunch of turds.
> - Writers have a lot more flexibility. They don't have to be advertiser friendly.
Nope, nope, nope. Yes from the show's structure perspective, but in general, It's the exact opposite. Now, they have to write in way more product placement pieces.
> - Writers don't have to write cliffhangers every N minutes so you come back after the ad break. - Writers don't have to worry about sequence like they did with TV/Cable, because they know you'll be able to watch the show in order. Meaning that their worlds and characters can change and have real consequence.
While it's true writers don't have the same problems, they have different problems. Now they have to pander to specific user-research needs, they need to create season-wide cliffhangers and because they know you'll watch the show in order, there's way less shit they can get away with.
Streaming is only convenient when products aren't siloed. If I need to keep track of more than n services (different n for different people), piracy just becomes the more convenient option.
I'd like to pay the hard working people that produce shows I really like. The middleman is just making it really difficult to do.
It costs a certain amount of money to make these programs, if everyone is paying 50% less to get channels/services 'a la carte', then there's not enough money to make all those shows anymore.
How do you know 50% of this money isn't going to executives,shareholders, and bloated corporate hierarchy...and the actual budget for the shows is the same no matter the pricing.
Streaming services charge way way less than cable with much better content.
But now that you have a more complete picture of the lifetime value of a show you know which top 50% (or top XX%) of shows to keep producing in which to cancel.
Here, you can pick and choose much better, and even if you have shows you want on every single service, you can very easily rotate with on-demand.
I am trying to understand what you mean by this. Why cannot the shows you all watch overlap? Pretty much every streaming service allows for sharing accounts by allowing multiple user profiles.
Across me and my group of friends, we have all major streaming services, with one person paying for one, another person paying for another, etc. Each one of us has their own personal profile on each of them, so when I watch something, it gets added only to my own profile without messing with my friends' profiles.
All of us have our own preferences, but a lot of popular shows we watch obviously overlap, and I don't see what issue that could cause. We just use our own profiles and have had zero issues with treating those as our personal ones.
My parents overlapped on some shows, but could have highly different tastes. I'm 6 years older than my sister and 11 older than my brother. We had a little bit of overlap, but not a lot simply because of maturity differences. If you are looking at the same amount of money, streaming would have seemed better simply because of less actual crap, more convenience, and increased satisfaction.
And no, we were not isolated at all. Public school and everything, though the city sizes changed. We were never that far from a somewhat bigger city, though.
Though lately after recently canceling Netflix we haven't subbed to another service. We are planning to do HBO next but haven't felt the need yet.
And that's not even getting into sports.
Your local news coverage is probably already streamed on the web for free already but if it's not, they definitely stream it over the air.
All you need is to buy a 15$ antenna and you should be able to receive local news in HD to your TV.
I bought one specifically for that. I see this as just as important as having a battery radio for emergencies. We never know whether the internet will be up, but the antenna will certainly mostly always works as long as I can power my TV (and I'm equip for it).
Also YouTube TV has local channels and sports I believe. But that's 50$/mo
Even if you don't think Disney is a serious threat, they are losing at their own game to Amazon, which is producing objectively better quality content given their dominance at the Emmys over Netflix (which was nearly shut out).
They have resorted to overpaying billions for old reruns like Seinfeld. At some point people will wake up and wonder why they're paying $15/month to watch reruns and return to actually buying content again for things like that.
Outside of that lucky pick up, Amazon really hasn't done all that well. Many of their big hype shows have been abysmal. That Jack Ryan one is just terrible -- I had big expectations for it, but it's so poorly acted, and so bizarrely edited, that I still marvel that it was released as is. If I actually had to pay for Amazon's offering, instead of it being some bizarre throw-in with Prime, I wouldn't.
At the same time, Netflix has had a lot of fantastic, and fantastically successful, shows. Shows with enormous appeal.
So I wouldn't start shorting Netflix because Fleabag won some awards. Indeed, the trope that Netflix is so over has gone on here for time eternal.
Disney appears to be another big threat for IP reasons, but we have yet to see how their rollout goes.
Netflix probably has to sell ads and/or do something else to remain independent, if the other big tech companies are going to continue to desire to be media companies. If Netflix’s stock drops a lot, they’ll be a big acquisition target.
And it hardly has anything to do with Amazon, they just helped fund some of it with BBC3.
EVERY award is just a nepotism/popularity contest. Nothing is done via merit anymore. I don't know about the Emmy judges but the Oscar judges have gone on record to say they don't even bother watching the vast majority of submissions and just go by "buzz".
Look at the Hugo sci fi book award's being gamed for political correctness.
Obama won a Nobel peace price for...what exactly?
The internet has levelled the playing field but somehow a show produced by a multi billion dollar corporation always wins awards over a net original on Vimeo
Netflix has $12B in debt. Subscriber growth has slowed a lot (2.7M per quarter). They're competing with big players with deep pockets, and sometimes large content libraries.
Services are getting so fragmented that I could see that being a net loss for the industry. Maybe people would have paid $20 per month for Netflix with 95% content coverage, but I cancelled my subscription because $12 per month wasn't worth it for the three shows I watched.
When netflix had marketshare and somewhat a monopoly, they should've pushed for laws to prevent monopolies/exclusive content (or create deals/made agreements for such). Instead, they leaned in to making content the main attraction of their service.
I want streaming service to be content agnostic, and that studios making the content are mandated to allow all streaming services to serve their content. Streaming services should compete on speed, convenience and other non-content related features. Imagine if DVD/tape players were content exclusive - you'd have to buy a differently branded DVD player different shows from different studios!
You mean like having to go Blu-Ray for shows/movies from some studios, and HD-DVD for shows from others? https://www.engadget.com/2008/02/20/two-years-of-battle-betw...
In the beginning I liked netflix because it felt as if everything was there, like on spotify. I always saw netflix just as a distributor of content produced by others.
Then they started to make all their own shows, and I found less and less of the stuff that I wanted to watch. It's as if my ISP would stop to serve me google and facebook, and instead made their own homemade replacements and served me those instead.
> Who should decide a fair licensing cost?
the cost is the same - the studio decides it, and any streaming services gets to use the IP if they pay the studio.
> Commodity products don’t make money when they can’t differentiate
that's absolutely not true. They can just charge X% above operating costs (where X is usually 10%). It is true that they cannot make exorbitant amounts of high margin profit. But that's a good outcome.
Perhaps if Internet service were regulated like a utility then paying for fragmented streaming wouldn't be so bad. As it is just a few hundred megabits per second rivals the cost of television cable in my parent's time.
Then this past week, watched "The I-Land" which was heavily advertised on Netflix. Watched 1 episode, and then started episode 2, and then quit. It was basically a pile of garbage.
Apparently, I am not along in my assessment.
https://www.tvinsider.com/815148/the-i-land-netflix-reviews/
https://qz.com/quartzy/1712203/the-i-land-on-netflix-is-the-...
Basically, I use Netflix mainly for entertainment for my children. Since they are huge Disney fans, I can't wait for Disney to release their streaming service, so I can cancel my Netflix subscription.
When you ruin your product in effort to game your users, you've already lost.
The fact that they have enough conviction in their data to stick with autoplay despite the bad press should be a very good sign about a company's culture (and therefore their future).
I don't see how putting a toggle in their app to turn off all these things is such a major change. This is like snapchat "i don't care about android" levels of tech stupidity/laziness
I don't necessarily agree that they're "circling the drain" as GP put it, but hitting a goal can definitely be a sign that a company is in trouble. Autoplay videos might net them some short-term viewership at the expense of long-term goodwill and engagement.
Yep, they do this in all sorts of ways. It feels exactly like you're getting gamed.
- Rotated order of shows / movies in all categories
- Rotated images for the same shows and movies
- It doesn't show you that you've previously watched something while browsing
- UI will show "in watch list" label over expiration times so you can't tell when it'll disappear
- DVD listings (and even the details page) stopped showing that you already had this movie shipped to you in the past
They do everything possible to make it as hard as possible to get a scope of their catalog size and to avoid re-watches. If you've been subbed for 10 years it's sometimes hard to remember you watched something 8 years ago.
edit: The really annoying thing about "I-Land" is that it has an interesting premise at the core. They could have done so much better with that, it physically hurts.
Disney* is ad free.
> return to actually buying content again
It's a nice thought, but lets be honesty piracy is coming back for round 2 off the back of the splintered streaming ecosystem.
Movie / TV streaming & PC gaming. It's really a bummer, because I don't mind subscriptions, but I will not subscribe to everyone's.
The two wildcards are Apple and Amazon. I don't see either company competing directly, but they could lower the cost of customer acquisition (especially internationally) for HBO Max, Comcast, etc. and take a cut of the subscription. If that doesn't work, I think these other services will have a hard time competing internationally outside of Disney.
I don't think many people will cancel Netflix, but right now, it seems the content needs and costs scale in proportion to subscribers, which isn't ideal for them. I could see Netflix struggling over the next couple of years, but Comcast and AT&T struggling, even more, to get their services off the ground. At that point, perhaps AT&T and Comcast go back to selling content to Netflix, or perhaps Amazon buys up the content rights cheaply after everyone else is decimated.
Amazon stopped a few months ago. You just cannot watch Seinfeld online.
Amazon has a similar problem of having a worthless catalogue where I live. Every movie I clicked on during my prime trial said "not available in your region".
HBO was possibly the biggest disappointment where despite not having to cut deals for ads in their shows, their steaming service is still not available globally.
With Disney talking ads in their offering, I have zero hope that they will launch worldwide at the scale of Netflix, and certainly not in Sri Lanka. Maybe India. But not Sri Lanka.
Funnily enough, google play has been the best option for me. I have various networks' TV series purchased on it. And movie night usually means renting the major movie studio produced stuff from Google play. I hope they stick around for a long time to come because they somehow seem to be the one globally available neutral ground left. Weird how that works.
Disney won't show competitors ads at all. Meh.
These cases aren't identical, but the difference still feels weird.
Even with that model, the government decides how much is paid and every song costs the same amount. Should studios be forced to license a movie that cost $120 million as one that costs $3 million.
Also, in that case should software developers be forced to sell their software at one government regulated price? Why stop there? Why shouldn’t we just let the government set all prices?
Nobody pays different ticket prices at the box office for blockbusters.
Also, you didn’t answer the question. Are you okay with the government mandating how other products are distributed?
Generally I support a free market approach except for where it's been proven that a free market approach alone won't suffice.
The issue with the large congolmerates like Disney taking over is that I worry they're going to return to the 'Cable pricing model' except delivered via internet, and consumers will be back to being exploited for as much as possible with as many Ad's crammed into the content as possible.
Then we'll start pirating again and have to listen to the big conglomerates complain about how much piracy is hurting their business...
I guess Hollywood and the movie/tv studios need to have their own Napster moment.
The last piracy boom didn't have highly scalable clouds, gigabit download connections, mobile, commercial VPN services, mainstream machine learning, etc. This fragmentation is going to lead to a situation with a high demand for pirated shows and movies and there are plenty of folks in this world willing to capitalize on that.
I’m tired of my favorite shows being kicked off of Netflix for seemingly arbitrary reasons so I keep local copies around or buy shows on iTunes but as costs rise to own instead of stream I think piracy will increase instead of decrease as it has in the heyday of Netflix.
At the end of the day, Disney is still gonna sell that inventory (maybe at a slightly lower premium). So I would see it's worth it to lose $5-10MM a year if it means slightly cutting off the reach of one of your biggest competitors.
For some reason, people really care about live sports.
It doesn't really fit the streaming model.
Bundling sports with other media allowed for price obfuscation.
https://melmagazine.com/en-us/story/nba-streams-reddit-banne...
This is strictly worse than cable (with on demand) now. We went so far we slid backwards!
I don't care what company made what thing. I just want to be able to consume the content in an easy way, not have go juggle five different apps.
We need multiple providers that have all the content and that you pay a simple flat rate. They should be indistinguishable commodities like Spotify, Google Play, etc.
The situations aren't exactly parallel, but in a lot of ways we got what many people always wanted, but that doesn't make everybody happy. I draw no conclusion from that observation, other than to note it.
I always complained about bundling, and I am very happy with the current situation (yes, even considering that in the next years I will have about 10 services that I could subscribe to).
I would assume that GP might not have complaining at all about bundling and is now unhappy with the current situation where they would have to subscribe to a lot more channels to have the same value for him.
Netflix is no different than a cable channel with on-demand access that happened to be essentially the first so they had a lot of stuff on the channel.
There's a regulation that Movie Studios cannot own Movie Theaters. You can go see movies from every studio at any theater near you, which makes them compete on the quality of the experience and price instead of just movie selection.
Online streaming needs that same regulation. Disney should not be allowed to operate a streaming service. Netflix/Hulu/Amazon Prime Video would all need to be broken up into the studio and the streaming platform. They should have to distribute their content to streaming services who then can compete on cost and UX. Then the studios would WANT to maximize the number of platforms their content appears on.
This would be a huge win for everyone involved except Disney/Netflix/Amazon. Consumers would get true competition between platforms on price and experience. The content producers would get a lot more reach for their content. And Disney doesn't get to yank all their movies off Netflix to seek rent on their own platform.
What? $100/mo with ads? On demand on cable has ads, and almost never has full seasons of even moderately popular shows.
Netflix was the simple aggregator through which I could watch what I liked. Hasn't been for a while, though. There are better things to do with my life anyway than consuming movies and shows.
With the streaming services, there's no such equivalent, so if you want to watch something new, you have to start at Season 1, Episode 1. It feels like too heavy of a commitment. In my experience, many shows don't get good until after 6-7 episodes, and I will often start at Season 2 just so I can skip the "character development" arcs and go right into the plotline.
But what do I know, I prefer Shaun the Sheep to Mickey Mouse so don't listen to me.
I'll be pirating any Disney movies that I need to watch, Disney is behind the vast over-expansion of copyright law in the US, and I believe it's unethical to fund their lobbyists.